SPECIAL EFFECTS MAKE-UP

SPECIAL EFFECTS MAKE-UP

Photo by Linden Hudson (amateur photographer). Linden works as a sound man on film and video crews. Sometimes film crews hire special effects make-up artists to do safety films.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-08-10 23:48:09

Tagged: , radiation , safety , video , radiation safety , safety video , special effects , make-up , fake injury , injury , horrible

Injury Claims Cause Car Insurance Premiums to Soar

Injury Claims Cause Car Insurance Premiums to Soar

Statistics from the Department of Transport have provided welcome news to motorists with road casualties down by eight per cent compared to the previous 12 months.

Yet despite this, the AA British Insurance Premium Index reports that there has been a 3.5 per cent rise in the average cost of a comprehensive car insurance premium during the April-June 2009 quarter. This is the fastest rate rise for nearly a decade.

Why premiums are rising

Despite the encouraging figures and the falling accident rates on the UK’s roads, the number of personal injury claims received by insurers has continued to soar.

According to the Association of British Insurers (ABI) there has been a steady, and often unnecessary, increase in the number of claims, which topped £9.6billion last year – up from £8.8billion in 2006. Its statistics show that there were 1,200 whiplash claims per day last year – costing £1.9billion in personal injury payouts.

It seems that drivers are more inclined to make personal injury claims primarily due to the ongoing recession. With fuel prices rising, and more people out of work, traffic volumes actually fell by two per cent last year. Yet those that are involved in accidents are more likely to make a claim even for relatively minor injuries such as whiplash that could be cleared within a few days.

How to stop your premiums soaring

Ironically it is unnecessary claims that could have a direct impact on a motorist’s car insurance premiums. Most insurers offer no-claims discounts which get higher the longer you go without making a claim – so making an unnecessary claim could wipe out this discount.

Safe drivers are rewarded by insurers – most offer cheaper premiums to those who stay accident and conviction free. Further savings can be made by enhancing the security of your vehicle; driving a car with a smaller engine; agreeing to a mileage limit; and increasing your voluntary excess.

Motorists are also advised to shop around for cheap car insurance every year rather than accepting a renewal quote from an existing provider. Most car insurance companies hike their prices every year while offering discounts to new customers – so it makes sense to capitalise on these deals.

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School Bullying and Personal Injury Lawyer

School Bullying and Personal Injury Lawyer

“What does not kill you makes you stronger” may be a quote to live by, but if you see your son arrives home from school beaten up, maybe it is time to think twice. Your son could be a victim of school bullying and you have to take action.  Of course, you cannot harm the bully; all you can do is speak to the school administrators and the bully’s parents. Bullying should not be seen as something normal in a child’s life. If your efforts do not save your son from everyday beating, you have to hire a personal injury lawyer Utah has to address this issue.

 

What can a personal injury lawyer Utah has do for your son? He will emphasize the gravity of the effect of bullying, making the school and the bully’s parents make efforts to stop the situation from continuing. Of course, like most legal issues, money is involved. Your lawyer helps you acquire funds to address the effects of bullying on your son.

 

The effects of bullying can be divided into two groups: physical and emotional damage. Physical refers to the cuts, bruises, wounds, and broken bones your son gets from beating. These damages may incur very little expenses. However, if you compute the ointments, bandages, X-rays, and clinic visits you spent for, you will realize that this bullying incidents have been emptying your bank account. Therefore, you need to be compensated by either the school or bully’s parents, or even both.

 

Emotional damage is the long-term effect of bullying. In the future, you will notice that your son has difficulties socializing or is overly aggressive towards others. The personal injury lawyer will help prevent these from happening. He makes sure that you also get the compensation for emotional damage. The lawyer researches for therapies and treatments that might help your son overcome the bullying trauma.

 

Do not think that hiring a personal injury lawyer is just too much for a bullying situation, since you can always transfer your son to another school. Remember that the act of hiring is not just for you; it is also for the other students and parents. The school that your son attends to may be tolerant to bullies. Thus, it is best that this bullying issue be addressed for the sake of a better learning environment.

 

Furthermore, hiring a personal injury Utah lawyer also helps the bully’s family. The lawyer will also suggest the bully to undergo therapies to make him realize his mistakes and stop harming other children. The bully’s parents will also be oriented about the proper child care and discipline.

If you have questions, please visit us at www.robertdebry.com/ for complete details and answers.

THE FALL AND RISE OF BOOKWORM JANE

THE FALL AND RISE OF BOOKWORM JANE

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The first sounds to enter Jane’s ears as she awoke, were those of the waves crashing against the shoreline of neatly peppered rocks to her left. Bleary eyelids fluttered and fought with the seductive forces of gravity as a stream of light brought her rapidly to a state of consciousness, and with it a painful sensation that crept up her body like mutant ivy strands twisting and wrapping themselves around her very sinews. Somewhat disorientated and perturbed at being pulled forcibly from the pleasures of a dream that involved falling down a dark shaft directly into the arms of none other than George Clooney, suitably attired in a white tux with distinguished speckled grey hair and a charming grin, and a vice like grip that brought both reassurance and a strange sensation in her loins, slowly Jane realized that the aforementioned was merely a dream and that reality was about to slap her in the face like a wet halibut to warm flesh.

Adrenalin kicked in and she felt the pace and beat of her heart increasing as the pain seared with menace and relentless brutality through her limbs. It was all she could do to stop herself screaming, but she knew it would give him such sweet delight to hear her do so and she was not about to give in to his vindictive whims. In her mind she saw that Jackal and Hyde face, so indelibly etched upon her memory. How could one forget such charming characteristics, which had swept her willingly off her feet yet which belied such a blackened heart devoid of compassion or love.

It was obvious that her right ankle was broken, perhaps a rib or two as well as with her right hand, she slowly traced the contours of her body, noticing the numbness in places and the agony that rippled through her side as her fingers delicate caressed her upper right thigh downwards. Eyes still scrabbling for clarity of detail, she fumbled in the soft granules of sand beside her until her fingers fell upon the contours of her spectacles which she held up to the light against the cloudy skyscape high above her prone body. The glasses seemed still to be intact, with the left glass shattered like a starfish shape and the right arm wildly bent in a jaunty angle downwards from it’s true position. Dusting off the residue sand that had clung like limpets to the metallic form, she placed the glasses onto the bridge of her nose, pushing them into position with her right index finger and attempting to squint through the broken glass piece which gave the world a curiously odd perspective. Now she could make out the detail in the rock face directly overhead, from where she had been so unceremoniously dumped by callous hands and mind filled with evil intent.

Pain residing somewhat as the endorphins soothed and bathed her brain, now her thoughts turned to concern, perhaps fear as she realized that he was somewhere in close proximity, possibly watching her every move, maybe making his way down the rock face to finish her off via a less circuitous route than the option she was given no choice but to take. Jane pushed her head back into the sand until her forehead was level with the horizon directly behind her, eyes able to stare up and beyond ascertaining that he had not yet arrived from his descent. Pushing herself up onto her elbows, she felt the pulsing pain in her skull, eyes scrunching up in a tight ball as she yelped. Thoughts of dragging herself outwards to the open shoreline and screaming for help, just like the end of a chapter from "Black heart" that she had read recently on the recommendations of a girl friend, soon evaporated as she recalled that the charcater in the story had also been shot and died alone and pitifully where he lay! She let out an audible gasp as her eyes opened reticently upon the full impact of her injuries. A shock wave raced through her body and she instantly felt an ice cold sensation grip her throat and forehead, a desire to vomit as her eyes picked out the details in the bone fragments peeking from her right ankle like the bones of a fallen desert creature picked clean by scavenging buzzards. The right ankle was no more. Ripped and torn, smashed into fragments with blood pooled beside her body like some colourful mosaic in the golden sands. If it were a motion blockbuster from Hollywoods precotious producers, she would marvel at the computer generated graphics of her crushed bones and mangled flesh, but this was the real deal and not a cause in any way for delirium or applause.

In her mind, Jane relived the memories of the events leading to her unfortunate situation, how she had reported him to the local Police and their futile attempts to place restraining orders upon a violent psychopath. That fateful meeting at Laura’s twenty first birthday bash in Joey’s bar and grill, and the excitement that entered her life as a tall dark stranger made her acquaintance and offered a world of possibilities on happy horizons. It was almost funny now, she felt, pondering how desperation, loneliness and a hundrum existence enlightened only briefly by the company of musty first editions and two demonstrative felines have the capacity to blind an impressionable girl to the false promise of love that a stranger on the scene can offer the weak of heart and mind. But Jane wasn’t laughing now as she realized the hopelessness of her predicament.

From behind she could hear the sound of bramble being pushed aside from the descending footpath behind and to her right at the side of the cliff face. Perhaps a passing resident out for a stroll with their beloved pooch, a jogger perhaps, an early morning photographer looking to set up his equipment to catch those early morning hues from the golden hour around sunrise. Jane used all of her strength to pull her smashed ankle slowly to her right, pushing on her buttocks and swivelling all the while in agony, tears streaming down her pale cheeks until she was up against the rock face, back arched and eyes facing forwards into the clearing with the sea out in front of her. Seated in her own blood, flesh pressing down on tiny splinters of shattered bone distributed in the fall, she swallowed hard and fought the pain with determination and grit. She was about to summon her strength and call for help, when he came into view from the left of the rock face.

Eyes darting about, Jane scooped up a large rock to her right, and a pointed piece of driftwood that was long enough perhaps to defend herself. Those eyes pierced her soul, dark and menacing as he came a few steps closer and smiled with a sickening mischief that filled Jane with fear and loathing. Why had the Police been so powerless in her defence, offering nothing more than cups of luke warm tea and words of hollow comfort? Why had she been so stubborn in refusing to give in to the inevitable and move back in with her parents down in Dorset? It all seemed so crystal clear now to her, as she watched his footsteps growing ever closer, the memory of his breath in her ear as he had held her by the throat and blamed her for the mess he was in just before pushing her so ruthlessly from the top of the cliff. She even remembered the curious weightlessness of the fall before blacking out upon impact. Now she was alone and defenceless, powerless to defeat her foe as he grinned like the cat who got the cream, ever closer, ever more menacing through her broken spectacles.

Just a few feet from her battered limbs, he stopped and reached into his jacket pocket, right hand revealing the blade of a knife which glistened beneath the sunlight, like the harbinger of her demise it promised to be. An ironic smile formed upon Jane’s lips as she dropped the rock and piece of hopeful driftwood, submitting to the inevitability of the final assault which perhaps would free her once and for all from the turmoil and mayhem that had become her life. How life could change in an instant. Unable to defend herself, Jane at that moment felt strangely unafraid of her persuer, for the first time in tese last traumatic months. With nowhere left to hide and a distinct inabilty to run, she was defiant in her acceptance of fate and determined to give no satisfaction to him as he terminated her life. He moved in fast, dropping to his knees and grabbing her hair in his left hand, pulling her face up towards his own as his mouth formed into an angry snarl and he hurled abuse at her as the knife raised into the air. The pain was intense as strands of hairs were wrenched from her scalp, her eyes all the while studying the form of the vicious blade that reflected her features in the morning light. Adrenalin coursing through her veins with one last burst, her left hand grabbed the piece of pointed driftwood, and screaming at the top of her lungs, "Don’t you know in all the best Hollywood films, the bespectacled heroine always defeats her foe!", she thrust the wood directly into his throat, the jagged tip emerging through the back of his neck as he fell sideways, dropping the blade and clutching his throat as a river of rich ruby life force ebbed and flowed from his fatal wound. He flailed and kicked for a short while, eyes glazing over as he drew his last breath before his mouth settled in the sand and he breathed no longer.

Jane propped herself against the rock face once more, eyes looking out towards the horizon where the the waves rolled and crashed. Perhaps as the morning light came, she would be found and saved by a passer by, perhaps the returning tide would sweep her out to her demise. Perhaps this had all been one long and terrible dream from which she would suddenly awake. If this had been a Hollywood blockbuster, how the audience would have cheered and applauded at the conclusion…….

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Written December 11th 2010
Photograph taken on October 28th at Botany Bay in Broadstairs, Kent, England at sunrise.

Nikon D700 14mm 1/25ths f/11.0 iso200
Nikkor AF-S 14-24mm f/2.8 G ED IF.

Posted by DESPITE STRAIGHT LINES on 2011-12-30 12:36:16

Tagged: , horror , abduction , terror , violence , stalker , attacker , heroine , girl , injured , injury , pain , salvation , ‘botany bay’ , broadstairs , kent , england , victim , nikon , D700 , seaside , rocks , cliffs , story , ‘#ilobsterit’