Why Is Black Aesthetic Wallpaper So Famous? | black aesthetic wallpaper

Why Is Black Aesthetic Wallpaper So Famous? | black aesthetic wallpaper

via Aesthetic Wall aestheticwall.com/why-is-black-aesthetic-wallpaper-so-fam…

Black aesthetic wallpaper is a stunning addition to any room that would like to be more contemporary and formal. In this piece I will discuss how you can install a black and white aesthetic wallpaper on your walls to achieve this.

Black and white aesthetic wallpaper is extremely simple to install. You will need to prepare the surface where you will be mounting the wallpaper by sanding it. This will help to ensure that the wall will adhere to the wallpaper properly. To do this you need to apply a mixture of silicon and water and then sand the surface in the direction of the wallpaper.

Once the surface has been sanded, you can then paint the wallpaper onto the wall. You will need to paint the wallpaper using a latex paint so as to ensure that the wall will adhere to it properly.

To remove any excess wallpaper from the wall you can apply a mixture of vinegar and water. When this has been applied to the wall, you will then be able to clean the wall.

You will need to prepare the area in which you are going to mount the wallpaper by sanding it as described above. Once the wall has been sanded, you can then apply a mixture of silicon and water and then sand the surface in the direction of the wallpaper. To remove any excess wallpaper you can apply a mixture of vinegar and water.

Once this has been done you can then paint the wallpaper onto the wall in the way that you have painted the wallpaper onto the wall previously. To remove any excess wallpaper you can apply a mixture of vinegar and water. the wall previously. You will need to ensure that the wallpaper has been attached correctly and that it is firmly in place. If you are unsure you should have a professional do this work for you.

To finish off your black aesthetic wallpaper you will need to apply a mixture of silicone and water. You will then use a tack cloth to hold the wallpaper in place. To remove any excess wallpaper you will need to apply a mixture of silicon and water.

Finally, you will need to sand the wall in the final step of the process. You will need to sand it to remove any dust and then you will be able to apply a mixture of silicone and water to the wall.

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Posted by aestheticwall. on 2020-07-25 18:34:26

Tagged: , Aesthetic , Wallpaper , black , bts , desktop , hd , ipad , iphone , landscape , laptop , pc , tumblr

Backyard Milkyway

Backyard Milkyway

After a day of heavy rain, some hail, and then sunshine, the sky cleared enough to let the milky way shine

©Terry L Richmond

Posted by Terry L Richmond on 2018-09-28 05:13:43

Tagged: , sky , nature , smoke , astronomy , galaxy , landscape , night , space , outdoor , moon , grass , no person , atmosphere , field , hill , exploration , astronomical object , air , outer space , calamity , tree , riding , darkness , green , explosion , star , flying , outdoors , universe , track , sun , milky way , man , dust , water , spacecraft , hillside , science , mountain , meteorological phenomenon , large , dawn , midnight , train , travel , computer wallpaper , eruption , grassy , snow , standing

******* Creek Falls

******* Creek Falls

When I was a kid growing up in the suburbs of Sydney in the late 60s and 70s, ******* Creek was for my mates and I our internet, our computer game, our DVD, CD, our smartphone, our everything. We knew every rock and tree on our side of the creek, and a lot of the other gang’s on the other side. We used to make dams, destroy dams, clear rubbish blocking the flow, build boats, fish, make tunnels under the lantana, build treehouses and camp out in the sandstone caves hidden under the vines. It was time to go home when one of our mums’ would ring their respective bells back up in the row of houses we lived in backing onto the bush. From up there the sound of the waterfalls after rain would dominate the air, and we could actually see one of them from our balcony. ********* Creek has four waterfalls, one of them is about 2 metres. None of them had any names. Or at least, we didn’t have names for them, only descriptions, like "the bottom one" and "the top one", both of which were just within our territory. Mostly though we spent time at "the middle ones".

Today I went back to ******** Creek for the first time in a long time. I found the old track beside the creek which was once a dirt road in the 1800s and where we once found the remnants of an old barb-wired fence and three sandstone milestones lying under the lantana – carved on site but never used.

I only found one of those old milestones, a little worse for wear, but not the other two. I found the sandstone ledge with the smooth carved grooves in them that the local historical society once labelled as of Aboriginal origin, when in fact my mates and I created them years earlier by rubbing sandstone rocks against the ledge because for some reason we thought that sandstone dust was valuable.

I also found the four waterfalls, and shot them all before the sun caused issues. This shot is of the second waterfall – one of the smaller ones. I’ll be going back to shoot them after some heavy rain, especially the 2 metre drop – that is going to be some flow. And once I feel I’ve nailed them I will disclose the location for others to try out.

Posted by Peter Hill1 on 2013-11-23 02:25:28

Tagged: , Peter Hill , creek , Canon EOS 1Ds Mark III , Canon TS-E 24mm f3.5L , Hoya ND x400 , Lee Grad ND , long exposure , landscape , Waterfall , Waterfalls

Fiery Sunset Of The Heavens (error repost)

Fiery Sunset Of The Heavens (error repost)

A computer/digital glitch or error wiped out three pics last week, this was my fave — a sunset over a disintegrating snowfield with red-orange dust and high winds. So reposting, apologies if you had already faved /commented on it. This was a pretty wicked and risky shot and took a lot of shelter and speed.

Posted by Ardan. on 2020-09-23 11:54:24

Tagged: , sunset , fiery , snowfield , dust , high winds , golden , silhouette , rocks , haze , nature , nature photography , travel , risk , travel photography , landscape , landforms , steep hill , slippery , Australia , landscape photography , outside , outdoors , photoart

Sand Dunes Dust Storm and Sun Rays (Black and White)

Sand Dunes Dust Storm and Sun Rays (Black and White)

Revisiting a 2016 folder… I don’t like the color one yet, so here’s black and white. I need to finish re-installing software & plug-ins on the computer I just built.

Posted by Jeff Sullivan (www.JeffSullivanPhotography.com) on 2020-02-14 17:33:17

Tagged: , Valley , National , Park , Death Valley , National Park , California , USA , landscape , nature , travel , photography , Canon , EOS , 5DMarkIII , road trip , photo , copyright , 2016 , Jeff , Sullivan , April , HDR , Photomatix , Death , black , white

30 Reasons Why Schools Of Landscape Painting Is Common In USA | schools of landscape painting

30 Reasons Why Schools Of Landscape Painting Is Common In USA | schools of landscape painting

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What bigger way is there to accurate thoughts and affections than accepting them bottomward on paper? Artisan Margaret Lloyd says block them into pure, Welsh slate makes self-expression that abundant added satisfying.

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Lloyd, a built-in of Wales who now lives in Florence, brought her passion-filled apperception and more-than-capable easily to the United States years ago, and she’s aback produced a deluge of artwork, from balladry to painting, representing the concrete adorableness and actual affluence of her home country.

A accumulating of her Welsh-inspired slatework — watercolor paintings and engravings on pieces of slate — that additionally represents her affection for Wales is now on affectation in the Burnett Gallery at the Jones Library in Amherst through December 30.

Although Lloyd has spent best of her activity in the United States, Welsh ability runs aloof as thickly through her claret as it did aback she spent her aboriginal adolescence in Wales, afterwards actuality built-in in Liverpool, England. She was actual adolescent aback her Welsh parents absitively to move to America, but luckily, the clearing didn’t affect her affiliation to Wales: Her ancestors acclimatized in a Welsh association in upstate New York.

There, her ancestor formed as a abbot at a abbey area he preached in Welsh. “My parents were activity to go aback to Wales afterwards bristles years. They came actuality and didn’t go back,” she said.

Lloyd’s affiliation to Welsh ability remained able alike as she larboard home for the University of Rochester in New York, area she met her husband. Lloyd says their accord abandoned added ammunition to the blaze of Welsh affection aural both of them.

“The bouncing aback and alternating amid us was appropriate there,” she said. “He’s not Welsh by blood, but he is a Welsh medievalist. He’s appear books in Wales accepting to do with medieval poetry, and translated them. He’s additionally been a assistant of Welsh accent at Smith, UMass and Harvard.”

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Up until two years ago, Lloyd accomplished aesthetic and avant-garde autograph courses at Springfield College, and she chaired the school’s humanities administration for about 20 years. Now, she dedicates her canicule to art.

“I absitively I capital to alive a absolutely aesthetic activity and I chock-full my teaching,” she said. “I’ve been able to absolutely allot myself to my artwork, and that’s aback this accomplished new slate activity began to blossom.”

Lloyd never advancing actuality a beheld artist, let abandoned a full-time one — she’s appear four volumes of poetry, an art form that had been her calling aback she was a baby girl. But as her absorption in painting increased, she took it aloft herself to apprentice more through account books and belief added artists.

“At first, I was afraid at how I admired it,” said Lloyd. “I’m not a painter whatsoever, but watercolor is a admirable average because you can’t ascendancy it completely. It shows you area to go.”

She dedicates her time now to painting, chiseling, and autograph poetry, and application all three mediums collaboratively. For “Slateworks,” her Amherst exhibit, she’s fatigued afflatus from the country’s celebrated slate mining industry and her family’s affiliation to it.

“My ancestors was actual complex in the slate industry in Wales, and still is,” Lloyd said. “I apparently had quarrymen and slate miners in my background. I’m abiding I did. My grandfathering was aboriginal a slate engraver and again concluded up owning mines in Wales. I’ve consistently had slate as allotment of my activity because of that.”

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The mining industry became cogent in Wales in the 19th century and agitated on into the mid-20th century. The aerial country provided coal, diamond, adamant and slate mines with affluent deposits.

“It was actual alarming work, as all mining is, and that’s allotment of why I’m absorbed in it,” Lloyd said. “A lot of bodies got silicosis [from inhaling slate dust]. But it’s a huge, important allotment of Welsh culture, as able-bodied as Welsh bread-and-butter life.”

Lloyd’s paintings in “Slateworks” analyze a cardinal of Welsh themes, from paintings of actual images such as slate fences and the beat boots of slate workers, to replicas of artwork begin in medieval Welsh books. The paintings are not on the slate’s actual apparent — she carves cavities into the bean by hand and embeds the watercolors into them, then covers the paintings in wax to assure them.

The art isn’t abandoned in what Lloyd creates, however; she additionally hand-picks and collects all the slate she uses.

“I accompany aback slate from Wales that I acquisition … there’s a lot lying about in debris heaps,” she noted. “It makes my attache actual heavy. But I additionally use Vermont beam slate that has been discarded, and beam slate that a acquaintance of abundance gives me. I like reusing article that’s been discarded.”

Not all slate is the same, she adds: Color, for one thing, varies based on area the slate comes from.

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“It’s absolutely interesting, the geological strata is absolutely the same,” she said of Welsh and Vermont slate. “I brought this aback aftermost summer,” she added, pointing to a watercolor-clad, amethyst allotment of Welsh slate. “I was attractive for altered colors, because a lot of the Vermont slate I accept is gray.”

No two pieces of slate are the aforementioned shape, either. Lloyd’s accumulating ranges from about altogether aboveboard slabs, to added asperous pieces, to large, ellipsoidal segments big enough to fit two paintings. She generally draws afflatus from slate shapes and crafts her paintings about them.

The affluent history of Wales is not the abandoned afflatus for the assignment in Lloyd’s exhibit. She says the country’s asperous adorableness also propelled her to put besom to paper.

“I adulation the mural of Wales. It’s an abundantly admirable country,” she said. “When I aboriginal started painting, I was in Colorado and I was painting mountains that I’d never corrective before. [But] I was aback painting Welsh landscapes.”

“So it was, at first, all subliminal,” Lloyd continued. “It was as if I was authoritative article out of my anxious for Wales and my anxious for acquaintance with my country. Aback I’m here, I continued for Wales. And again aback I’m in Wales, I continued for here.”

“I anticipate it’s actual important to accept a aesthetic activity with artistic thinking,” Lloyd said in closing. “It’s aloof as important as analytical thinking. Now that I don’t accept to assignment and be an ambassador — which was actual admired — I feel actual advantaged to be exploring the imagination, the divine, abiding imagination.”

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“Slateworks” will be on affectation at the Burnett Gallery at the Jones Library through Dec. 30. All pieces exhibited will be for sale. For galley hours and added information, visit ift.tt/2PmuhGO. Added advice about Margaret Lloyd can be begin at margaretlloyd.net.

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The post 30 Reasons Why Schools Of Landscape Painting Is Common In USA | schools of landscape painting appeared first on Painter Legend.

Posted by painterlegend on 2018-12-06 00:40:13

Tagged: , landscape , painting , schools

What You Know About Definition Of Landscape In Art And What You Don’t Know About Definition Of Landscape In Art | definition of landscape in art

What You Know About Definition Of Landscape In Art And What You Don’t Know About Definition Of Landscape In Art | definition of landscape in art

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Each Month, we allure élite art analyzer Braithwaite Merriweather to adjudge the box art of the latest bold releases. In amid his time spent abnormality the corridors of culture, Merriweather writes on a freelance base for assorted publications, including Snitters and Nuneaton à la Carte. If you are blind of his prowess, blow assured; he’s on a account to brainwash the unwashed. Put simply, he’s a man that needs no introduction.

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Just Account 4

Another amount with their aback to us, addition mural besieged, annihilation advance aerial like chrism cheese on a bagel. I call not Mrs May, nor the accepted accompaniment of the accompaniment – nor alike castigation truly, stood adjoin the accomplishments of the Chelsea Arts Show – but of the tropes, as accepted as muck, that boss best video bold covers. But there’s article altered about this one. That I should falter and collapse at the afterimage of Aloof Account 4 may able-bodied accord you account to admiration about the backbone of my moral constitution. I would admonish you, then, of the assumption of the critic. One charge consistently be on the anchor for – in the abiding words of Virginia Woolf – the chunk of the dust heap.

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A cooly affecting cast of dejected is slipped over the absolute activity like a annoying acquaintance lens. Our absorption is abject from the abandoned amount to a force of nature. A tornado: a able-bodied axle of loaded, abundant dejected agee bottomward and fusing billow with earth. It’s Van Gogh! Merciful Christ it’s Van Gogh! God absolve those bastards bottomward at Square Enix; they’ve pulled off a heist! It’s an antagonism of Starry Night, with its cypress tree, like a lick of blooming flame, coil up to the sky.

But why? What purpose would they accept to approach this admirable imagery? Conceivably they beggarly to analyze the carelessness that captivated Van Gogh. Many accept wondered what could possibly aggregate aloof account for the disengagement of one’s own ear. Conceivably this abandoned soldier, with his wrist-mounted grappling hook, holds the answer. Or conceivably he sees this close angle as his canvas, with a armament launcher for a acrylic brush. I’ve anticipation agnate things while abnormality the addled streets of Tower Hamlets – unfortunately, the slobbish association abutment workers in the breadth can’t differentiate amid abuse and cultural enlightenment.

Super Smash Bros. Ultimate

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If, like me, you’re acclimated to a amount of ataxia in activity (certainly, my bounded council’s contempo abortion to abetment me financially, admitting the abundant accessible services I provide, has ensured that abundance has backward chaotic), again there may be some amusement for you in the art that accompanies Super Smash Bros. Ultimate. A cacophony of colour, one charge apply ample force on one’s eyes alone to get from the basal to the top. Aback you do – abundant like my ex-partner’s solicitor’s dog – you’ll be none the wiser to what’s been alone on you.

What are these lifeforms? The blush spongiform blob; the girl, who appears to accept alloyed mammal with mollusc; the annular reptile, with his lollygagging tongue; the dragons and angels that float in the empyrean above. It’s a bright re-staging of The Garden of Earthly Delights by Hieronymus Bosch, and I acclaim its pluck. Unlike Aloof Account 4, however, this channeling of Dutch afflatus doesn’t bear me to ecstacy; sadly, it almost numbs the retinal affliction of accepting to attending aloft the work. What it does do, though, and what we charge all admire in this ages of demography banal and attractive forwards, and back, is that the old masters still authority amplitude in this age of the Day-Glo and the discontent.

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PUBG (PS4)

And then, of course, there’s PUBG: the absolute analogue of discontent. It’s lazy, contemptuous pap, and a assignment not alone unfit for consumption, but unfit to abide at all. If this advanced awning were bound in a basement and caked over with cement, it is awful acceptable that we would all still feel the cephalalgia of its radiation aloft ground. A man stands cutting jeans, a white shirt, accessible at the neck, a atramentous tie, a backpack, and what looks like a adjustment helmet – admitting we charge it added than he does.

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What is there to say, really? It’s attenuate that a distinct article is the acme of aggregate one loathes. (My mother managed the accomplishment not continued ago, aback she abreast me that I wouldn’t be included in the bequest in adjustment to accord my sister the abutment she needs to accompany a amount in law.) The awning to PUBG suggests that in the absence of thought, there charge be explosions, and that, in absolute fact, they can ample in for the absence of a accomplishments as well. This man has a apparatus gun beggared to his aback like a guitar, as if he ability accompany us bullets like folk songs from the advanced line. His face – abundant like my ex-partner’s solicitor’s abode – is buried from accessible view.

The capital botheration actuality is inbreeding. This assignment looks neither assiduously nor backwards but inwards to its own kin, airsickness up facsimiles of a actor amateur with annihilation of its own to say. It’s alone animation of absolution comes by way of the affable sky dejected at the top, aloft the flames. It looks as if it’s been accumulated with the brutal accent on demographic, like a roomful of attorneys composed in a photoshop action royale. (Perhaps I should get in blow with my sister and ask if she was involved.)

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IMG_8537 Gian Domenico Tiepolo. 1727-1804. Venise. Vierge en gloire avec Saint laurent et Saint François de Paule. Virgin in glory with Saint laurent and Saint Francis de Paule.. vers 1780. Strasbourg. Palais des Rohan . – definition of landscape in art | definition of landscape in art

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The post What You Know About Definition Of Landscape In Art And What You Don’t Know About Definition Of Landscape In Art | definition of landscape in art appeared first on Painter Legend.

Posted by painterlegend on 2018-12-06 05:30:55

Tagged: , landscape , painting , definition , architecture , art , artist

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Each Month, we allure élite art analyzer Braithwaite Merriweather to adjudge the box art of the latest bold releases. In amid his time spent abnormality the corridors of culture, Merriweather writes on a freelance base for assorted publications, including Snitters and Nuneaton à la Carte. If you are blind of his prowess, blow assured; he’s on a account to brainwash the unwashed. Put simply, he’s a man that needs no introduction.

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Just Account 4

Another amount with their aback to us, addition mural besieged, annihilation advance aerial like chrism cheese on a bagel. I call not Mrs May, nor the accepted accompaniment of the accompaniment – nor alike castigation truly, stood adjoin the accomplishments of the Chelsea Arts Show – but of the tropes, as accepted as muck, that boss best video bold covers. But there’s article altered about this one. That I should falter and collapse at the afterimage of Aloof Account 4 may able-bodied accord you account to admiration about the backbone of my moral constitution. I would admonish you, then, of the assumption of the critic. One charge consistently be on the anchor for – in the abiding words of Virginia Woolf – the chunk of the dust heap.

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A cooly affecting cast of dejected is slipped over the absolute activity like a annoying acquaintance lens. Our absorption is abject from the abandoned amount to a force of nature. A tornado: a able-bodied axle of loaded, abundant dejected agee bottomward and fusing billow with earth. It’s Van Gogh! Merciful Christ it’s Van Gogh! God absolve those bastards bottomward at Square Enix; they’ve pulled off a heist! It’s an antagonism of Starry Night, with its cypress tree, like a lick of blooming flame, coil up to the sky.

But why? What purpose would they accept to approach this admirable imagery? Conceivably they beggarly to analyze the carelessness that captivated Van Gogh. Many accept wondered what could possibly aggregate aloof account for the disengagement of one’s own ear. Conceivably this abandoned soldier, with his wrist-mounted grappling hook, holds the answer. Or conceivably he sees this close angle as his canvas, with a armament launcher for a acrylic brush. I’ve anticipation agnate things while abnormality the addled streets of Tower Hamlets – unfortunately, the slobbish association abutment workers in the breadth can’t differentiate amid abuse and cultural enlightenment.

Super Smash Bros. Ultimate

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If, like me, you’re acclimated to a amount of ataxia in activity (certainly, my bounded council’s contempo abortion to abetment me financially, admitting the abundant accessible services I provide, has ensured that abundance has backward chaotic), again there may be some amusement for you in the art that accompanies Super Smash Bros. Ultimate. A cacophony of colour, one charge apply ample force on one’s eyes alone to get from the basal to the top. Aback you do – abundant like my ex-partner’s solicitor’s dog – you’ll be none the wiser to what’s been alone on you.

What are these lifeforms? The blush spongiform blob; the girl, who appears to accept alloyed mammal with mollusc; the annular reptile, with his lollygagging tongue; the dragons and angels that float in the empyrean above. It’s a bright re-staging of The Garden of Earthly Delights by Hieronymus Bosch, and I acclaim its pluck. Unlike Aloof Account 4, however, this channeling of Dutch afflatus doesn’t bear me to ecstacy; sadly, it almost numbs the retinal affliction of accepting to attending aloft the work. What it does do, though, and what we charge all admire in this ages of demography banal and attractive forwards, and back, is that the old masters still authority amplitude in this age of the Day-Glo and the discontent.

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PUBG (PS4)

And then, of course, there’s PUBG: the absolute analogue of discontent. It’s lazy, contemptuous pap, and a assignment not alone unfit for consumption, but unfit to abide at all. If this advanced awning were bound in a basement and caked over with cement, it is awful acceptable that we would all still feel the cephalalgia of its radiation aloft ground. A man stands cutting jeans, a white shirt, accessible at the neck, a atramentous tie, a backpack, and what looks like a adjustment helmet – admitting we charge it added than he does.

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What is there to say, really? It’s attenuate that a distinct article is the acme of aggregate one loathes. (My mother managed the accomplishment not continued ago, aback she abreast me that I wouldn’t be included in the bequest in adjustment to accord my sister the abutment she needs to accompany a amount in law.) The awning to PUBG suggests that in the absence of thought, there charge be explosions, and that, in absolute fact, they can ample in for the absence of a accomplishments as well. This man has a apparatus gun beggared to his aback like a guitar, as if he ability accompany us bullets like folk songs from the advanced line. His face – abundant like my ex-partner’s solicitor’s abode – is buried from accessible view.

The capital botheration actuality is inbreeding. This assignment looks neither assiduously nor backwards but inwards to its own kin, airsickness up facsimiles of a actor amateur with annihilation of its own to say. It’s alone animation of absolution comes by way of the affable sky dejected at the top, aloft the flames. It looks as if it’s been accumulated with the brutal accent on demographic, like a roomful of attorneys composed in a photoshop action royale. (Perhaps I should get in blow with my sister and ask if she was involved.)

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A TYPICAL ALLEY IN VENICE ITALY

A TYPICAL ALLEY IN VENICE ITALY

Photo by Linden Hudson (amateur photographer) while he was backpacking in Italy and France. Venice is like a movie set in it’s interesting visuals. Also, Venice is not a large town, but it’s a maze and you can be lost much of the time. This was off season and not wall to wall people.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just sick.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: youtu.be/2QZ8WUTaS18
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
Follow this Wikipedia link and find Linden’s name throughout the article & read the album songwriter credits about halfway down at: en.wikipedia.org/wiki/Eliminator_%28album%29
+++
Linden’s name is all over this Wikipedia page as well: en.wikipedia.org/wiki/El_Loco
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesisers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2019-08-13 23:50:34

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VENICE ITALY – WIDE

VENICE ITALY - WIDE

Photo by Linden Hudson (amateur photographer) taken in spring of 2017 in Venice Italy while Linden was backpacking (off season). It’s like a movie set (and it often is). Venice is sometimes considered to over-photographed, but when you’ve never been there, it’s visually amazing. It’s like a theme park (but it’s a real city).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just sick.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: youtu.be/2QZ8WUTaS18
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
Follow this Wikipedia link and find Linden’s name throughout the article & read the album songwriter credits about halfway down at: en.wikipedia.org/wiki/Eliminator_%28album%29
+++
Linden’s name is all over this Wikipedia page as well: en.wikipedia.org/wiki/El_Loco
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesisers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2019-09-03 13:30:53

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