NIGHT WOMAN IN MADRID

NIGHT WOMAN IN MADRID

Photo taken by Linden Hudson (amateur photographer) on a side street in Madrid Spain.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-11-19 15:11:31

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AE Recovery and Towing Logo, AE Recovery and Towing, Phoenix, Arizona (602) 997-7376

AE Recovery and Towing Logo, AE Recovery and Towing, Phoenix, Arizona (602) 997-7376

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Marriage Counseling – Working Through Relationship Problems – Tips

Marriage Counseling – Working Through Relationship Problems – Tips

All marriages take work but with good marriage counseling you can begin the process of working through relationship problems. Marriage counseling can also help you evaluate your situation and finally decide if Separation is in your best interest.

If their are children involved you shouldn’t wait, you should get marriage counseling as soon as possible. Arguing in front of the kids will only stress them further and could lead to their own relationship problems in the future.

Marriage is not easy, no two people will get along 100% of the time it’s just not human nature to live with someone and not disagree some of the time. Lasting marriages require compromising and picking your battles wisely.

My parents have been married 50 years and now that I am older I look back and can remember the many compromises they made, they rarely fought in front of us but I saw when one parent absolutely would not budge on something the other would give in. These compromises are necessary to keep the peace and stay together. It cannot be one sided, in other words one person can’t be right ALL of the time and never budge. There are little annoying things you just have to “live” with, you cannot completely change another person. Generally speaking there should be more good than bad things and those are the reasons you married your spouse in the first place.

There is a reason you married your partner – maybe you couldn’t imagine your life without them and decided to take the plunge and make it official. Or you knew you wanted to grow old with them.

Marriage should not be entered into lightly or exited lightly either. Effective marriage counseling can help remind you what you love about your partner and rekindle your love for one another. You owe it to yourself and your spouse to at least try working through relationship problems first.

It’s not easy to see the problems from inside a marriage, your blinded by your anger and hurt over what your spouse did or said to you, I know we’ve all been there. Try to step back from the situation and seek neutral advice and support.

If you really want to try working through your relationship problems please visit Save my marriage today and get started on a happy healthier marriage you can be proud of.

Remember when you first met your spouse? The butterflies you felt? You can still have those feelings – Learn how to get that feeling back

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Working With Relationships And A Way To Get Your Ex Back

Working With Relationships And A Way To Get Your Ex Back
Thus what are the most differences in working with couples as individuals? They’re varied: the number of this bitterness and conflict, the presence in real time “issues” rather than a desire to replicate the trend of triangulation, traps, if the worker is taken by one among partners, the threat of consequences rather than breaking a relationship around, just to name a few. But maybe the most notable distinction, and that several couples therapists to stop work-related reasons, is terribly easy: as a unit you are rather strong. Normally, recommendation to couples torn with this disappointment, managing emotions, experiencing the act, apart from conflicts, or fully solid. It can be quite one or two in your therapy room nice and peaceful, have. But like several things, contains the kind of problem, the seeds of its own solution.The power of the combine suggests that that some folks apply to interventions a lot of powerful because it can be utilized in every work. Some consultants, notably with the person-focused finish of the spectrum, this fight. Typically it looks they will be invited to too pushy, and once developing a vogue that’s most receptive, it’s against. However during this I suppose they’re wrong.
To illustrate my purpose, think about this statement terribly shut to the family of Mr Karl Whittaker therapist:
With couples, it is typically the patient and a therapist, and each time during a very long time and they are going back the other way. I am going to tell them: “It’s worked in the early days of your marriage, however now that you’ve reached an impasse, you are locked, as a therapist and patient are often and I take additional You’re just a number of amateurs.. and you failed. “
Exorbitant such action might at initial look, closer inspection it reveals healing and deeply sympathetic. In Whittaker, the primary number of deals powerful tool of work – Standardization. He indicated that he expects the task. It normalizes the apparent inability of the couple in the troublesome task, relationship, normalized, it’s typically an imbalance, a dynamic spacer tracker where you are apparently battling the “Other Impossible” and you are taking the role of the analysis of others. It normalizes their sensible intentions conflict and said that couples want and deserve facilitate in this process. It standardized on their 1st love within the enticing forces were powerful, they are doing their best and failed to notice the errors of the opposite man, or what they planned their partners. This can be a deeply human intervention, but terribly powerful. Merely as a result of putting the facility that couples the torque worker the chance to use the facility and work with it creatively added.
This suggests, of course, this couple can truly work abundant deeper than individual work. In addition, since the relations are sometimes full of refuse and projected components of each partner, the therapist, however only outside the system, is well placed to determine, whereas the protagonists, presented in their relationship that individuality, which it a lot of more durable to hide.Following the son, the couple might encourage workers to relevant and useful info at the right time appear to elucidate previous surprising disappointments, expectations, and blind alleys. And it can go abundant faster than individual work. In his recently printed autobiography, said former U.S. President Bill Clinton have each repaired his marriage, discovers the basis conditions that motivated his game came out disastrous, and proposes to own his life in a completely new basis – all by many months of couples therapy.
But you do not would like to be a former president for a robust jam in your relationship or a large profit to couples counseling. Such stories aren’t exceptional in operating with a partner, and it guarantees to be one in all the areas of fastest growth for consultants are three reasons.
The first is that intimate relationships are – and perpetually can be – an incredible challenge for everyone, except for currently, the couple lost their fear of separation and are now the topic of fear, keep together.
This brings us to the second Eason: that modification can happen quickly in an intimate relationship dropped at consciousness, as a result of it contains the domain of the ultimate artistic energy – sexual energy that has led us to be first. Relationships are all on life.
The third is the universality of therefore several issues that couples face.Although every story is individual and cultural differences like nationality, race and sexual orientation are clearly their effect, the unifying factors of issues in relationships are still remarkably similar in all areas. We have a tendency to recommend that, compared to unconscious conflicts, vs real-time problems like stepparents, there are three broad classes of conflict, see the couple. The first is the dilemma between power and vulnerability, on the opposite hand, the connection between styles of bags and therefore the family of origin and, thirdly, the polarization between the sexes – which takes its toll, even in same-sex couples.

Kitty Cooper been writing articles online for nearly 2 years now. Not only does this author specialize in relationships ,you can also check out his latest website about:
Fish Aquariums For Sale Which reviews and lists the best
20 Gallon Fish Tank

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Urban Garden Design UK – What’s working in the UK?

Urban Garden Design UK – What’s working in the UK?

Gardens in London are increasingly extensions of the living space outdoors. D.I.Y. decks and patios are now commonplace in suburban gardens together with the ubiquitous barbecue. Few of these gardens, however, are the restful oases of calm that they should be. The move to a more outdoors style of living and dining has not been universally accompanied by a sense of style. In some circles, however, there is a growing awareness that it is not enough to extend the house with a hardwood deck. It also needs landscaping.

There is a reaction among busy city workers against the high maintenance garden, with grass-mowing every Sunday, weeding and flower bed digging. Londoners are going for low maintenance outdoor spaces, designed primarily for entertaining in. At the same time it is recognised that to live and entertain out of doors, the surroundings need to be something more than an empty space and a view of the neighbours’ washing. This is increasingly leading, amongst those in the know, to a courtyard garden style.

Designers are using stone slabs, concrete paving or hardwood decks to give a maintenance free surface. A combination of wood and stone or slate can increase the feeling of space. Lush planting round the edges with tall bamboos, palms and grasses is quite possible in the London climate and not only helps to enclose the garden but lends an exotic atmosphere. The planting is minimal, but the plants themselves are generous in their proportions.

The use of a water pump to create a splashing fountain or rill adds to the feeling of remoteness from the city. Smooth pebbles with water flowing over them in a raised channel or around a fountain add to the relaxing and calming effect.

Contemporary outdoor furniture, in modern steel, glass, or hardwood, is chic and stylish as well as practical. Discreet lighting is now a normal part of the garden design. The bamboos and palms or other surrounding greenery are lit from below. Light plays on the water, often also with lighting from below through glass blocks.
 
These London gardens are a far cry from the high maintenance cottage garden style so beloved of English gardeners. These are gardens in which all the work is in the initial landscaping. Once done, there is a minimum of effort and a maximum reward.

For more exquisite designs and to view the work of one of the UK’s best garden designers click here – Garden Design London

A designer who can transform your garden and outdoor space into something you couldn’t even imagine!

Teenager at work #3 of #4

Teenager at work #3 of #4

Just catching up on posting some of the mountain of shots sitting around gathering pixel dust in my archives. A littler series here of my daughter eden using the laptop, and trying out the 100mm macro as a portait lens just before i nipped outside and starting shooting the poppies.

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©2012 Jason Swain, All Rights Reserved
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
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my website
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Links to facebook and twitter can be found on my flickr profile
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Posted by s0ulsurfing on 2012-07-05 06:42:00

Tagged: , s0ulsurfing , 2012 , eyes , face , canon , 7d , ambient , available light , ambient light , expressions , familyUK , Isle of Wight , relaxed , fun , faces , gettyimagesportraits , 100mm , teenager , girl , edie , laptop , computer , keyboard , working , concentration

Teenager at work #2 of #4

Teenager at work #2 of #4

Just catching up on posting some of the mountain of shots sitting around gathering pixel dust in my archives. A littler series here of my daughter eden using the laptop, and trying out the 100mm macro as a portait lens just before i nipped outside and starting shooting the poppies.

———————————–
©2012 Jason Swain, All Rights Reserved
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
———————————–
my website
———————————–
Links to facebook and twitter can be found on my flickr profile
———————————–

Posted by s0ulsurfing on 2012-07-05 06:42:00

Tagged: , s0ulsurfing , 2012 , eyes , face , canon , 7d , ambient , available light , ambient light , expressions , familyUK , Isle of Wight , relaxed , fun , faces , gettyimagesportraits , 100mm , teenager , girl , edie , laptop , computer , keyboard , working , concentration

Teenager at work #4 of #4

Teenager at work #4 of #4

Just catching up on posting some of the mountain of shots sitting around gathering pixel dust in my archives. A littler series here of my daughter eden using the laptop, and trying out the 100mm macro as a portait lens just before i nipped outside and starting shooting the poppies.

———————————–
©2012 Jason Swain, All Rights Reserved
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
———————————–
my website
———————————–
Links to facebook and twitter can be found on my flickr profile
———————————–

Posted by s0ulsurfing on 2012-07-05 17:27:00

Tagged: , s0ulsurfing , 2012 , canon , 7d , ambient , available light , ambient light , familyUK , Isle of Wight , 100mm , teenager , girl , edie , laptop , computer , keyboard , working

Teenager at work #1 of #4

Teenager at work #1 of #4

Just catching up on posting some of the mountain of shots sitting around gathering pixel dust in my archives. A littler series here of my daughter eden using the laptop, and trying out the 100mm macro as a portait lens just before i nipped outside and starting shooting the poppies.

———————————–
©2012 Jason Swain, All Rights Reserved
This image is not available for use on websites, blogs or other media without the explicit written permission of the photographer.
———————————–
my website
———————————–
Links to facebook and twitter can be found on my flickr profile
———————————–

Posted by s0ulsurfing on 2012-07-05 14:40:00

Tagged: , s0ulsurfing , 2012 , face , canon , 7d , ambient , available light , ambient light , expressions , familyUK , Isle of Wight , relaxed , fun , faces , gettyimagesportraits , 100mm , teenager , girl , edie , laptop , computer , keyboard , working , concentration