VIETNAMESE ACTRESS WITH WEAPON

VIETNAMESE ACTRESS WITH WEAPON

Photo by Linden Hudson (amateur photographer).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.

Posted by lindenhud1 on 2017-10-12 21:36:45

Tagged: , actress , girl , vietnamese , beauty , gun , weapon , soldiers , fun , extra , documentary_set , documentary , vietnam_war , actors , cool , funny , bad_ass_girl , beautiful , pretty_girl , vietnamese_girl , vietnam , film_location , film_shoot , location , documentary_shoot , dramatization , having_fun , photos , posing , beautiful_girl , taking_pictures , extras , actresses , cute_girl , gorgeous_girl , pretty , cute , asian , asian_girl , beautiful_asian_woman , asian_girls , asian_woman , usa , texas , vietnamese_girls , vietnamese_woman , beautiful_vietnamese_girl , asian_women , cute_girls , pretty_girls , gorgeous , filming , video_shoot , gun_girl , marines , comedy , hilarious , sexy , young_woman , female , femme , femme_fatale , mulher , mujer_peligrosa , perigosa , mulher_perigosa , gefährliche_Frau

SOUNDS AND MUSIC FROM BELGIUM STREETS – VIDEO WITH SOUND

SOUNDS AND MUSIC FROM BELGIUM STREETS - VIDEO WITH SOUND

Stereo music and sounds recorded by Linden Hudson (recording engineer) in various parts of Belgium (using a high quality Zoom digital stereo sound recorder). Photos of Belgium by Linden are shown to fill the visual space. The cathedral was absolutely awesome, the string quartet was top shelf (perfect). Even the kids singing at the end was so nice to hear in person. The sound is bright between these buildings.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-05-22 15:51:43

Tagged: , sound , music , sound recordings , music recordings , belgium , brussels , antwerp , brugge , street_music , train , train_station , europe , engineered_sound , remote_digital_sound , sound_recording , digital_sound , high_quality , use_headphones , cathedral , town_square , violins , street_band , singing , kids_singing , street_singers , pipe_organ , photos , pictures , cd_quality , audio , music_recording , sound_effects , natural_sound

Photo added to “All Photos”

Photo added to

purple nebula and cosmic dust in star field

Posted by jonathansialreug on 2018-05-13 14:38:09

Tagged: , IFTTT , iOS , Photos , Backdrop , Astronomy , Textured , Big Bang , Bunch , Heaven , Abstract , Constellation , Milky Way , Planetarium , Dust , Exploding , Computer Graphic , Backgrounds , Infinity , Origins , Futuristic , Exploration , Mystery , Order , Star Shape , Dark , Multi Colored , Purple , Blue , Black Color , Deep , Science , Nature , Night , Light – Natural Phenomenon , Natural Gas , Field , Galaxy , Star – Space , Nebula , Planet – Space , Space , Cloud – Sky , Sun , Sky , Astronomy Telescope , Plasma , Astrology

devil dogs

devil dogs

computer generated art; reminds me of small dust swirls; they have been called many things, but my favorite is devil dogs

Posted by co-cre8r on 2008-09-09 17:04:22

Tagged: , red , circles , digital , rendering; , ATCs; , art , group; , artworks , paper; , just , artwork; , or , otherwise; , photos , collages

HABOOB OVER THE DESERT

HABOOB OVER THE DESERT

One day I learned that the official meteoroligical name for dust storms is "haboob" (pronounce ha-bob). While playing at the computer I created this. It reminds me of the great dust storms we had (have) in Arizona before it became so populated with office buildings. Remember walking home from school in dust storms. I almost "blowed away."

Posted by co-cre8r on 2008-09-09 17:28:40

Tagged: , landscape , contrast , computer art , vivid colors , digital , rendering; , ATCs; , art , group; , artworks , paper; , just , artwork; , or , otherwise; , photos , collages

Dunnington 1956

Dunnington  1956

Posted by D a v e on 2011-05-22 09:43:55

Tagged: , cricket , yorkshire , dunnington , york , londesborough , ball , bat , whites , fielder , stumps , bails , grass , field , game , sport , dust , helmet , pictures , pictures of , directions , directions to , pics , pics of , image , images , image of , images of , photo , photograph , photos , photographs , photograph of , photographs of , photography , pix , digital , camera , computer , information , info , facts , view , views , jpg , jpgs , jpeg , jpegs , dave , sumpner

turpanzhan

turpanzhan

On 9/11 I was traveling in Xingjiang Province in China, waiting for the night train from Turpan Zhan to Dunhuang. By chance, there was an Internet cafe next to the train station, so I went in and found a computer between some Chinese soldiers and a young Uyghur man chatting online with friends. Most Western news organizations were blocked in China, but Excite.com, where I had an email account, somehow got past the censors. When the page loaded, I saw the news that the WTC had been hit by a plane.

It just so happened that my girlfriend in Japan (now my wife) was online and so she relayed to me the news she was watching on her television. Occasionally, I would look around, only to find that the Chinese world was still unaware of what was happening on the other side of the planet.

When it came time to board my train, I was left in the dark. How many more planes were out there? Who was doing it? What would the world look like when I had a chance to check the Internet the next day. Looking around at the Chinese web surfers, I knew that nobody within hundreds of miles had heard the news. In fact, it would be another day before the Muslim inhabitants of Western China were allowed to hear about the attacks. And so, I had only my dark thoughts on that long, lonely trip.

Posted by zanzo on 2007-01-26 09:09:25

Tagged: , 911 , 2001 , 2006 , 91101 , 200605 , 9112001 , 20060516 , aerial , aftermath , america , attack , backintheday , blackandwhite , broadway , brooklyn , building , cbs , center , charges , chelsea , cleanup , cloud , clouds , controlled , cuba2006 , cutter , destruction , dust , firefighter , flight175 , foxnews , free , gasmask , geolat40701602 , geolat4070285 , geolon7399463 , geolon74049450 , geotagged , gothamist , greenwichvillage , groundzero , havana , investigation , jr , liberty , malencon , manhattan , mask , memorial , new , newyork , newyorkcity , notreal , ny , nyc , nyfd , park , pentagon , people , photos , preplaced , recovery , recruitment , redcross , retro , screenshot , sept11 , sept112001 , september , september11 , september112001 , september11th , skyline , slides , smoke , terror , terrorism , theworldtradecenter , top20history , towers , trade , travel , tributeinlight , tributes , twin , twintowers , unionsquare , unitedstates , us , usa , video , washingtonsquarepark , world , worldtradecenter , worldtradecentre , wtc , wtc7 , wtcmemorials , york , google earth , geotagging , folksonomy , folksonomies , travel log , tagging , mashup , tagcloud

How to Digitize, Organize and Share Family Photos

How to Digitize, Organize and Share Family Photos

Everyone has photo albums and, worse, loose family photos occupying space on shelves and places where they are disorganized, deteriorating and out of sight. Many were taken before the digital age allowing cropping, straightening and other enhancements. Assess your goals and make a plan to realize them.
My goals are tough: to decrease clutter, increase organization and improve accessibility. My photos are scanned and enhanced to a quality that allows disposal of the hard copy. The digital version is better than the original. If I can’t throw photos away, I give them to a family member who doesn’t use the Internet. Photos need to be organized. They need to be accessible (easy to find) on any modern device (computer, tablet, smart phone, etc.). They need to be secure, as is reasonably possible and stored in the cloud with back-up. Viewing needs controls: just me, family, friends or public. Digital albums must be maintained and handed off to their best keeper for posterity. If your goals are similar and you are interested in my solution, continue reading.
First understand, this project isn’t for the faint of heart. It requires a huge investment of time. But, if like me, you are post retirement and have time, why not get organized? I found a way to share the project with my wife. I do the scanning, enhancement and cloud storage. She does the research determining who, what and where. If you store images in the cloud, you can share responsibilities with someone across the room or thousands of miles away. It also requires investment in tools (e.g., computer, scanner, photo software, membership in cloud photo sharing storage). I’m not talking about thousands of dollars. I’m talking hundreds. Some items you may already have.
You need a computer that can connect to a scanner and the Internet. The computer must run photo editing software. You need a scanner, one that can scan the smallest photos at good resolution so the result is great full screen viewing. The scanner must deal not only with photos, but slides and negatives. Finally, you need software to enhance images (i.e., reduce noise, crop, straighten, etc.). Then you need to post them where you and family members can access them. Storage tools in the cloud need to support arrangement in whatever album structure and photo sequence you choose. I want photos displayed from oldest to most recent. Watching people “grow up” is cool. This may sound like too much work, sorry. If you are still on-board, keep reading and I’ll explain how I made it happen for me and my family.
I won’t dwell on computer choices. That’s mostly personal preference and you probably already have a capable computer. Mine is a 21 inch screen Dell, all-in-one. It supports the best processors and storage systems. It also eliminates desktop bulk. The stand mounted screen has all the guts. Just add the wireless keyboard and mouse. Its footprint takes less table space than a laptop.
I chose the Epson V600 Photo scanner. It scans every photo image (hard copy, slides, and negatives) and also does Optical Character Recognition (OCR). Its software enhances the photo’s look by removing dust, noise and improving color. It scans as many photos as will fit on its bed. It segregates each, then stores them under separate files you can place anywhere. I vary the DPI so the smallest photos show full screen.
Choosing cloud storage support is the most difficult decision. Who can you trust? Will they be around “forever”? Can they be backed-up on your hard drive and other discs? Is viewing great and full screen? Most important, does it have tools to create albums and within them sort in multiple ways. As previously stated, I prefer oldest to newest. My choice is Flickr run by Yahoo. I started with them many years ago and currently have 6,000+ photos stored on Flickr servers. Their photo management and sharing tools are excellent. In addition to the all-important full screen viewing, they have tools to label, tag and date each photo. When shared, viewers can “like or favorite” and add additional comments and memories. Their system keeps statistics on numbers of views. Flickr supports restrictions for viewing from private to public. Public photos interface nicely with Google searches. Searching inside Flickr is quick and intuitive. Flickr’s app allows viewing on most devices, including smart phones. There’s not much better when sitting around the campfire and asking the question: Do you remember Harry? Then being able to search and pull every “Harry” photo from your collection within seconds. The app allows further edits and comments from you and your peanut gallery.
Photo editing software. Again, a lot of personal preferences here. While I admire people who can Photoshop poor images into looking good, I don’t have the interest to spend lots of time with each photo. I have thousands. I want low cost software that is quick and easy to use. My choice is Adobe’s Photoshop Elements (PSE). For more tools, I’ve adopted plug-ins that work seamlessly within PSE from Topaz. Their software increases the cost, but provides no nonsense tools for reducing photo noise and other enhancements that take only seconds. If you don’t want to go in that direction you can employ free Internet software for the same purpose. I find Ribbet works well with Flickr photos. It does basic editing and can add frames and text that I use. After that, Ribbit saves them back to Flickr either as new photos or replacements.
At this point I’ve gotten my photos into the cloud. If on Flickr, they can be arranged in any album structure and sequenced in the order I prefer. They are also searchable depending on how careful and diligent you’ve been on giving them titles and, when necessary, further descriptive text. This takes time, but the results are marvelous. See an example of a well-documented photo below:

Regarding dating of photos. If you are lucky, many have who, where and when written on their backs. If not, you need to “best guess”. Guessing is OK and way better than throwing up your hands. Give it a WAG. The good news: when you are done and looking at photos from oldest to newest, you will see guesses that need improvement. When viewed by other family members, they can help with comments. Here is a tip. When viewing a group picture, look carefully at the youngest. If there is a baby and you know when it was born, you can nail the date within a few months. If the group shot was near a holiday gathering, guess that. If it was near a birthday, pick that. Another pitch for Flickr: it supports none-specific dates (e.g., circa 1900, or sometime in the year 1933, or sometime in the month of September 2012).
Back Up. Flickr has many third party software programs. One is called Bulkr. Based on many selection criteria, you can download photos from Flickr for storage and backup. It even supports downloading much of the text associated with each photo.
I believe I’ll end up with only three primary digital family albums. I’ve chosen where to mark photo time at my marriage date. One album will include everything after marriage to my bride. Before that, photos belonging to my line will be in one album and in her line another. Even if that doesn’t support everyone’s need, Flickr’s organize tools can create albums based on other parameters and search criteria.
If you are interested in digitizing your collection of photos, slides and negatives, it is possible using tools as discussed above to produce a user friendly product that is organized, searchable and will be accessible for future generations. Besides, it takes up no shelf space. I hope I’ve inspired you to get started.

PS. I may seem to have endorsed many companies’ products. I haven’t received a dime from any. My sole purpose is to provide my choices to help you get started with whatever you determine suites your needs.

Posted by Michael D Martin on 2011-10-24 00:26:51

Tagged: , passport , passport photo , How to Digitize , Organize and Share Family Photos , organize , share , digitize , old , family , photos , loretta , michael , annette

Dusty Memories

Dusty Memories

Today I had to go through a bunch of old photos and scan them onto the computer. I found these, my grandparents old photos from their holidays. They are old, scratched and dusty memories, but each one is amazing and really tells a story. I loved looking at them, at the people, places, and the little type-writer captions. ++ in comments.

onehundredandtwentyfour.

Posted by amalia.jane on 2011-01-03 09:17:00

Tagged: , photos , memories , b&w , old , amalia.jane