CINEMATOGRAPHER ON A CLIFF

CINEMATOGRAPHER ON A CLIFF

Photo taken by Linden Hudson (amateur photographer, cheap cameras, just having fun).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that’s considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-01-08 15:19:51

Tagged: , Mexican border , mexico , camera , camera man , cinematographer , evening , sundown , cliff , river , rio grande , rio grande river , North_America , photographer , film_crew , Ciudad_Acuña , bridge , suspension_bridge

MODEL AND PHOTOGRAPHER ON SIDEWALK IN PARIS FRANCE

MODEL AND PHOTOGRAPHER ON SIDEWALK IN PARIS FRANCE

Freeze frame from video shot by Linden Hudson (amateur photographer, cheap cameras, just having fun).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2017-11-07 22:23:20

Tagged: , model , public , in public , paris , paris france , europe , posing , photographer , photo_sessions , photo_shoot , girl , woman , pretty_girl , french_girl , frency_model , louvre , sidewalk , by_the_louvre , pretty_french_girl , french_model , parisian_model , european_girl , cute , angelic , photosession , art , artsy , professional_model , pro , pro_model , pro_photographer , european , artsy_fartsy , pretty , beautiful , sexy , girls , pose , women , femme , mulher , mujer , donna , female , sidewalk_photosession , french , french_photographer , babe , french_beauty , french_babe , modeling , female_model

Dolled Up

Dolled Up

In that small screen, I want to look the prettiest. But I’m still hiding these feelings in my heart.

– Jihyo

full outfit & details at ahchoo-e!.

Posted by Choitato Hyun Seung on 2018-01-08 14:07:00

Tagged: , Catwa , Tala , ItGirls , Mary , Due , Ichiko , Suicidal Unborn , Astrid , Maitreya , Lara , O`Mrida , Wendesday , e.marie , Lo*momo , SDD , ribbon , Ajuga , Caboodle , Kyoko , Mask , Decora , Zenith , winter , faux fur , Pixicat , Linn , Just BEcause , Terri , Milk Tea , Merri , Sanarare , Atomic , Cozy , legwarmers , Sweet Thing , Batty , animare , Sweet Lovely Cute , SLC , Kawaii Powder , junk , wall desk , dust bunny , computer , Heart Fi , common , Crystal Life , tres blah , Pampered , cushion , darling , keke , book , Half-Deer , Sphynx , heater , Apple Fall , Farmhouse , RARE , events , Second Life , SL , ahchoo-e , Choi , Choitato , blog , blogger , photographer , photography , pigtails

EOS 1DmkIII – New Accessories

EOS 1DmkIII - New Accessories

In combination with the EOS-1D Mark III, Canon expands the professional EOS system with the following accessories:

Speedlite 580EX II – When connected to the EOS-1D Mark III, the Speedlite 580EX II allows for weather resistant flash shooting and flash control via the camera’s menu system. Replacing the Speedlite 580EX, it offers faster, silent recycle times and a more durable build quality. A new Off-Camera Shoe Cord, Compact Battery Pack and Speedlite Bracket (also released today) maintain moisture and dust resistance for off camera shooting.

Wireless File Transmitter WFT-E2 – Smaller, lighter and more versatile than its predecessor, the unit enables wireless image transfers to computers and remote FTP servers. Support for HTTP means that picture editors can connect to the EOS-1D Mark III over the internet – allowing them to view, select and download images from the camera’s memory card moments after capture. PTP connection mode enables two-way communication between the EOS-1D Mark III and a computer for wireless remote shooting with the supplied EOS Utility software.

Original Data Security Kit OSK-E3 – Like the Data Verification Kit DVK-E2, the Original Data Security Kit OSK-E3 can detect whether an image has been changed since it was captured by the camera. In addition to data verification, Original Data Security Kit OSK-E3 supports image encryption for protection of critical images.
EF 16-35mm f/2.8L II USM – Superior image quality

Canon’s engineers have completely redesigned the optics on the EF 16‑35mm f/2.8L II USM to deliver higher contrast levels and improved resolving power. To ensure corner-to-corner sharpness and contrast throughout the focal range, the lens includes three types of aspherical lens elements (ground, replicated and glass moulded). Two UD lens elements virtually eliminate chromatic aberration, while Super Spectra lens coatings suppress flare and ghosting.

Rapid auto focus is driven by a virtually silent Ring-type Ultrasonic Motor (USM) incorporating Canon’s latest auto focus algorithms. Full-time mechanical manual focus override is also provided. As with all L-series lenses, the EF 16‑35mm f/2.8L II USM is weather sealed to protect against dust and moisture.

A new 82mm Protect filter for the EF 16‑35mm f/2.8L II USM has been released to coincide with today’s launch.

Speedlite 580EX II – Increased durability

The Speedlite 580EX II improves on many of the specifications of its predecessor. Recycling is silent and up to 20% faster. Weather seals ensure that when attached to the EOS-1D Mark III, the Wireless File Transmitter WFT-E2 achieves the same level of dust and moisture resistance as the camera itself. A redesigned metal flash foot plate and connector pins allow more stable communication between the camera and flash, while a quick release mechanism minimises wear and tear on both units. The flash head zoom covers the range 24mm to 105mm and an integrated diffusion panel allows extended wide-angle coverage to 14mm.

The new Off Camera Shoe Cord OC-E3, Compact Battery Pack CP-E4 and Speedlite Bracket SB-E2 also allow sealing against dust and moisture, giving photographers a complete system to achieve off-camera lighting effects in difficult weather conditions.

Wireless File Transmitter WFT-E2 – Faster workflows

Responding to feedback from Wireless File Transmitter WFT-E1 users, Canon has expanded the functionality of the Wireless File Transmitter WFT-E2 to also support two-way communication via peer to peer (PTP) and HTTP protocols. Remote users can trigger the shutter button or download images from the camera via an internet browser window, dramatically reducing the time it takes from capture to publication. The Wireless File Transmitter WFT-E2 offers users a greater degree of security by allowing up to 4 types of WEP encryption as well as WPA2-PSK, which supports high security AES encryption.

USB host functionality means photographers can shoot directly to external storage media on longer shooting assignments. The unit also supports recording of GPS data – when connected to a portable GPS device, the location and time of capture is automatically added to each image as EXIF data.

Requiring no additional batteries, the Wireless File Transmitter WFT-E2 fits neatly onto the side of the EOS-1D Mark III and offers the same degree of weather resistance as the camera body.

Original Data Security Kit OSK-E3 – New encryption feature

The Original Data Security Kit OSK-E3 supports advanced image encryption when used with the EOS-1D Mark III, answering a need in the market for a secure way to transmit electronic images. The system works by writing captured images to a standard CF memory card, while the SD card slot contains the Original Data Security card (supplied with the kit) which acts as the encryption key. Encrypted images can be decrypted only by a computer with the same encryption key, allowing photographers to send images over public networks – such as wireless LANs or the internet – with the assurance that only the intended recipient can view them.

The Original Data Security Kit OSK-E3 is capable of detecting the slightest (single bit) discrepancy in image data. For images shot with the EOS-1D Mark III and a GPS-connected Wireless File Transmitter WFT-E2, it can also be used to verify that GPS data recorded at the time of capture has not been altered – an increasingly important consideration for news publications.

Photos and information copyright: www.dpreview.com

More Reviews at
www.robgalbraith.com/bins/content_page.asp?cid=7-8736-8850

Posted by Rui M Leal on 2007-02-23 00:25:20

Tagged: , canon , markIII , flash , 580EXII , ruimleal , dpreview , eos , WFT-E2 , Speedlite , Professional , Photographer , Feelancer , www.ruimleal-photography.net , 1D , EF , L , Portuguese , Rui M Leal Photography

Self Portrait 365 project | Day 162

Self Portrait 365 project | Day 162

I always know I’m gifted. Think about it, I can looking at two bright screens 16 hours a day and I don’t even need to wearing glasses? Yes, I’m definitely gifted!

P.S: Should I give it a try to apply this photo to Getty Image? I have never try to submit any photos to stock photos before. What do you think?

Posted by Growtograph | by Joy Butler on 2010-10-21 08:57:10

Tagged: , computer , screens , magic , bright , dark , pixie dust , ‘spinkles night asian woman self , portrait 365 5d , mk , II 50mm joy , butler hervey , bay , photographer

digital age

digital age

i really want to get a disposable camera and take pictures of family, friends, memories etc. I really like how they turn out, digital just seems too real and it gets a bit boring after a while when theres not much to photograph. So i took this photo with my camera and my computer, double digital but i like the ‘rustic look’ because of my dusty desktop anyway hello updated flickr!

Posted by Georgina Smith Photography on 2013-05-24 14:20:58

Tagged: , georgina , smith , photography , canon , eos , 550d , mirror , girl , teenager , old , throwaway , rustic , digital , technology , mac , imac , apple , nail , varnish , ring , love , film , camera , teen , teens , young , aspire , photographer , inspired , dusty , dust , desktop , clean , marked

250

250

While setting up lighting for an unrelated project today, I snapped this photo as a test shot. I wasn’t planning on doing anything with it.

But I pulled it into Photoshop… just to play. Design. Create. Have Fun. Things that many graphic designers & photographers forget to do among their many projects and deadlines. I wasn’t planning on sharing the finished piece… mostly because I didn’t even know I was working on something to finish.

I’ve been planning my self portraits so much lately. Thinking ahead, setting up, coming up with ideas and executing them with a plan in mind and a goal image in my head. Sometimes it’s good to instead attack a photo with absolutely no idea where it’s going. That’s what I did here.

Then, I liked the outcome. So, here it is. 🙂

In this design I used elements I’ve had collecting dust in dark corners of my computer for years. The illustration overlay comes from a vintage postcard that I found somewhere, and saved because it made me happy to look at it. I really wish I could remember where I got it so I could give the source a shout-out! (If anyone recognizes it, please let me know so I can!)

Anyway, that was a very long way to say a simple thing: This one was just for fun.

Posted by lemonjenny on 2010-12-15 08:52:38

Tagged: , vintage , textures , damask , postcard , overlay , photographer , illustration , self portrait , cross processed , photoshop , Nikon , D7000 , Sigma , 18-50 , 2.8 , just for fun , texture

Scooter

Scooter

1,440-(4)-127 … Our kitty "Scooter" sometimes climbs up onto my desk while I’m working on my computer. … She seldom sits still long enough for a photo, … and the light is dim … just a 60W desklamp on the shelf above my desk.

She’s covered in dust, cobwebs and sawdust because she "explores" the whole basement.

I snapped my fingers up by the lamp to get her to look up.

Camera: Sony MVC-CD1000, 2.1 megapixel (antique)
www.flickr.com/photos/landoni/3627387039/

Straight out of the camera except sharpened with "IrfanView".

59_DSC00091
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Posted by thegreatlandoni on 2009-12-03 22:54:26

Tagged: , amateur , America , beautiful , beauty , Betty Davis Eyes , black , black cat , cat , close-up , cobwebs , Colorado , Creation , creature , creepy , cute , Denver , Distillery , dust , explore , explores , female , girl , God’s Creation , Highlands Ranch , innocent , Jim Landon , kitten , landoni , macro , Mavica , memories , memory , MVC-CD1000 , nature , OMOT , Our Memories Our Times , pet , photographer , photography , pretty , sawdust , Scooter , sister , Sony , spooky , thegreatlandoni , United States , USA , Ysplix

The Frozen Desert

The Frozen Desert

Yesterday was an interesting day down in the desert. About 4 or 5 times every winter there is a dusting of snow up in the mountains around Phoenix, but I have never seen snow actually in Phoenix. That happened yesterday.

This is the first time I have ever seen saguaros with snow on them. I was up around Cave Creek and Bartlett Lake, which unfortunately had about the least amount of snow in the entire valley. I should have stayed around the Superstition Mountains in the east which got a ton of snow. Oh well…

Practically every part of the valley had some snow, hail, or gropple. Whatever the hell gropple is. I never heard the word until yesterday. In fact, my spell check is underlining it, so I guess my computer hasn’t heard of it either. But. All the newscasters kept using the word gropple yesterday.

Posted by MikeJonesPhoto on 2013-02-22 05:56:18

Tagged: , 2-13 , 4798 , www.mikejonesphoto.com , Smith-Southwestern , Mike Jones photo , landscape , scenic , nature , professional , photographer , Arizona , AZ , ns , desert , snow