Fitness Tracker Foero Smart Bracelet Heart Rate Monitor and Blood Pressure Steps Tracker Bluetooth 4.0 Sports Wristband Pedometer IP67 Waterproof HD Touch Screen for Android and IOS

Fitness Tracker Foero Smart Bracelet Heart Rate Monitor and Blood Pressure Steps Tracker Bluetooth 4.0 Sports Wristband Pedometer IP67 Waterproof HD Touch Screen for Android and IOS

via WordPress ift.tt/2zNeQAv

Key Features:
Tracks steps,heart rate,walking distance,calories burnt,sleep quality,Blood pressure.
-Call and message Reminder
-Turn the wrist light screen
-Recording the daily goals
-Camera Control
-Heart rate monitor

Detection of heart rate:
-Real-time testing and every 30 mins automatically save data to APP;
-Under the heart rate detecting interface,wait 6-7 seconds,will display real-time heart rate , it will keep this continuously track about 60 seconds,and the data will not save to APP.

Blood pressure:Normal and Personal
-Generally please select Normal model.
-If you are hypertension or hypotension,please select Personal mode,and select on My Device of Personal mode and set your data as well on settings at the same time.

Sleep Monitor:
-Automatic monitoring sleep duration and sleep quality, sleep can view the trend to improve sleep, and through the vibration alarm clock wake you quietly.
-The sleep monitor will start form 9:00 PM to 9:00 AM.

Sedentary reminder:
-Remind you to leave the seat for just the right amount of exercise.

Specification:

CPU: Nordic N51822
Bluetooth Version: 4.0
Sensor: 3D Gravity Sensor
Trap Material: Silicone
Stand By: 5-7 days
Battery Capacity: 90mAh
Dust-proof &Waterproof: IP67
Battery: Built-in rechargeable lithium battery
System Requirement: Android 4.3 And Above, IOS8.0 And Above

What You Get:
1 x Smart Bracelet
1 x Charging Cable
1 x User Manual

Kindly NOTE:This device not for medical use,test data just for reference.

If you have any questions for the product, please feel free to contact us. We will reply you ASAP.

Source

Posted by Sales Store on 2017-12-04 07:48:22

Tagged: , Wearable , Technology , Android , Blood , Bluetooth , Bracelet , Fitness , Foero , Heart , IP67 , Monitor , Pedometer , Pressure , Rate , Screen , Smart , Sports , Steps , Touch , Tracker , Waterproof , Wristband

Recomposition of Human Presence: Waves, Material, and Intelligence / Digital Nature Group at the University of Tsukuba, Pixie Dust Technologies Inc. (JP)

Recomposition of Human Presence: Waves, Material, and Intelligence / Digital Nature Group at the University of Tsukuba, Pixie Dust Technologies Inc. (JP)

How can we redefine our human presence? The Digital Nature Group has focused on researching the relationship between waves, material and intelligence by computational environments towards building feedback loops between human intelligence and machine intelligence. From the viewpoint of computer science research, they are prototyping the systems to combine wave engineering, organic and meta-materials by digital fabrication and deep learning in order to discover the new ecosystem in the digital age.

credit: Florian Voggeneder

Posted by Ars Electronica on 2017-09-07 19:24:01

Tagged: , 2017 , AI , Ars Electronica , Ars Electronica 2017 , Ars Electronica Festival , Ars Electronica Festival 2017 , Art , Artificial Intelligence , Das andere Ich , Future , Linz , Media Art , POSTCITY , Science , Society , Technology , Upper Austria , Oberösterreich , Österreich , AT , Recomposition of Human Presence: Waves, Material, and Intelligence , Digital Nature Group at the University of Tsukuba, Pixie Dust Technologies Inc.

Recomposition of Human Presence: Waves, Material, and Intelligence / Digital Nature Group at the University of Tsukuba, Pixie Dust Technologies Inc. (JP)

Recomposition of Human Presence: Waves, Material, and Intelligence / Digital Nature Group at the University of Tsukuba, Pixie Dust Technologies Inc. (JP)

How can we redefine our human presence? The Digital Nature Group has focused on researching the relationship between waves, material and intelligence by computational environments towards building feedback loops between human intelligence and machine intelligence. From the viewpoint of computer science research, they are prototyping the systems to combine wave engineering, organic and meta-materials by digital fabrication and deep learning in order to discover the new ecosystem in the digital age.

credit: Florian Voggeneder

Posted by Ars Electronica on 2017-09-07 19:24:01

Tagged: , 2017 , AI , Ars Electronica , Ars Electronica 2017 , Ars Electronica Festival , Ars Electronica Festival 2017 , Art , Artificial Intelligence , Das andere Ich , Future , Linz , Media Art , POSTCITY , Science , Society , Technology , Upper Austria , Oberösterreich , Österreich , AT , Recomposition of Human Presence: Waves, Material, and Intelligence , Digital Nature Group at the University of Tsukuba, Pixie Dust Technologies Inc.

Vertical vintage cyberpunk power lines

Vertical vintage cyberpunk power lines

Vertical vintage cyberpunk power lines

Posted by spacedrone808 on 2017-09-28 06:05:37

Tagged: , background , abstract , power , technology , computer , cyberpunk , pattern , white , concept , space , backdrop , line , equipment , digital , dark , communication , banner , energy , industry , information , industrial , futuristic , connection , composition , design , element , object , vintage , obsolete , antique , old , film , scan , noise , dust , Moscow , Moscow state , Russia

Diagnostic

Diagnostic

Selective focus closeup view of cables plugged into a server network panel with lights indicating activity. Photographed inside an equipment room. Canon 5D MarkII. The file has been meticulously retouched in Photoshop eliminating dust and unwanted flaws. I have over 22 years experience as a photo retoucher.

Posted by Bachmann electronic GmbH on 2017-10-24 11:01:27

Tagged: , Computer , Photography , Wired , No People , Surface Mount Component , Computer Network , Network Server , LED , Computer Cable , Electronics Industry , Coaxial Cable , Lighting Equipment , Modem Cable , Graph , Telephone Network Control Room , Connection , Variation , Order , Blue , Technology , Selective Focus , Macro , Horizontal , Close-up , Control Panel , Control Room , Cable , Internet , Mainframe , Hard Drive , Computer Part , Node

Mariette Hartley, Leonard Nimoy, Star Trek TOS, “All Our Yesterdays,” 1969

Mariette Hartley, Leonard Nimoy, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2017-10-08 17:49:40

Tagged: , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , Mariette Hartley , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady

Leonard Nimoy, Mariette Hartley, Star Trek TOS, “All Our Yesterdays,” 1969

Leonard Nimoy, Mariette Hartley, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2017-10-08 17:49:46

Tagged: , Mariette Hartley , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady

Leonard Nimoy, Mariette Hartley, DeForest Kelley, Star Trek TOS, “All Our Yesterdays,” 1969

Leonard Nimoy, Mariette Hartley, DeForest Kelley, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2017-10-08 17:49:42

Tagged: , Leonard Nimoy , DeForest Kelley , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , Mariette Hartley , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady

Mariette Hartley, Leonard Nimoy, DeForest Kelley, Star Trek TOS, “All Our Yesterdays,” 1969

Mariette Hartley, Leonard Nimoy, DeForest Kelley, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2017-10-08 17:49:46

Tagged: , Leonard Nimoy , DeForest Kelley , Mariette Hartley , Star Trek , television , actor , actress , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , hat , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady

Leonard Nimoy, Star Trek TOS, “All Our Yesterdays,” 1969

Leonard Nimoy, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2017-10-08 17:49:42

Tagged: , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , hat , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll