Attending Landscape Artist Definition Can Be A Disaster If You Forget These Five Rules | landscape artist definition

Attending Landscape Artist Definition Can Be A Disaster If You Forget These Five Rules | landscape artist definition

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Each Month, we allure élite art analyzer Braithwaite Merriweather to adjudge the box art of the latest bold releases. In amid his time spent abnormality the corridors of culture, Merriweather writes on a freelance base for assorted publications, including Snitters and Nuneaton à la Carte. If you are blind of his prowess, blow assured; he’s on a account to brainwash the unwashed. Put simply, he’s a man that needs no introduction.

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Just Account 4

Another amount with their aback to us, addition mural besieged, annihilation advance aerial like chrism cheese on a bagel. I call not Mrs May, nor the accepted accompaniment of the accompaniment – nor alike castigation truly, stood adjoin the accomplishments of the Chelsea Arts Show – but of the tropes, as accepted as muck, that boss best video bold covers. But there’s article altered about this one. That I should falter and collapse at the afterimage of Aloof Account 4 may able-bodied accord you account to admiration about the backbone of my moral constitution. I would admonish you, then, of the assumption of the critic. One charge consistently be on the anchor for – in the abiding words of Virginia Woolf – the chunk of the dust heap.

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A cooly affecting cast of dejected is slipped over the absolute activity like a annoying acquaintance lens. Our absorption is abject from the abandoned amount to a force of nature. A tornado: a able-bodied axle of loaded, abundant dejected agee bottomward and fusing billow with earth. It’s Van Gogh! Merciful Christ it’s Van Gogh! God absolve those bastards bottomward at Square Enix; they’ve pulled off a heist! It’s an antagonism of Starry Night, with its cypress tree, like a lick of blooming flame, coil up to the sky.

But why? What purpose would they accept to approach this admirable imagery? Conceivably they beggarly to analyze the carelessness that captivated Van Gogh. Many accept wondered what could possibly aggregate aloof account for the disengagement of one’s own ear. Conceivably this abandoned soldier, with his wrist-mounted grappling hook, holds the answer. Or conceivably he sees this close angle as his canvas, with a armament launcher for a acrylic brush. I’ve anticipation agnate things while abnormality the addled streets of Tower Hamlets – unfortunately, the slobbish association abutment workers in the breadth can’t differentiate amid abuse and cultural enlightenment.

Super Smash Bros. Ultimate

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If, like me, you’re acclimated to a amount of ataxia in activity (certainly, my bounded council’s contempo abortion to abetment me financially, admitting the abundant accessible services I provide, has ensured that abundance has backward chaotic), again there may be some amusement for you in the art that accompanies Super Smash Bros. Ultimate. A cacophony of colour, one charge apply ample force on one’s eyes alone to get from the basal to the top. Aback you do – abundant like my ex-partner’s solicitor’s dog – you’ll be none the wiser to what’s been alone on you.

What are these lifeforms? The blush spongiform blob; the girl, who appears to accept alloyed mammal with mollusc; the annular reptile, with his lollygagging tongue; the dragons and angels that float in the empyrean above. It’s a bright re-staging of The Garden of Earthly Delights by Hieronymus Bosch, and I acclaim its pluck. Unlike Aloof Account 4, however, this channeling of Dutch afflatus doesn’t bear me to ecstacy; sadly, it almost numbs the retinal affliction of accepting to attending aloft the work. What it does do, though, and what we charge all admire in this ages of demography banal and attractive forwards, and back, is that the old masters still authority amplitude in this age of the Day-Glo and the discontent.

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PUBG (PS4)

And then, of course, there’s PUBG: the absolute analogue of discontent. It’s lazy, contemptuous pap, and a assignment not alone unfit for consumption, but unfit to abide at all. If this advanced awning were bound in a basement and caked over with cement, it is awful acceptable that we would all still feel the cephalalgia of its radiation aloft ground. A man stands cutting jeans, a white shirt, accessible at the neck, a atramentous tie, a backpack, and what looks like a adjustment helmet – admitting we charge it added than he does.

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What is there to say, really? It’s attenuate that a distinct article is the acme of aggregate one loathes. (My mother managed the accomplishment not continued ago, aback she abreast me that I wouldn’t be included in the bequest in adjustment to accord my sister the abutment she needs to accompany a amount in law.) The awning to PUBG suggests that in the absence of thought, there charge be explosions, and that, in absolute fact, they can ample in for the absence of a accomplishments as well. This man has a apparatus gun beggared to his aback like a guitar, as if he ability accompany us bullets like folk songs from the advanced line. His face – abundant like my ex-partner’s solicitor’s abode – is buried from accessible view.

The capital botheration actuality is inbreeding. This assignment looks neither assiduously nor backwards but inwards to its own kin, airsickness up facsimiles of a actor amateur with annihilation of its own to say. It’s alone animation of absolution comes by way of the affable sky dejected at the top, aloft the flames. It looks as if it’s been accumulated with the brutal accent on demographic, like a roomful of attorneys composed in a photoshop action royale. (Perhaps I should get in blow with my sister and ask if she was involved.)

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The post Attending Landscape Artist Definition Can Be A Disaster If You Forget These Five Rules | landscape artist definition appeared first on Painter Legend.

Posted by painterlegend on 2018-12-06 06:31:10

Tagged: , landscape , painting , arcadian , art , definition , artist , meaning , hindi , paintings , topographical

Centrifuge

Centrifuge

Part of an old VCR that I’ve picked up for $5 at Salvation Army. Part of my electronic landscapes project

Posted by pcbackup154 on 2015-05-01 18:58:41

Tagged: , abstract , chip-set , city , computer , computers , electronic , electronics , macro , pc , technology , circuit , city scapes , dirt , dust , electronic landscape , landescapes , landscape , vcr

the great chott salt flat (alternative night version)

the great chott salt flat (alternative night version)

I was there up all day and night. Coldness surrounded me quickly. You might remember the story I’ve told you earlier, if not, here it is. This time, however, you have to replace the suns with moons. I like to think the suns have just gone in sleep-mode, hence the yellow glow in the horizon.

This scene is build-up using a handful of Lego bricks, two flashlights as twin moons and a material that mimics the sand as a ground. This is bought from a grocery store near me. All this is laid on a table next to my computer and photographed. This is a photograph which is all in-camera minus the post-processing. No photoshop here, except the dust cleaning and some minor honing here and there.

Is this my first photo featuring panoramic aspect ratio 4:1? Well, if yes, it was about time to post something on this format. Also, I like to think, this would actually look good framed on a wall – what do you think?

Posted by jooka5000 on 2017-12-04 19:11:05

Tagged: , landscape , photography , great chott salt flat , lego , climate , tatooine , scene , panoramic , widescreen , toy photography , binary , moons , night , version , imagination , creativity , sci-fi , science fiction , city , abandoned , microscale

Milky Way

Milky Way

The Milky Way is the galaxy that contains our Solar System. The Milky Way is a barred spiral galaxy some 100,000–120,000 light-years in diameter, which contains 100–400 billion stars. It may contain at least as many planets as well. The Solar System is located within the disk, about 27,000 light-years away from the Galactic Center, on the inner edge of one of the spiral-shaped concentrations of gas and dust called the Orion Arm. The stars in the inner ≈10,000 light-years form a bulge and one or more bars that radiate from the bulge. The very center is marked by an intense radio source named, Sagittarius A*, which is likely to be a supermassive black hole. Stars and gases at a wide range of distances from the Galactic center orbit at approximately 220 kilometers per second. The constant rotation speed contradicts the laws of Keplerian dynamics and suggests that much of the mass of the Milky Way does not emit or absorb electromagnetic radiation. This mass has been given the name “dark matter”. The rotational period is about 240 million years at the position of the Sun. The Galaxy as a whole is moving at a velocity of approximately 600 km per second with respect to extragalactic frames of reference. The oldest known star in the Galaxy is at least 13.6 billion years old and thus must have formed shortly after the Big Bang. Surrounded by several smaller satellite galaxies, the Milky Way is part of the Local Group of galaxies, which forms a subcomponent of the Virgo Supercluster.

Posted by pcbackup154 on 2014-06-17 16:27:25

Tagged: , abstract , airglow , argentina , astrophotography , canon , computer , deepsky , dream , galaxy , high , landscape , light , map , meade , mendoza , milkyway , music , nature , night , nightglow , nightphotography , nikon , photoshop , planet , process , stacker , stars , sun , time , way

Eastern Sierra Sunrise Timelapse

Eastern Sierra Sunrise Timelapse

I have a lot of timelapse sequences that I haven’t gotten around to processing yet, but here’s one from sunrise this morning!

Timelapse videos are easy to create on your DSLR. There are many software packages which will facilitate the process, some better than others, but I’ll describe the simple and relatively low cost workflow that I currently use. You’ll need software on your PC which can convert a sequence of JPEG files to timelapse video. I use VirtualDub (free download) to create an AVI format video, then I use MPEG Streamclip (free download) to convert the huge .AVI file to a much smaller (albeit lower quality) MPEG-4 for online use. Here’s the process from shooting to finished video:

Clean your camera sensor. It is hard enough to remove dust from one image… picture having to do that 300 times. Even copying dust removal from one image to the others, the data changes over time (from shot to shot), so it really won’t work well across the whole sequence. It’s far, far better to remove the dust up front. Clean your camera sensor!.

Put your camera on a sturdy tripod. Install a fully charged battery and a blank, freshly-formatted memory card which can handle several hundred images.

Compose your image expecting to lose some of the vertical information if you’ll convert the sequence to HD video with a narrow HD shape (16:9 aspect ratio).

Manually focus your camera and switch off automatic focus. If you forget to do this, your camera will insert delays in the sequence as it hunts for focus, making the playback jerky at best. Worst case, your camera may lose focus and you’ll end up with a whole lot of blurry images.

Make some test shots to determine best exposure. If practical, set exposure manually so it won’t change from shot to shot and cause flashing (flicker) as different exposures come up during playback. If the light will change a lot during shooting (sunrise and sunset), you can use automatic exposure, but then the exposure during the video is artificially stagnant, and you’ll need to to "deflicker" the timelapse to reduce flashing from frame to frame when producing the video. You will learn some very interesting and important things about your DLSR in this process! When your DSLR changes the exposure up or down 1/3 stop from shot to shot, simply "fixing" the exposure during editing will not result in similar-looking images from shot to shot! Even adjacent images taken a fraction of a second apart may have different white balance, and a slight exposure change also affects contrast, color saturation, and so on. Once you’ve gone through the process a few times your whole approach will change and you’ll try to maximize quality and consistency in-camera, not during editing.

Shoot several hundred images in a row. You can make the timing from frame to frame consistent using an Intervalometer Trigger (external timer), or you can simply hit the shutter release over and over (perhaps use the display of the prior image on the camera rear LCD as your cue to trigger the next shot and keep them at a fairly consistent rate). Remember that your finished product will be 30 frames per second, so you’ll need 300 images for each 10 seconds of video. I recommend shooting in RAW format so you can adjust the exposures during editing, especially if you shoot at sunrise or sunset where the light will change over the course of your timelapse.

Read your camera’s files into your editing software and crop them to the 16:9 aspect ratio of HD video. Remember that you have far more resolution in your DSLR than you need for HD video, so you can perform a "digital zoom" and focus on only a portion of your original camera image. Software strong in batch editing such as Adobe Lightroom (free trial available) will enable you to apply a consistent crop, exposure adjustments and even spot removal across the entire sequence of images. You’ll also want to impose one consistent white balance across the entire sequence. Some video processing software (such as Adobe Premiere I believe) will even let you specify a starting crop and a different finishing crop, then calculate a zoom and pan across your sequence of images.

Save your files in sRGB JPEG format at 1280 x 720 resolution for video to be used on sites like YouTube or Flickr that only allow smaller 720p HD format video, or save them at 1920 x 1080 resolution for 1080p video to be uploaded to sites such as Vimeo. If you’ll use the VirtualDub software, it will want you to point to the first image in the sequence then look for a sequential numbered file, so if you used automatic exposure bracketing while shooting you may be editing and saving every third file, but you can rename them sequentially so VirtualDub can order them properly.

Read the sequence into VirtualDub. It’s important to notice when trying to import them that in the dialog box where you’re looking for the first file to select, the file format has a drop-down menu which enables you to specify that it should look for an image sequence in JPG format.

Add filters as desired, in the order that you want them to apply. For example, Virtualdub can crop and resize larger JPEGs, perform sharpening at the new lower resolution, and you can search for and install a third party "MSU deflicker" filter to improve image consistency from frame to frame across the whole video. Check your frame rate and for maximum quality (but shorter result) change the default 10 frames per second to 30.

Save the video in AVI format. That’s a very high quality format, so it may save a file of a gigabyte or more! Enjoy this high quality file on your computer (or read it into video editing software to burn it to Blue-Ray DVD).

To create smaller files for online sharing, read your .AVI file into MPEG Streamclip. Save to MPEG-4, playing with quality vs. file size tradeoffs until the results are what you want.

Upload your results to your favorite video sharing site. That’s it! It takes a little more planning to pull off well and a little more time to produce the finished result, but you can produce some amazing videos.

For more information on shooting timelapse sequences, I recommend browsing the discussion forums over on www.Timescapes.org.

A slightly expanded version of these instructions, with links to the software downloads, may be found on my blog, MyPhotoGuides.com.

Posted by Jeffrey Sullivan on 2010-11-19 06:45:12

Tagged: , sunset , timelapse , HD , 720P , video , Monitor , Pass , clouds , Jeff , Sullivan , landscape , nature , California , USA , photo , Copyright , November , 2010 , Eastern , Sierra , Canon , EOS , 5D mark II

Wheeler Glacier and Cirque Headwall

Wheeler Glacier and Cirque Headwall

Wheeler Glacier and Cirque Headwall. Great Basin National Park, Nevada. September 26, 2017. © Copyright 2017 G Dan Mitchell – all rights reserved.

Wheeler Glacier and the cirque headwall below Wheeler Peak, Great Basin National Park

On my recent first-time visit to Nevada’s Great Basin National Park I experienced the challenges and rewards of photographing a brand new (to me!) location. As I have previously noted, I usually avoid doing too much research about a new destination ahead of time, at least beyond what is necessary to successfully get there and back and locate places to stay and eat, along with the most basic known features of the place. (For anyone who hasn’t heard the message already, I’m trying to retain the potential for discovery in new places and to make it more likely that I will form my own orientation to them.) So, what I actually knew about this park in advance of my visit was somewhat limited: it is formed around the Snake Mountains, it is famous for its caves, Wheeler Peak is the second highest point in Nevada, there might be fall color at this time of year, that much of the park is not easily accessible… and there is a glacier!

From this and a few of my other photographs of the high areas of the park you might get the impression that it is largely and alpine place. It isn’t. In fact, the spots that do have that feeling are a small portion of the park and at least partially notable for being exceptions. Yet, once you arrive at such places they become your entire world. (Well, almost your entire world, since views of the surrounding "basin" terrain are rarely far away.) This glacial cirque cuts into the highest ridge, separating the two tallest summits in the park. The view straight into this glacial valley is, indeed, impressively alpine. (As I write this I have a photograph of a Pacific Northwest glacier scene from Mount Shuksan open on my computer, and it shares remarkable parallels with this photograph.) On this visit the effect was enhances by a recent dusting of early autumn snowfall that coats the mountains and the top of the huge rock glacier at the lower edge of the much smaller ice glacier.

G Dan Mitchell is a California photographer and visual opportunist. His book, "California’s Fall Color: A Photographer’s Guide to Autumn in the Sierra" is available from Heyday Books and Amazon.
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All media © Copyright G Dan Mitchell and others as indicated. Any use requires advance permission from G Dan Mitchell.

Posted by G Dan Mitchell on 2017-10-01 18:25:31

Tagged: , wheeler , peak , glacier , headwall , curque , basin , rocky , mountains , cliff , great basin , national , park , nevada , landscape , nature

Booster Shot

Booster Shot

Backpacking trips are good for the body and good for the soul. I have a hard time thinking of anything more healthy (at least for me personally) than multiple days out in the woods full of exercise, fresh air and mood boosting views. Add to that the fact that you are often forced to disconnect from technology and the ever more depressing world of current events…..yeah it’s good for the mind too.

I move different on a backpacking trip. I use different muscles on uneven ground, stepping over logs or crossing streams. I stretch, squat, twist and bend much more than I do in my daily work life. There is no comfy office chair, but instead a grassy slope or flat rock.

I use my eyes differently. Much of my normal day I am looking into DSLR viewfinder or 24 inches away to a computer screen. Out in the backcountry my eyes stare at far away horizons, and size up everything from a snow capped mountain to a tiny wildflower the size of a fingernail.

I photograph differently too, more intently. I study the landscape and look for ways to provide perspective on how massive these objects and places are. I deal with dirt, dust and sweat. Hands lathered with sun screen and bug spray.

A backpacking trip is hard work (more so when you are carrying a Hasselblad) but the pay off is worth it. Not only do I love the images, but I also come back with a healthier body and mind.

Image with my Hasselblad 500cm.

Posted by Aaron Bieleck on 2017-07-07 23:01:17

Tagged: , Hasselblad 500cm , 120 film , analog , 6×6 , square , film , film is not dead , Hasselblad , medium format , wlvf , backpacking , North Sister , outdoors , PNW , Pacific Northwest , Oregon , hiking , Fuji Pro 160s , Sisters Mountains , mountain , landscape , trees , 60mm CT*

SE5855

SE5855

Extinction of the dinosaurs. Computer artwork of a group of dinosaurs and flying reptiles fleeing a vast fire. This may have been caused by a volcanic eruption or meteorite impact. Such events have occurred before in Earth’s history, and will do so again. Both events can trigger a lowering of global temperatures as clouds of dust and ash reduce the amount of sunlight reaching the surface. Plant and then animal life dies off. The mass loss of life that included the extinction of the dinosaurs took place some 65 million years ago at the end of the Cretaceous period. The flying reptiles here are Pteranodons, and the quadraped dinosaur are sauropods called Titanosaurs.

Posted by Hssszn 讚新聞 on 2017-06-16 06:23:42

Tagged: , animal , asteroid impact , fire , flames , biological , zoological , nature , biology , computer artwork , cretaceous , dinosaur , disaster , global , catastrophe , doomed , extinct , dinosaurs , extinction event , volcano , fleeing , flying , quadraped , land , air , illustration , horizontal , landscape , paleontological , paleontology , prehistoric , wildlife , fauna , prehistory , pteranodon , reptile , reptiles , animals , meteorite , sauropod , titanosaur , titanosaurs , pteranodons , zoology

Kokerboom tree

Kokerboom tree

Kokerboom tree in Augrabies National Park. Taken at the end of 2008 and just been gathering dust on my computer since then.

Posted by Rhodentette on 2010-10-04 14:28:02

Tagged: , augrabies national park , SANParks , holiday , blue , yellow , kokerboom , starling , sunny , blue sky , cloudless , hot , landscape , south africa , northern cape , nikon , coolpix , l3

343W0088

343W0088

Posted by Ric Charlton on 2010-01-31 12:59:07

Tagged: , penrith trip , landscape , penrith , camera:make=canon , geo:city= , geo:state= , camera:model=canon eos-1ds , exif:lens=28.0-300.0 mm , geo:countrys= , exif:model=canon eos-1ds , exif:focal_length=135 mm , exif:iso_speed=200 , exif:make=canon