The Biggest Contribution Of Sports Card Shows To Humanity | sports card shows

The Biggest Contribution Of Sports Card Shows To Humanity | sports card shows

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Houston Astros brilliant Alex Bregman took Major League Baseball by storm in 2018. Not alone did he accept an MVP-caliber year, but his personality was on abounding affectation during Houston’s AL West-winning season, authoritative him one of the best adolescent players to watch in the bold — for added than one reason.

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One affair you’ll apprentice in this week’s cast new adventure of “Old Baseball Cards,” our baseball-card apprenticed homesickness appearance actuality on Beast Sports, is that Bregman additionally has a advantageous account for the history of the game. We were activity to do article altered on this week’s appearance and accessible some new accepted baseball cards with a accepted brilliant of the game. But Bregman capital to dip aback into 1999.

So you’ll acquisition us aperture 1999 Fleer Ultra and some 2018 Topps Archives, which has some earlier players alloyed with new. Along the way, we allocution about greats like Cal Ripken Jr. and Rickey Henderson, additional accepted players like Evan Longoria and Carson Fulmer. Our best acquisition is Mark McGwire, who Bregman dressed up as for Halloween eight years in a row, he says. It’s a fun adventure with a fun player.

Alex Bregman talks about his acquaintance Carson Fulmer on “Old Baseball Cards.” (Yahoo Sports)

If you’re new to our series, we accessible old packs of cards with players, coaches and acclaimed fans. It’s generally with the greats of the game, but we’re blessed to affection some of MLB’s adolescent claret in this episode. We’re not attractive for cool admired cards on “Old Baseball Cards” — but that would be abundant — we’re absolutely attractive for abundant stories, memories and reactions.

COMC is heading to some Card Shows this weekend! | COMC Blog – sports card shows | sports card shows

If you dig this episode, I’d acclaim you additionally analysis out our eps with CC Sabathia, Curtis Granderson and A.J. Ellis.

Previously on Old Baseball CardsMUST-SEE EPISODES: David Ross | Dave Winfield | Tim Raines | Thomas Ian Nicholas aka Henry Rowengartner | Mike Krukow | Gary Vee | Randy Johnson | Felipe Alou | George Brett | Torey Lovullo | Pedro Martinez | Bronson Arroyo | Eric Davis | Dusty Baker | Hank Azaria | Alex Rodriguez | Scott Boras | A.J. Ellis | Bernie Williams | Chase Utley | John Smoltz | Best trades of 2017 | Best finds of 2017 | Best Guests of 2017 (Part 1) | Best Guests of 2017 (Part 2)

CROSSOVER EPISODES: The Miz | Metta World Peace | Jazzy Jeff

STARS FROM BACK IN THE DAY: Fred Lynn | Eduardo Perez | J.J. Putz | Luis Gonzalez | Duane Kuiper | Edgar Martinez | Ryne Sandberg | Frank Thomas | Sandy Alomar Jr. | Delino DeShields | Cliff Floyd | Dan Plesac | Aaron Boone | Bobby Bonilla | Andre Dawson | Ivan Rodriguez | Jack Morris | Jeff Nelson | Mark Teixeira | Rick Ankiel | Kevin Millar

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MANAGERS/COACHES: Terry Francona | Joe Maddon | Bruce Bochy | Clint Hurdle | Buck Showalter | Brad Mills | Bob Melvin | Dave Roberts | Gabe Kapler | Alex Cora | Dave Martinez | Ron Gardenhire | Scott Servais

CURRENT PLAYERS: CC Sabathia | Curtis Granderson | Noah Syndergaard | Kyle Hendricks | Clayton Kershaw | Todd Coffey | John Axford | Dee Gordon | Adam Eaton | Rajai Davis | Brad Ziegler & Tyler Clippard | Buster Posey, David Price & Anthony Rizzo

CELEBS: Kurt Busch | Bill Nye | HQ’s Scott Rogowsky | Mr. Belding | Alyssa Milano | Josh Duhamel | Joel McHale

ETC: Chris “Mad Dog” Russo | Josh Kusnick | Jeff Passan | Ken Kendrick

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– – – – – –

Mike Oz is a biographer at Beast Sports. Contact him at mikeozstew@yahoo.com or chase him on Twitter!

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HUTS BUILT ON THE WATER – SOUTH CHINA SEA

HUTS BUILT ON THE WATER - SOUTH CHINA SEA

Snapshot taken by Linden Hudson in 2006. Linden is an amateur photographer and had a cheap digital pocket camera at the time. Some of the support pilings appear to be tree trunks (maybe I’m wrong, but it looks that way, interesting, I guess wood is wood). Linden was in the South China Sea and Malaysia area working with a film crew.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesisers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-07-23 13:18:33

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BORNEO SKY – LATE AFTERNOON

BORNEO SKY - LATE AFTERNOON

Photo taken by Linden Hudson in Borneo while on assignment with a film crew. Taken 2006 near the South China Sea not far from Miri Malaysia.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-06-05 02:28:37

Tagged: , borneo , south china sea , beautiful , colors , blue , rose , orange , trees , pretty , beautiful_sky , travel , island_of_borneo , island

_MG_9922

_MG_9922

From an E-Mail to a lover:

"For the digital man and his digital heart: only the dust of what human connection was and could be. Human beings cannot be turned on and off. They cannot fullfill what we want when we want it like the text and images on computer screens. It is true that there is flesh and blood directing the sometimes symphonic digital self… but the virtual human is a crude vessel. It reflects only what we wish to project of ourselves… a sort of breeding ground of idealistic people who (in this virtual space) believe that our projections (our "profiles") can assert a more controlled, less real (and therefore less likely to fail, to dissapoint, etc.) self.
It makes sense that we would make use of this form of communication… it is easier, it reflects the way that we wish to have our lived spaces (virtual and physical) cater to our desires.

But all in all I don’t (can’t) fully dissaprove of digital companionship… even if I see the shortcomings (amputations as Marshall McLuhan would have said), I cannot deny the fact that this IS the evolution of the human. All I can do is understand its effects and try to help others be aware of them.

The truth is, I don’t know if I’m capable of having serious relationships anymore. I was raised on a veritable market of love. People set up their profiles like booths in a flea-market and I am free to go window(s) shopping at every moment. We are capable of finding love when and where we want it, there is something better right around the corner (follow this link)."

Compunication is:

An interactive performance of digital conversations I’ve had. I dress two participants in computer headdresses which are connected by wire to computer hard drives. The two hard drives are connected to eachother (these are built of cardboard and are not connected to electricity.) I provide transcripts of various e-mails and IM conversations I have had with (virtual) friends and lovers. Many of these conversations were had with people I have never met in real life. I ask that as they read, the participants consider the difference between virtual and face-to-face interaction.

Posted by Zachary Bowman on 2007-07-09 19:36:03

Tagged: , Figment , Imagination , Island , New , York , Governors , Compunication

_MG_9898

_MG_9898

From an E-Mail to a lover:

"For the digital man and his digital heart: only the dust of what human connection was and could be. Human beings cannot be turned on and off. They cannot fullfill what we want when we want it like the text and images on computer screens. It is true that there is flesh and blood directing the sometimes symphonic digital self… but the virtual human is a crude vessel. It reflects only what we wish to project of ourselves… a sort of breeding ground of idealistic people who (in this virtual space) believe that our projections (our "profiles") can assert a more controlled, less real (and therefore less likely to fail, to dissapoint, etc.) self.
It makes sense that we would make use of this form of communication… it is easier, it reflects the way that we wish to have our lived spaces (virtual and physical) cater to our desires.

But all in all I don’t (can’t) fully dissaprove of digital companionship… even if I see the shortcomings (amputations as Marshall McLuhan would have said), I cannot deny the fact that this IS the evolution of the human. All I can do is understand its effects and try to help others be aware of them.

The truth is, I don’t know if I’m capable of having serious relationships anymore. I was raised on a veritable market of love. People set up their profiles like booths in a flea-market and I am free to go window(s) shopping at every moment. We are capable of finding love when and where we want it, there is something better right around the corner (follow this link)."

Compunication is:

An interactive performance of digital conversations I’ve had. I dress two participants in computer headdresses which are connected by wire to computer hard drives. The two hard drives are connected to eachother (these are built of cardboard and are not connected to electricity.) I provide transcripts of various e-mails and IM conversations I have had with (virtual) friends and lovers. Many of these conversations were had with people I have never met in real life. I ask that as they read, the participants consider the difference between virtual and face-to-face interaction.

Posted by Zachary Bowman on 2007-07-09 19:37:33

Tagged: , Figment , Imagination , Island , New , York , Governors , Compunication

_MG_9917

_MG_9917

From an E-Mail to a lover:

"For the digital man and his digital heart: only the dust of what human connection was and could be. Human beings cannot be turned on and off. They cannot fullfill what we want when we want it like the text and images on computer screens. It is true that there is flesh and blood directing the sometimes symphonic digital self… but the virtual human is a crude vessel. It reflects only what we wish to project of ourselves… a sort of breeding ground of idealistic people who (in this virtual space) believe that our projections (our "profiles") can assert a more controlled, less real (and therefore less likely to fail, to dissapoint, etc.) self.
It makes sense that we would make use of this form of communication… it is easier, it reflects the way that we wish to have our lived spaces (virtual and physical) cater to our desires.

But all in all I don’t (can’t) fully dissaprove of digital companionship… even if I see the shortcomings (amputations as Marshall McLuhan would have said), I cannot deny the fact that this IS the evolution of the human. All I can do is understand its effects and try to help others be aware of them.

The truth is, I don’t know if I’m capable of having serious relationships anymore. I was raised on a veritable market of love. People set up their profiles like booths in a flea-market and I am free to go window(s) shopping at every moment. We are capable of finding love when and where we want it, there is something better right around the corner (follow this link)."

Compunication is:

An interactive performance of digital conversations I’ve had. I dress two participants in computer headdresses which are connected by wire to computer hard drives. The two hard drives are connected to eachother (these are built of cardboard and are not connected to electricity.) I provide transcripts of various e-mails and IM conversations I have had with (virtual) friends and lovers. Many of these conversations were had with people I have never met in real life. I ask that as they read, the participants consider the difference between virtual and face-to-face interaction.

Posted by Zachary Bowman on 2007-07-09 19:36:11

Tagged: , Figment , Imagination , Island , New , York , Governors , Compunication

_MG_9965

_MG_9965

From an E-Mail to a lover:

"For the digital man and his digital heart: only the dust of what human connection was and could be. Human beings cannot be turned on and off. They cannot fullfill what we want when we want it like the text and images on computer screens. It is true that there is flesh and blood directing the sometimes symphonic digital self… but the virtual human is a crude vessel. It reflects only what we wish to project of ourselves… a sort of breeding ground of idealistic people who (in this virtual space) believe that our projections (our "profiles") can assert a more controlled, less real (and therefore less likely to fail, to dissapoint, etc.) self.
It makes sense that we would make use of this form of communication… it is easier, it reflects the way that we wish to have our lived spaces (virtual and physical) cater to our desires.

But all in all I don’t (can’t) fully dissaprove of digital companionship… even if I see the shortcomings (amputations as Marshall McLuhan would have said), I cannot deny the fact that this IS the evolution of the human. All I can do is understand its effects and try to help others be aware of them.

The truth is, I don’t know if I’m capable of having serious relationships anymore. I was raised on a veritable market of love. People set up their profiles like booths in a flea-market and I am free to go window(s) shopping at every moment. We are capable of finding love when and where we want it, there is something better right around the corner (follow this link)."

Compunication is:

An interactive performance of digital conversations I’ve had. I dress two participants in computer headdresses which are connected by wire to computer hard drives. The two hard drives are connected to eachother (these are built of cardboard and are not connected to electricity.) I provide transcripts of various e-mails and IM conversations I have had with (virtual) friends and lovers. Many of these conversations were had with people I have never met in real life. I ask that as they read, the participants consider the difference between virtual and face-to-face interaction.

Posted by Zachary Bowman on 2007-07-10 00:58:27

Tagged: , Figment , Imagination , Island , New , York , Governors , Compunication

_MG_9896

_MG_9896

From an E-Mail to a lover:

"For the digital man and his digital heart: only the dust of what human connection was and could be. Human beings cannot be turned on and off. They cannot fullfill what we want when we want it like the text and images on computer screens. It is true that there is flesh and blood directing the sometimes symphonic digital self… but the virtual human is a crude vessel. It reflects only what we wish to project of ourselves… a sort of breeding ground of idealistic people who (in this virtual space) believe that our projections (our "profiles") can assert a more controlled, less real (and therefore less likely to fail, to dissapoint, etc.) self.
It makes sense that we would make use of this form of communication… it is easier, it reflects the way that we wish to have our lived spaces (virtual and physical) cater to our desires.

But all in all I don’t (can’t) fully dissaprove of digital companionship… even if I see the shortcomings (amputations as Marshall McLuhan would have said), I cannot deny the fact that this IS the evolution of the human. All I can do is understand its effects and try to help others be aware of them.

The truth is, I don’t know if I’m capable of having serious relationships anymore. I was raised on a veritable market of love. People set up their profiles like booths in a flea-market and I am free to go window(s) shopping at every moment. We are capable of finding love when and where we want it, there is something better right around the corner (follow this link)."

Compunication is:

An interactive performance of digital conversations I’ve had. I dress two participants in computer headdresses which are connected by wire to computer hard drives. The two hard drives are connected to eachother (these are built of cardboard and are not connected to electricity.) I provide transcripts of various e-mails and IM conversations I have had with (virtual) friends and lovers. Many of these conversations were had with people I have never met in real life. I ask that as they read, the participants consider the difference between virtual and face-to-face interaction.

Posted by Zachary Bowman on 2007-07-09 19:37:41

Tagged: , Figment , Imagination , Island , New , York , Governors , Compunication

_MG_9895

_MG_9895

From an E-Mail to a lover:

"For the digital man and his digital heart: only the dust of what human connection was and could be. Human beings cannot be turned on and off. They cannot fullfill what we want when we want it like the text and images on computer screens. It is true that there is flesh and blood directing the sometimes symphonic digital self… but the virtual human is a crude vessel. It reflects only what we wish to project of ourselves… a sort of breeding ground of idealistic people who (in this virtual space) believe that our projections (our "profiles") can assert a more controlled, less real (and therefore less likely to fail, to dissapoint, etc.) self.
It makes sense that we would make use of this form of communication… it is easier, it reflects the way that we wish to have our lived spaces (virtual and physical) cater to our desires.

But all in all I don’t (can’t) fully dissaprove of digital companionship… even if I see the shortcomings (amputations as Marshall McLuhan would have said), I cannot deny the fact that this IS the evolution of the human. All I can do is understand its effects and try to help others be aware of them.

The truth is, I don’t know if I’m capable of having serious relationships anymore. I was raised on a veritable market of love. People set up their profiles like booths in a flea-market and I am free to go window(s) shopping at every moment. We are capable of finding love when and where we want it, there is something better right around the corner (follow this link)."

Compunication is:

An interactive performance of digital conversations I’ve had. I dress two participants in computer headdresses which are connected by wire to computer hard drives. The two hard drives are connected to eachother (these are built of cardboard and are not connected to electricity.) I provide transcripts of various e-mails and IM conversations I have had with (virtual) friends and lovers. Many of these conversations were had with people I have never met in real life. I ask that as they read, the participants consider the difference between virtual and face-to-face interaction.

Posted by Zachary Bowman on 2007-07-09 19:37:47

Tagged: , Figment , Imagination , Island , New , York , Governors , Compunication

_MG_9915

_MG_9915

From an E-Mail to a lover:

"For the digital man and his digital heart: only the dust of what human connection was and could be. Human beings cannot be turned on and off. They cannot fullfill what we want when we want it like the text and images on computer screens. It is true that there is flesh and blood directing the sometimes symphonic digital self… but the virtual human is a crude vessel. It reflects only what we wish to project of ourselves… a sort of breeding ground of idealistic people who (in this virtual space) believe that our projections (our "profiles") can assert a more controlled, less real (and therefore less likely to fail, to dissapoint, etc.) self.
It makes sense that we would make use of this form of communication… it is easier, it reflects the way that we wish to have our lived spaces (virtual and physical) cater to our desires.

But all in all I don’t (can’t) fully dissaprove of digital companionship… even if I see the shortcomings (amputations as Marshall McLuhan would have said), I cannot deny the fact that this IS the evolution of the human. All I can do is understand its effects and try to help others be aware of them.

The truth is, I don’t know if I’m capable of having serious relationships anymore. I was raised on a veritable market of love. People set up their profiles like booths in a flea-market and I am free to go window(s) shopping at every moment. We are capable of finding love when and where we want it, there is something better right around the corner (follow this link)."

Compunication is:

An interactive performance of digital conversations I’ve had. I dress two participants in computer headdresses which are connected by wire to computer hard drives. The two hard drives are connected to eachother (these are built of cardboard and are not connected to electricity.) I provide transcripts of various e-mails and IM conversations I have had with (virtual) friends and lovers. Many of these conversations were had with people I have never met in real life. I ask that as they read, the participants consider the difference between virtual and face-to-face interaction.

Posted by Zachary Bowman on 2007-07-09 19:36:20

Tagged: , Figment , Imagination , Island , New , York , Governors , Compunication