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Welcome to Android Community’s analysis of the T-Mobile G2x, T-Mobile’s aboriginal dual-core device, LG’s aboriginal dual-core device, and aback aback it aback bodies alleged its actual abutting about the Optimus 2x, the aboriginal dual-core period. All that doesn’t bulk admitting because there this bold little adult is, and it’s bumpin. Over the accomplished few canicule we’ve been putting this buzz through some agrarian tests and real-world use tests, alike arena some amateur on it, and actuality we’ve got the aboriginal big verdict.

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Hardware

This buzz is continued and thin, accepting a 4-inch screen, one cleft abate than what HTC is bound claiming as their cast gigantic 4.3-inch competitor. The affectation is bright, actual bright, advancing at you with a LCD IPS awning at 480 x 800 pixel resolution and yes, the touchscreen is both capacitive and very, actual acute – there’s NEVER a time aback you’re activity to be borer over and over afresh like some of you’ve wondered aloud in the posts arch up to this one.

The absolute assemblage measures in at 4.90 x 2.50 x 0.40 inches (124 x 64 x 10 mm), weighs 5.00 oz (142 g,) and has a camera on the aback as able-bodied as the front. The front-facing camera weighs in at 1.3 megapixels while the aback boasts an 8 megapixel camera with auto focus, angel stabilization, smile detection, geo tagging, multishot, and panorama abilities, as able-bodied as an LED flash. You can almanac in 920×1080 (1080p HD) for video on this aback camera, and of advance you’ll be video chatting the night abroad with the front.

Volume on this accessory can be adapted with the up and bottomward buttons forth the right, adeptness button, headphone jack, and HDMI anchorage (with admirable artificial cover,) are forth the top. On the larboard there’s actually nothing, and on the basal there’s a brace of aces bigtime speakers and a microUSB anchorage for all of your adeptness charging and abstracts alteration needs. Of advance if you’re the affectionate of actuality who would rather do this array of affair via microSD card, you can get at that abaft the full-body array awning on the back.

Also beneath this array awning you’ll acquisition the 1500 mAh array and appropriate amid the array and the camera lens, a area to blooper your T-Mobile SIM card. The array awning is able in that instead of authoritative it all plastic, (light, but actualization cheap,) or all metal, (looks nice but feels heavy,) LG has alloyed the two, abacus a distinct metal bandage bottomward the centermost as a action that not alone adds some class, it ties it anon to the G-Slate which appears so far to be accordingly brand-tied to the G2x in added agency than one. Best accompany forever!

Then there’s the metal bandage about the absolute bound of the device, absolute accession aloft apostle at the top of the buzz on the avant-garde appropriate aloft the T-Mobile logo. Again, ablaze and powerful. The avant-garde of the G2x is covered with arced Gorilla Glass. This adds a band of breeding to an already chic device, all of these things calm authoritative what’s calmly one of the nicest activity Android phones on the bazaar today.

Inside, you’re activity to acquisition a fat and alarming Dual-core NVIDIA Tegra 2 1GHz dual-core processor, pumping adeptness for all your high-demand apps and wackiness through this buzz like its ambrosia. Sidenote: that’d be a abundant name for a processor, don’t you think? There’s additionally 8 GB storage, 512 MB RAM, and that microSD aperture can handle up to 32GB. As for access you’ll get Wifi 802.11 b/g/n, EDGE, Dual-band 4G UMTS/HSPA (Bands I and IV,) and Quad-band GSM (world phone) 850/900/1800/1900 MHz. Additionally jam some video and/or amateur into your television with HDMI and DLNA, and go agrarian with your accelerometer, compass, and GPS. And use the buzz as a wifi hotspot. And a partridge in a pear tree.

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Software

What you’re activity to get actuality is a Vanilla Android 2.2 Froyo experience. What that agency is that it’s absolutely as Google advised it to be central this phone, few to no modifications added than the accession of a few apps and features, all of them welcome, accept it or not: Allegation for Acceleration Shift HD, N.O.V.A (demo,) T-Mobile TV, Zinio (magazine app,) and Qik (video chat.) Qik, if you’ve not acclimated it before, allows you to video babble to added bodies with Qik, almanac videos and allotment them (in a actual convenient environment,) and accelerate video mail. Simple and able-bodied done. Definite antagonism for Skype (whenever it clearly comes out with video babble for Android.)

The brace of amateur that appear with the phone, Allegation for Acceleration and N.O.V.A., will draft you away. Allegation for Acceleration needs no added download so you’ll be able to jump appropriate in – it’s a antagonism bold with a absurd soundtrack that’s so smooth, you’ll basically accept a affection attack. For added fun, comedy it via HDMI cable, application afresh your accessory as the council caster and your gigantic television as your display.

For an archetype of what N.O.V.A. has to offer, analysis out our blink at the G2x aback at CTIA – it’s still aloof as tight:

[vms 300456b6a5f416209385]

N.O.V.A. is not a cast new bold and it doesn’t crave a dual-core processor to work, but it abiding as heck looks massively absorbing on this device, that abundant you can be abiding of. Beyond that, aggregate is slick. Accept a attending at how fast aggregate endless up – no pauses:

[vms f8a370206f111127c0db]

Camera

The cameras on this device, again, are a 1.3-megapixel front-facing camera for video babble and an 8-megapixel back-facing camera with the adeptness to almanac at 1080p.

Front Camera Photo

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Front Camera Video

Back Camera Photo

Back Camera Photo in the Dark with Flash

Back Camera Video

You’ll accept aloof noticed that while the front-facing camera’s video and photo capabilities are rather awkward at 1.3-megapixels, it’s not absolutely meant for abundant added than alive video babble – recording is aloof a bonus. On the back-facing camera, it’s annihilation but excellence. I allegation say no more. See a few added examples of photos and video aback in our bigger G2x 8-Megapixel Photo and 1080p Video Examples post.

Phone and Performance

Calling in and out has seemed to accept no issues whatsoever with aggregate and clarity. The one affair that we’ve apparent that MIGHT end up actuality an affair is that, and this alone happened once, but it’s that concerning, a phonecall was alone at the aforementioned moment the accessory alone T-Mobile’s 4G arresting and confused to 2G. That said, download and upload speeds accept seemed alright but accept been recorded as not actual fantastic. See our continued analysis aback in our G2x Acceleration Tests About the City column and see an archetype appropriate here:

As for added performance, this phone’s been absolutely amazing aback it comes to aperture and arena gigantically ambitious amateur and movies, and it’s been annihilation but aces aback it comes to browsing and accomplishing accustomed tasks. No complaints here! Accept a attending at our abounding G2x Dual-Core Optimized Benchmarks column and analysis out a brace examples here:

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Battery

The array on this accessory has been decidedly excellent. While we’re still accepting beneath than favorable after-effects with array time on the LTE adaptation of 4G buzz the HTC ThunderBolt, T-Mobile’s 4G seems to accept little to no aftereffect on the array at all. One abounding day of boilerplate to aerial use has seemed to be about the bulk of time you’ll be able to use this buzz after a allegation for a charge. That’s absorbing aback you accept absolutely what this buzz is able of. Aback I address this review, the buzz has been up with no allegation for 15:30 hours with boilerplate to aerial usage, (see that video up there with the amateur actuality addled in and out? I aloof did that,) and the array is still at 45%. I played about 30 account of a aerial def video on the buzz as able-bodied (Tron Legacy, to be exact, analysis out the column area you see that archetype aback [here].)

Wrap-Up

There are some bodies comparing this buzz to the AT&T ATRIX 4G. Don’t do that. It may accept a few of the aforementioned guts, but this buzz is the class. The anatomy agency actuality is abundant to be account the boilerplate $200 a top-tier smartphone these canicule care to cost, but surprise! It’s affairs for cheaper than that. The media collectors on this accessory are slick, and the media presenters on this accessory are double-slick. The awning admeasurement is absolute (unless you can’t get abundant of the hardly beyond 4.3-inch awning that HTC is putting on basically every buzz they’re releasing, and the buzz feels accomplished in the duke and in the pocket.

LG and T-Mobile accept added than acceptable agreed aloft a Vanilla additive of this Android device’s user interface so that it ability pump up to absolutely avant-garde already Android 2.3 Gingerbread is aboriginal accessible to it. The buzz has two of the better cameras accessible on the bazaar today. There’s a admirable metal bandage with Google engraved in it. The awning is one of the best acknowledging castigation absolutely has anytime affianced with.

So wait, what’s bad about this phone? Affiliation speed, acreage of play, and the beam hole. The aperture is on the aback of the phone, basically a atrium area dust and abridged lint will added than acceptable be accepting bent as one keeps this accessory cycling through one’s pocket. Acreage of comedy is bound by the stripped-down attributes of the Android operating arrangement as it exists after a manufacturer-added user interface plopped over it. This banned the buzz to avant-garde users of Android – but what does that mean? It agency that absolutely new newbs apparently wont be able to accept the inherent possibilities jumping about central this phone, but they’ll still actual abundant adore it. Finally, the affiliation acceleration – we discussed this in abbreviate in the column above, and it is an affair if you plan on downloading apps after Wifi on the approved – if you’re a Wifi lover, you’re golden!

Should you buy this phone?

Of advance you should! It’s freaking amazing, and abnormally if you appetite to attempt with the accessible adeptness of the G-Slate, you’re activity to allegation the overclockable adeptness of the G2x on your side. It’s a chase to the top! Castigation absolutely reviews phones VERY generally and uses a distinct Android at a time for a carry-around. Will the G2x alter the buzz I’ve been accustomed about for the accomplished brace of weeks? Abiding it will!

At atomic for a brace added weeks, that is.

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A MULTITUDE OF GEESE OVER THE OCEAN – VIDEO

A MULTITUDE OF GEESE OVER THE OCEAN - VIDEO

Video shot by Linden Hudson on a Canon powershot palm camera (while working as a sound man for a film crew out of the UK). This part of Oregon is breathtaking. The line of geese seemed to extend as far as the eye could see.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-08-07 10:27:51

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HORSES IN A BEAUTIFUL FIELD

HORSES IN A BEAUTIFUL FIELD

Photo by Linden Hudson (amateur photog)

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.

Posted by lindenhud1 on 2017-10-01 14:59:45

Tagged: , horses , beautiful , field , spring , grass , sunrise , texas , elgin , elgin_texas , usa , america , gorgeous , horse , peaceful , country , countryside , rural , farmland , heavenly , scenic , heartland , god’s_country , pasture , american , beauty , serene , break_of_day , sun_up , nice , pleasant , perfect , beautiful_morning , morning , early , early_morning , crack_of_dawn , beautiful_day , farm , meadow , beautiful_texas_morning , nature , beauty_of_nature , planet_earth

Photo added to “All Photos”

Photo added to

purple nebula and cosmic dust in star field

Posted by jonathansialreug on 2018-05-13 14:38:09

Tagged: , IFTTT , iOS , Photos , Backdrop , Astronomy , Textured , Big Bang , Bunch , Heaven , Abstract , Constellation , Milky Way , Planetarium , Dust , Exploding , Computer Graphic , Backgrounds , Infinity , Origins , Futuristic , Exploration , Mystery , Order , Star Shape , Dark , Multi Colored , Purple , Blue , Black Color , Deep , Science , Nature , Night , Light – Natural Phenomenon , Natural Gas , Field , Galaxy , Star – Space , Nebula , Planet – Space , Space , Cloud – Sky , Sun , Sky , Astronomy Telescope , Plasma , Astrology

Fairy dust

Fairy dust

I am in the middle of sorting out photos/folders on my computer.

It is so fun to look back at images i have taken from years ago!
I have wandered across some images which i really like, and i wonder why i haven’t uploaded them before!
This beauty is from 2011!!!

Posted by www.charlottechapmanphotography.co.uk on 2017-03-18 23:37:31

Tagged: , flower , macro , fairydust , pinkflower , garden , nature

Don’t Fall For These 24 Myths About Facebook Ads [Free Guide] http://bit.ly/2q0EA6L

Don’t Fall For These 24 Myths About Facebook Ads [Free Guide] http://bit.ly/2q0EA6L

bit.ly/2rvuInv

Posted by brandready on 2017-05-18 16:55:18

Tagged: , Inbound , Marketing , WordPress , Astronomy , Telescope , Cloudscape , Glowing , Star Chart , Moon Surface , Illustration , Andromeda Galaxy , Abstract , Constellation , Dust , Orbiting , Exploding , Computer Graphic , Backgrounds , Spiral , Infinity , Imagination , Fantasy , Star Shape , Dark , Purple , Blue , Black Color , Crowded , Deep , Science , Nature , Night , Light – Natural Phenomenon , Galaxy , Star – Space , Nebula , Earth , Planet – Space , Moon , Space , Cloud – Sky , Sun , Sky , Street , Astronomy Telescope , milky , outer , Plasma , Gas , Wallpaper Pattern , Astrology , Planetary Moon

M45- The Pleiades Cluster

M45- The Pleiades Cluster

The Pleiades, also known as M45, the Seven Sisters or Subaru (Japan), is an open star cluster containing middle-aged stars located in the constellation of Taurus. It is among the nearest star clusters to Earth and is the cluster most obvious to the naked eye in the night sky.

The cluster is dominated by hot blue and extremely luminous stars that have formed within the last 100 million years. Dust that forms a faint reflection nebulosity around the brightest stars was thought at first to be left over from the formation of the cluster is now known to be an unrelated dust cloud in the interstellar medium, through which the stars are currently passing. Computer simulations have shown that the Pleiades was probably formed from a compact configuration that resembled the Orion Nebula. Astronomers estimate that the cluster will survive for about another 250 million years, after which it will disperse due to gravitational interactions with its galactic neighborhood.

[Info from Wikipedia]

Nikon D7000
Explore Scientific ED80
Celestron AVX Mount
9 x 120 second exposures @ ISO 1600

Shot from the North Frontenac Township Dark Sky Preseve near Plevna, Ontario

Posted by Dark Arts Astrophotography on 2016-08-28 16:26:41

Tagged: , astrophotography , astronomy , space , stars , Sky , star , Cluster , Pleiades , Subaru , night , Nebula , nature , natur

Milky Way

Milky Way

The Milky Way is the galaxy that contains our Solar System. The Milky Way is a barred spiral galaxy some 100,000–120,000 light-years in diameter, which contains 100–400 billion stars. It may contain at least as many planets as well. The Solar System is located within the disk, about 27,000 light-years away from the Galactic Center, on the inner edge of one of the spiral-shaped concentrations of gas and dust called the Orion Arm. The stars in the inner ≈10,000 light-years form a bulge and one or more bars that radiate from the bulge. The very center is marked by an intense radio source named, Sagittarius A*, which is likely to be a supermassive black hole. Stars and gases at a wide range of distances from the Galactic center orbit at approximately 220 kilometers per second. The constant rotation speed contradicts the laws of Keplerian dynamics and suggests that much of the mass of the Milky Way does not emit or absorb electromagnetic radiation. This mass has been given the name “dark matter”. The rotational period is about 240 million years at the position of the Sun. The Galaxy as a whole is moving at a velocity of approximately 600 km per second with respect to extragalactic frames of reference. The oldest known star in the Galaxy is at least 13.6 billion years old and thus must have formed shortly after the Big Bang. Surrounded by several smaller satellite galaxies, the Milky Way is part of the Local Group of galaxies, which forms a subcomponent of the Virgo Supercluster.

Posted by pcbackup154 on 2014-06-17 16:27:25

Tagged: , abstract , airglow , argentina , astrophotography , canon , computer , deepsky , dream , galaxy , high , landscape , light , map , meade , mendoza , milkyway , music , nature , night , nightglow , nightphotography , nikon , photoshop , planet , process , stacker , stars , sun , time , way

Eastern Sierra Sunrise Timelapse

Eastern Sierra Sunrise Timelapse

I have a lot of timelapse sequences that I haven’t gotten around to processing yet, but here’s one from sunrise this morning!

Timelapse videos are easy to create on your DSLR. There are many software packages which will facilitate the process, some better than others, but I’ll describe the simple and relatively low cost workflow that I currently use. You’ll need software on your PC which can convert a sequence of JPEG files to timelapse video. I use VirtualDub (free download) to create an AVI format video, then I use MPEG Streamclip (free download) to convert the huge .AVI file to a much smaller (albeit lower quality) MPEG-4 for online use. Here’s the process from shooting to finished video:

Clean your camera sensor. It is hard enough to remove dust from one image… picture having to do that 300 times. Even copying dust removal from one image to the others, the data changes over time (from shot to shot), so it really won’t work well across the whole sequence. It’s far, far better to remove the dust up front. Clean your camera sensor!.

Put your camera on a sturdy tripod. Install a fully charged battery and a blank, freshly-formatted memory card which can handle several hundred images.

Compose your image expecting to lose some of the vertical information if you’ll convert the sequence to HD video with a narrow HD shape (16:9 aspect ratio).

Manually focus your camera and switch off automatic focus. If you forget to do this, your camera will insert delays in the sequence as it hunts for focus, making the playback jerky at best. Worst case, your camera may lose focus and you’ll end up with a whole lot of blurry images.

Make some test shots to determine best exposure. If practical, set exposure manually so it won’t change from shot to shot and cause flashing (flicker) as different exposures come up during playback. If the light will change a lot during shooting (sunrise and sunset), you can use automatic exposure, but then the exposure during the video is artificially stagnant, and you’ll need to to "deflicker" the timelapse to reduce flashing from frame to frame when producing the video. You will learn some very interesting and important things about your DLSR in this process! When your DSLR changes the exposure up or down 1/3 stop from shot to shot, simply "fixing" the exposure during editing will not result in similar-looking images from shot to shot! Even adjacent images taken a fraction of a second apart may have different white balance, and a slight exposure change also affects contrast, color saturation, and so on. Once you’ve gone through the process a few times your whole approach will change and you’ll try to maximize quality and consistency in-camera, not during editing.

Shoot several hundred images in a row. You can make the timing from frame to frame consistent using an Intervalometer Trigger (external timer), or you can simply hit the shutter release over and over (perhaps use the display of the prior image on the camera rear LCD as your cue to trigger the next shot and keep them at a fairly consistent rate). Remember that your finished product will be 30 frames per second, so you’ll need 300 images for each 10 seconds of video. I recommend shooting in RAW format so you can adjust the exposures during editing, especially if you shoot at sunrise or sunset where the light will change over the course of your timelapse.

Read your camera’s files into your editing software and crop them to the 16:9 aspect ratio of HD video. Remember that you have far more resolution in your DSLR than you need for HD video, so you can perform a "digital zoom" and focus on only a portion of your original camera image. Software strong in batch editing such as Adobe Lightroom (free trial available) will enable you to apply a consistent crop, exposure adjustments and even spot removal across the entire sequence of images. You’ll also want to impose one consistent white balance across the entire sequence. Some video processing software (such as Adobe Premiere I believe) will even let you specify a starting crop and a different finishing crop, then calculate a zoom and pan across your sequence of images.

Save your files in sRGB JPEG format at 1280 x 720 resolution for video to be used on sites like YouTube or Flickr that only allow smaller 720p HD format video, or save them at 1920 x 1080 resolution for 1080p video to be uploaded to sites such as Vimeo. If you’ll use the VirtualDub software, it will want you to point to the first image in the sequence then look for a sequential numbered file, so if you used automatic exposure bracketing while shooting you may be editing and saving every third file, but you can rename them sequentially so VirtualDub can order them properly.

Read the sequence into VirtualDub. It’s important to notice when trying to import them that in the dialog box where you’re looking for the first file to select, the file format has a drop-down menu which enables you to specify that it should look for an image sequence in JPG format.

Add filters as desired, in the order that you want them to apply. For example, Virtualdub can crop and resize larger JPEGs, perform sharpening at the new lower resolution, and you can search for and install a third party "MSU deflicker" filter to improve image consistency from frame to frame across the whole video. Check your frame rate and for maximum quality (but shorter result) change the default 10 frames per second to 30.

Save the video in AVI format. That’s a very high quality format, so it may save a file of a gigabyte or more! Enjoy this high quality file on your computer (or read it into video editing software to burn it to Blue-Ray DVD).

To create smaller files for online sharing, read your .AVI file into MPEG Streamclip. Save to MPEG-4, playing with quality vs. file size tradeoffs until the results are what you want.

Upload your results to your favorite video sharing site. That’s it! It takes a little more planning to pull off well and a little more time to produce the finished result, but you can produce some amazing videos.

For more information on shooting timelapse sequences, I recommend browsing the discussion forums over on www.Timescapes.org.

A slightly expanded version of these instructions, with links to the software downloads, may be found on my blog, MyPhotoGuides.com.

Posted by Jeffrey Sullivan on 2010-11-19 06:45:12

Tagged: , sunset , timelapse , HD , 720P , video , Monitor , Pass , clouds , Jeff , Sullivan , landscape , nature , California , USA , photo , Copyright , November , 2010 , Eastern , Sierra , Canon , EOS , 5D mark II

Wheeler Glacier and Cirque Headwall

Wheeler Glacier and Cirque Headwall

Wheeler Glacier and Cirque Headwall. Great Basin National Park, Nevada. September 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Wheeler Glacier and the cirque headwall below Wheeler Peak, Great Basin National Park

On my recent first-time visit to Nevada’s Great Basin National Park I experienced the challenges and rewards of photographing a brand new (to me!) location. As I have previously noted, I usually avoid doing too much research about a new destination ahead of time, at least beyond what is necessary to successfully get there and back and locate places to stay and eat, along with the most basic known features of the place. (For anyone who hasn’t heard the message already, I’m trying to retain the potential for discovery in new places and to make it more likely that I will form my own orientation to them.) So, what I actually knew about this park in advance of my visit was somewhat limited: it is formed around the Snake Mountains, it is famous for its caves, Wheeler Peak is the second highest point in Nevada, there might be fall color at this time of year, that much of the park is not easily accessible… and there is a glacier!

From this and a few of my other photographs of the high areas of the park you might get the impression that it is largely and alpine place. It isn’t. In fact, the spots that do have that feeling are a small portion of the park and at least partially notable for being exceptions. Yet, once you arrive at such places they become your entire world. (Well, almost your entire world, since views of the surrounding "basin" terrain are rarely far away.) This glacial cirque cuts into the highest ridge, separating the two tallest summits in the park. The view straight into this glacial valley is, indeed, impressively alpine. (As I write this I have a photograph of a Pacific Northwest glacier scene from Mount Shuksan open on my computer, and it shares remarkable parallels with this photograph.) On this visit the effect was enhances by a recent dusting of early autumn snowfall that coats the mountains and the top of the huge rock glacier at the lower edge of the much smaller ice glacier.

G Dan Mitchell is a California photographer and visual opportunist. His book, "California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Posted by G Dan Mitchell on 2017-10-01 18:25:31

Tagged: , wheeler , peak , glacier , headwall , curque , basin , rocky , mountains , cliff , great basin , national , park , nevada , landscape , nature