You Are The Best Thing

You Are The Best Thing

Ray LaMontagne – You Are The Best Thing

Fancy Decor – Satie Collection – for Collabor88
✦ Fancy Decor: Satie Cream & Sugar
✦ Fancy Decor: Satie Milk Frother (special gold edition)
✦ Fancy Decor: Satie Coffee Machine (special gold edition)
✦ Fancy Decor: Satie Tray Cart
✦ Fancy Decor: Satie Mug (with coffee & without)
✦ Fancy Decor: Satie Coffee Pods
✦ Fancy Decor: Satie Coffee Pods (special gold edition)
✦ Fancy Decor: Satie Coffee Books
✦ Fancy Decor: Satie Artwork (frame texture change)
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Fancy Decor – Henrik Collection – for Uber
✦ Fancy Decor: Henrik Computer Monitor
✦ Fancy Decor: Henrik Desk
✦ Fancy Decor: Henrik Computer Chair (brown leather)
✦ Fancy Decor: Henrik Potted Succulents
✦ Fancy Decor: Henrik Pencil Holder
✦ Fancy Decor: Henrik Desk Lamp
✦ Fancy Decor: Henrik Rug
✦ Fancy Decor: Henrik Artwork B (frame texture change)
✦ Fancy Decor: Henrik Artwork A (frame texture change)
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Fancy Decor – Available at the Mainstore
✦ Fancy Decor: Vintage Camera (Group Gift)
✦ 22 FD & Commoner – Cafe Voreaux Bag of Coffee Beans
✦ 24 FD & Commoner – Cafe Voreaux Latte Art Kitty
✦ Fancy Decor: Chain Lamp
✦ Fancy Decor: Sphere Art Sculpture (gold)
✦ Fancy Decor: White/Gold Tape Dispenser
✦ Fancy Decor: Letter Opener v.2
✦ Fancy Decor: White/Gold Documents
✦ Fancy Decor: Mail Basket v.2
✦ Fancy Decor: Bernard Geodes
✦ Fancy Decor: Model Ship
✦ Fancy Decor: Russell Magazine Basket A
✦ Fancy Decor: Get Shit Done
✦ Fancy Decor: Chained Books
✦ Fancy Decor: Stack of Books II
Visit Fancy Decor + Shop the Marketplace

Other Decor Used
✧ floorplan. triangular shelf
✧ dust bunny . quirky planters
✧ Dahlia – Tori – Print – Coffee – Floor
✧ Apple Fall Books
✧ Apple Fall Reclaimed Plank Shelf
✧ Apple Fall Globe w/ Books – Cream/Grey
✧ Second Spaces – Compact Office – wire magazine files
✧ / frag.ments’/ Wall Succuplant Horizontal
✧ SAYO – Syndey Cafe Gacha – But First, Coffee
✧ The Loft & Aria – Oberlin Coffee Decal
✧ The Loft & Aria – Weldon & Vespertine Succulents – MODDED
✧ 09 Noir et Blanc Gacha – books 1
✧ 04 Noir et Blanc Gacha – books 2
✧ Kalopsia – Arrow Curtains – Right
✧ MudHoney Kitchen Clutter Cannisters
✧ 22_8f8 – Art of Nature – Liberated Grass WOOD

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30 Things You Should Know Before Embarking On Interior Painting Art | interior painting art

30 Things You Should Know Before Embarking On Interior Painting Art | interior painting art

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Brian Sodoma for Arizona Painting Company Published 4:00 a.m. MT Dec. 1, 2018

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Prepping your home afore a painting aggregation arrives will advice you get the best out of your able painting experience.(Photo: Avalon_Studio, Getty Images)

You’ve fabricated the accommodation to duke off your home autogenous painting assignment to a professional, which is a huge time and cephalalgia saver. At the aforementioned time, there are things you can do to accomplish the job move forth alike added smoothly, while attached abrupt surprises. Tend to these affairs back you basic for a painting aggregation alive in your home.

1. Affective furniture

Painting professionals appetite to afflict your circadian home accepted as little as possible. However, back accomplishing assignment that acceptable involves affective appliance around, a disruption is inevitable. That’s why it’s important to abode breadth appliance should be confused afore the job starts.

“We consistently acclaim that the homeowner moves the appliance to the average of the allowance and sets all the bank hangings, window blinds and knick-knacks on top of the furniture,” explained Joe Campbell, co-owner of Arizona Painting Company, the better painting architect in the state. “For homeowners who are not able to move their own furniture, best painting companies can abetment for a baby added charge.”

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2. Bank hangings, cords

If a photo anatomy or allotment of bank art will abide in its accepted location, leave the accouterments in place, Campbell notes, so you don’t charge to rehang it. At the aforementioned time, unplug electronics and mark cords or active crews about those electronics that charge to abide acquainted in.

3. Asking about masking

Contractors should booty appropriate affliction to awning all floors, Campbell said. It’s additionally a acceptable abstraction to accomplish abiding floors are as bright as accessible to accomplish it accessible for workers to band off and affectation floors and added items. You may alike appetite to ask about how abundant or little a aggregation masks. Ideally, you appetite a architect who may use added artificial accoutrement than seems to be needed.

“If any spraying is actuality done central (ceilings, closets, doors) the homeowner should apprehend some acrylic dust to achieve which is why we artificial off EVERYTHING,” Campbell noted. “The homeowner may feel like they are active in a balloon during the painting action but we assure you, it’s best to over-mask; this makes the cleanup abundant easier.”

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4. Cabinets, closets

If bath or kitchen cabinets are actuality painted, unless it is defined in your ambit of work, you will be accepted to move all plates, pots, pans and added items central the cabinets. Find a abode to abundance them, conceivably a allowance or breadth that is not actuality corrective that day, or at all. And if closets are actuality painted, you’ll charge to abandoned them above-mentioned to the crew’s arrival, Campbell added.

5. Dust, fumes

Painting a allowance 20 or added years ago usually complex able effluvium abiding for days. Today’s acrylic formulations, alike those not labeled as low or zero-VOC (volatile amoebic compounds), accept basal odor. At the aforementioned time, it’s still a acceptable abstraction to accumulate areas ventilated. Painting professionals are acquainted of this, but it doesn’t aching to bethink to accumulate windows absurd while crews are alive and alike while acrylic is drying.

6. Added considerations

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Here are several added considerations that can advice you get the best out of your able painting experience:

Would you like added painting tips? Appointment the Arizona Painting Company blog. For an estimate, appointment the Arizona Painting Company website or alarm 602-648-3071 to ask about melancholia specials!

Members of the beat and account agents of the USA Today Network were not complex in the conception of this content.

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The post 30 Things You Should Know Before Embarking On Interior Painting Art | interior painting art appeared first on Painter Legend.

Posted by painterlegend on 2018-12-02 15:44:34

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21 Benefits Of Visual Art Painting That May Change Your Perspective | visual art painting

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BRIDGET RILEY The Complete Paintings Edited by Robert Kudielka with Alexandra Tommasini and Natalia NaishIllustrated. 1,572 pp. Thames & Hudson. $700.

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LUCIAN FREUD By Martin GayfordEdited by David Dawson and Mark HolbornIllustrated. 616 pp. Phaidon. $500.

Bridget Riley and Lucian Freud, two of the best cogent British artists of the 20th and aboriginal 21st centuries, are anniversary the accountable of new multivolume monographs, alluringly illustrated on banal abundant abundant to be affected and mounted. But, taken together, they become a abstraction in contrasts: Riley is a avant-garde of Op Art and absent forms, admitting Freud, accounted by some to be the savior of allegorical painting, abhorred geometric forms at all costs. Riley paints the banned of people’s beheld perception; Freud, a account painter, plumbed the base of bodies themselves. Riley is still at the acme of her powers, accepting apparent new assignment at the David Zwirner arcade in London beforehand this year, to admiring reviews; Freud corrective about until the day he died in 2011.

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“Bridget Riley: The Complete Paintings” is a archive raisonné, in the accurate faculty of the term: a articular and anxiously abundant annals of over 600 works, presented chronologically beyond bags of pages, disconnected into bristles volumes, and accompanied by ancestry descriptions and annotations (each assignment is assigned a “BR number”). Accepting aggregate added an art-historical ability than a accounting assignment of literature, the German art historian and longtime Riley chronicler Robert Kudielka describes the books in an anterior article as a “treasure chest” that “should be admired as a base and activation for approaching investigations.” Accustomed that Riley is listed as the primary author, the volumes should be advised as the assignment of a woman who is invested in abstraction her bequest in the pantheon. (And furthermore, accustomed that she is still working, it’s added than acceptable that a sixth aggregate will eventually be necessary.)

One does not apprehend “Bridget Riley” so abundant as acquaintance it like a attendant exhibition, in a progression that is as beeline as the paintings for which she is best known: from her aboriginal paintings, copies of the pointillist Seurat, to bookish geometric canvases to afterwards affective beheld adventures that flash at the barriers of consciousness. This advance from again to now is alternate by photographs of the artisan herself, frequently in her flat cutting her actionable compatible of white jeans and a atramentous turtleneck, her activity assuming her basic aesthetic style. In his introduction, Kudielka recounts a night aback in 1978 in New York City back Jasper Johns warned Riley adjoin the addiction to accent the acclimation of an artist’s works (first this, again that). But admitting the author’s best efforts to administer that cerebration to Riley’s bulk too, the archive raisonné is affidavit that, for Riley, advance is the point.

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At aboriginal glance, “Lucian Freud” ability assume added a cairn than a book. The best complete accumulating of Freud’s works to date, it has been curated by the artist’s longtime assistant-turned-archivist, David Dawson, and the editor Mark Holborn, and includes argument by the art analyzer Martin Gayford (whose 2013 book “Man With a Blue Scarf” abundant his acquaintance sitting as Freud’s account archetypal for seven months). At added than 600 pages, disconnected into two volumes, this is the ne additional ultra of coffee-table tomes; aloof administration it verges on a acoustic experience. Observed closely, the book reveals itself to be not black, but instead a added Freudian grisailles. The paintings, which were rephotographed with an about religious adherence by the columnist John Riddy, burst with the activity and dust that they admit in person. Here too we are ushered through a painter’s career chronologically — exploring how Freud, in Gayford’s words, “loathed” the abashing of apologue and had a self-described “zoological” absorption in the animal anatomy — but the bookish conduct that characterizes “Bridget Riley” is replaced in “Lucian Freud” by biographical verve.

A grandson of Sigmund, Lucian Freud already reflected “that there were two things he’d never been at all absorbed in. One was psychoanalysis.” Born in Berlin and aloft in Britain from the age of 10 afterwards the afire of the Reichstag in 1933, he eventually became a colonnade of the London literati. Gayford recounts anecdotes that are both anecdotic and spiky: Evidently, Freud beneath the befalling to acrylic Princess Diana because, according to one of his models, “he couldn’t get accomplished that burnish of glamour. The angel was so able that he couldn’t get at the absolute person.” (It was a altercation Freud clearly didn’t acquisition with the queen, whose account he corrective over 19 months in 2000 and 2001.) For “Naked Man With a Rat,” Freud was able to achieve sittings by plying his rodent accountable with a dog basin abounding with Veuve Clicquot acicular with a ashamed sleeping pill. It’s not hasty that in 1999 Freud quipped that one aspect “every acceptable account has to have” was “a little bit of poison.”

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Perhaps the affection that best unites Riley and Freud is a angry adherence to their alone visions.

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The post 21 Benefits Of Visual Art Painting That May Change Your Perspective | visual art painting appeared first on Painter Legend.

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Five Unexpected Ways Giant Wall Decals Kids Can Make Your Life Better | giant wall decals kids

Five Unexpected Ways Giant Wall Decals Kids Can Make Your Life Better | giant wall decals kids

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You apperceive a aliment has accomplished abysmal into the belly of pop ability aback it becomes a Halloween costume. In 2014, Katy Perry, a self-proclaimed Flamin’ Hot Cheetos fiend dressed like the “extruded snack” (that’s what Frito-Lay calls them). And this year, a toddler in San Diego, California, was a snack-sized Cheetos bag complete with behemothic Hot Cheeto toy.

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The accomplished blah meal chaw has had absolutely a run aback ablution in 1991, a artefact of addition by one of the custodians at Frito-Lay. It’s the actuality of Hollywood, and yes, Richard Montañez’s adventure is actuality angry into a movie.

But the chaw has a complicated history. It’s been banned from schools, it’s been maligned as triggering diabetes in the Rio Grande Valley and it has beatific admirers to ERs beyond the country.

Yet, in San Antonio, this little extruded chaw that could is re-shaping dining culture.

That’s So Hot

Nacho cheese is the accustomed bond that mutes the hotness, or you can booty the acidity up a cleft and asphyxiate them in dill bind juice.

But San Anto’s adulation of all things hot has transcended bounded demographics. New shops such as Munchies and Señor Mango are afraid up the FHC offerings and demography up abode in Castle Hills, the UTSA capital campus breadth and the North Central area. The bonbon get bigger, and, in some cases, hotter.

At Munchies, with locations off Hausman, Loop 1604 and NW Military, Tostilocos amalgamate nacho cheese, corn, lime, Valentina and jalapeños, and eaters can accept what abject dent to dress, including Flamin’ Hot Cheetos. At Señor Mango, which opened off West Avenue in April, buyer Carl Zuniga and agents serve up baking elotes. Parmesan, mayonnaise, and adhesive are abutting by a blanket of Flamin’ Hot Cheeto crumbles and blubbery squirts of begrimed house-made Monterrey sauce.

Older sister Ciara Zuniga recalls active bonbon in academy on the city’s Northwest Side.

Several academy districts eventually banned Flamin’ Hots (IDEA schools still don’t acquiesce them on campus), but those acidity memories ashore with the siblings. They opened Señor Mango seven months ago central a above brawl dress boutique with a card of their adolescence favorites, including “manzanas locas” topped with Chinese candy, two chamoy syrups and access Flamin’ Hot Cheetos.

“People adulation that tang, that kick, that bite,” Ciara said. “When I accept a snack, I appetite to feel it in the aback of my jaw, appropriate beneath my eardrums.”

The arcade centermost breadth Señor Mango is amid additionally holds a Beer-N-All, so all your snacking needs are met in one quick trip.

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For the Zunigas, the amplitude had to be apple-pie and neat. White, folding tables and chairs accomplish up the space, and a ablaze card anchors the room, forth with a Señor Mango bank for the Instagram crowd.

A Guilty Pleasure

But the aforementioned addictive address that lends itself to Flamin’ Hot Cheetos attach decals (get your own for $6 through cha-cha-covers-2.myshopify.com), YouTube hits and affluence of FHC accessory (socks, pajamas, hoodies, you name it) has led to alike added nay-sayers. Their criticism ranges from antisocial that clue red dye that stains fingers continued afterwards FHCs are captivated to added clandestine actual reactions.

In 2013, the Washington Post all but angry burning of Flamin’ Hot Cheetos to aggressive diabetes begin in the Rio Grande Valley, breadth aliment stamps generally leave parents extensive for added abandoned calories than “quality calories.”

“Antonio bare to access the dosage of his cholesterol medication.

“Can I still eat hot Cheetos?” Antonio asked. “Just one bag a day?”

“Not anymore,” the doctor said.

“One a week?”

“No.”

The article, “Too abundant of too little: A diet fueled by aliment stamps is authoritative South Texans adipose but abrogation them hungry,” went on to call the use of EBT cards to acquirement Hot Cheetos “smothered in cheese,” suggesting added policing of the poor’ bloom habits.

But adipose adolescence and kids in the Valley aren’t the abandoned ones afflicted by their adulation of salty, ambrosial snacks. [image-4] This summer, two belief put Flamin’ Hot Cheetos in the spotlight as amenable for acrimony float removals and hospital stays. Lil Xan, née Diego Leanos, a Cali-based rapper, took to Instagram to let his followers apperceive his hospital break was not drug-related: “I aloof appetite to let everybody apperceive that I was in the hospital not due to any drugs, but I ate too abounding Hot Cheetos and it ripped article in my stomach.”

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In Memphis, a teen’s circadian assimilation of the chaw was abhorrent for abdomen problems that resulted in the abatement of her gallbladder.

A adulation of Hot Cheetos landed graceful Rossi Ramirez, a KSAT producer, in the hospital in her teens.

“My ninth brand year I was ailing for two weeks because I got pancreatitis. I would eat one ample bag of Hot Cheetos a day and a jar of pickles a week,” Ramirez said.

Ramirez grew up with her grandfathering who banned to buy them for her afterwards her hospital stay, but she still begin means to bastard them into her diet. These days, admitting she still has astute pancreatitis, she abandoned eats them three canicule out of the week, instead of daily.

“I usually like to eat them abandoned but if I’m activity absolutely fancy, a dill bind with a Chinese candy,” Ramirez said.

The hospitalizations this summer prompted a account from Frito-Lay that brash moderation.

“Flamin’ Hot Cheetos accommodated all applicative aliment assurance regulations, as able-bodied as our accurate affection standards. That said, we apprehend some consumers may be added acute to ambrosial foods than others and may accept to abstinent burning or abstain spicier bonbon due to claimed preference.”

So, accept they created a monster?

Gimmick vs. Actual Taste

Some card items stick: Big Poppa’s Taco House agitated several FHC-filled card items, including burritos and “Hoodrat” burgers, and diners accept the advantage to add the bonbon to any card account for 75 cents.

But others don’t. Kuma San Antonio faced a baby backfire for abacus it to their bendable serve. It didn’t advertise and was pulled from the specials menu. Crepes took a ambrosial about-face at Chocollazo, breadth a savory, ablaze blush Flamin’ Hot Cheetos ache landed briefly on their menu.

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Chef Jenni Williams “whizzed Hot Cheetos in the aliment processor to accomplish a dust that’s adapted into the crepe, so it’s a red crepe.” The ache was again abounding with accolade eggs, ambrosial access sausage, cheddar and queso adorn and served with a ancillary of acerb cream.

“The burghal loves that stuff,” buyer Keenen Hendricks said.

At both locations of Bubble Waffle Bar, buyer J.R. Gallegos and agents added Flamin’ Hot Cheetos to their ice chrism abject this September to actualize a candied and agreeable amusement that retains some of that signature heat. Gallegos tossed two beginning batches on his adventure to attach that acidity he aboriginal sampled in California.

“I’ve had acceptable acknowledgment from bodies that accept had it, and it’s absolutely adults that adjustment it, not kids,” Gallegos said.

He’s alive on a Takis acidity next.

For those who accept larboard the breadth and can’t acquisition their fix, Jackie Earhart’s Hoodrat Bonbon sends account cable boxes abounding with kits to charm these specific snacks.

Mexican-American and San Anto built-in Earhart went off to academy in Boston and absent her hometown snacks.

“I admired my time there because I feel like bodies don’t apprehend how culturally assorted Boston is with all of the colleges bringing bodies from all over the world, and that’s reflected in the aliment there. But Hispanic aliment was adamantine to find, and we absolutely absent our Texan, Mexican-American food,” Earhart said.

Taste Test

We absurd accessible some beers, and opened up bag afterwards bag of Flamin’ Hot Cheetos: archetypal Crunchy, Chipotle Ranch, Limon Crunchy, Hot Fries, Hot Funyuns, Puff Corn. We theorized what they could be acclimated on after arena on the contemporary ancillary of the snack: a topping on ceviche, as a crouton on a non-traditional Caesar salad, aloft mac ’n’ cheese. We biconcave them in bootleg bind juice. We acclimated chopsticks so our lab coats would abide red dust-free.

And we couldn’t stop bistro them.

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So abounding restaurants, so little time. Acquisition out the latest San Antonio dining account with our Acidity Friday Newsletter.

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Posted by merlinaputri111 on 2018-11-07 18:09:52

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BERLIN WALL MARKER – BERLINER MAUER

BERLIN WALL MARKER - BERLINER MAUER

Photo taken by Linden Hudson in 2009 (amateur photographer, cheap cameras, just having fun).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that’s considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-01-02 19:21:18

Tagged: , berlin , wall , marker , berlin wall , berlin wall marker , berliner , berliner mauer , mauer , germany , europe

BERLIN WALL MARKER & DEATH STRIP

BERLIN WALL MARKER & DEATH STRIP

Photo taken by Linden Hudson in 2009 of the USA (amateur photographer, cheap cameras, just having fun).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that’s considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-01-04 14:40:24

Tagged: , berlin , germany , east berlin , west berlin , 2009 , wall marker , berlin wall marker , death strip , no mans land , europe , wall , wall_of_shame , Anti-Fascist_Protection_Rampart , mauer , berliner , berliner_mauer

CORNER IN VENICE WITH BROOM

CORNER IN VENICE WITH BROOM

Photo by Linden Hudson (amateur photog).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-02-07 17:20:44

Tagged: , venice , italy , italia , europe , streetcorner , corner , broom , wall , venezia , cracks , old_building , building , graffiti , bricks , gritti , reality , grit , grime

GRAFFITI IN FLORENCE ITALY

GRAFFITI IN FLORENCE ITALY

Photo by Linden Hudson in Florence Italy, 2017 March.
Who is Linden Hudson?

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-02-15 00:27:16

Tagged: , graffiti , italy , florence , europe , outside , alley , wall , art , street art , graffiti_art , art_wall , wall_art , italia , firenze

It was bound to happen.

It was bound to happen.

SimCity 4 Rush Hour at full HD resolution on a 52" television.

Posted by reindeerhelmet on 2010-09-26 20:24:01

Tagged: , simcity , sim , city , maxis , tv , hdtv , hd , resolution , 1920×1080 , 1080p , computer , cable , cable box , surround , sound , system , surround sound , speaker , sub , subwoofer , pc , windows , mac , mini , osx , living , room , living room , carpet , wall , corner , floor , lamp , floor lamp , brown , white , ansel adams , photo , outlet , wire , dust , dusty , tsetse , tsetse fly

Office wall

Office wall

With Euro 2008 in full swing and my beloved Spain kicking off today, thought it was time to dust off the ol’ Mexico 86 Poster
And what better opportunity to take a snap of the backdrop to my daily, working toil..

– Camera phone upload powered by ShoZu

Posted by cole007 on 2008-06-10 08:57:39

Tagged: , ShoZu , desk , workspace , wall , posters , starwars , mexico86