4444869951_06d3aaa0e8 (1)

4444869951_06d3aaa0e8 (1)

This image depicts a vast canyon of dust and gas in the Orion Nebula from a 3-D computer model based on observations by NASA’s Hubble Space Telescope and created by science visualization specialists at the Space Telescope Science Institute (STScI) in Baltimore, Md. A 3-D visualization of this model takes viewers on an amazing four-minute voyage through the 15-light-year-wide canyon. ..Credit: NASA, G. Bacon, L. Frattare, Z. Levay, and F. Summers (STScI/AURA)..Take an exhilarating ride through the Orion Nebula, a vast star-making factory 1,500 light-years away. Swoop through Orion’s giant canyon of gas and dust. Fly past behemoth stars whose brilliant light illuminates and energizes the entire cloudy region. Zoom by dusty tadpole-shaped objects that are fledgling solar systems.

This virtual space journey isn’t the latest video game but one of several groundbreaking astronomy visualizations created by specialists at the Space Telescope Science Institute (STScI) in Baltimore, the science operations center for NASA’s Hubble Space Telescope. The cinematic space odysseys are part of the new Imax film "Hubble 3D," which opens today at select Imax theaters worldwide.

The 43-minute movie chronicles the 20-year life of Hubble and includes highlights from the May 2009 servicing mission to the Earth-orbiting observatory, with footage taken by the astronauts.

The giant-screen film showcases some of Hubble’s breathtaking iconic pictures, such as the Eagle Nebula’s "Pillars of Creation," as well as stunning views taken by the newly installed Wide Field Camera 3.

While Hubble pictures of celestial objects are awe-inspiring, they are flat 2-D photographs. For this film, those 2-D images have been converted into 3-D environments, giving the audience the impression they are space travelers taking a tour of Hubble’s most popular targets.

"A large-format movie is a truly immersive experience," says Frank Summers, an STScI astronomer and science visualization specialist who led the team that developed the movie visualizations. The team labored for nine months, working on four visualization sequences that comprise about 12 minutes of the movie.

"Seeing these Hubble images in 3-D, you feel like you are flying through space and not just looking at picture postcards," Summers continued. "The spacescapes are all based on Hubble images and data, though some artistic license is necessary to produce the full depth of field needed for 3-D."

The most ambitious sequence is a four-minute voyage through the Orion Nebula’s gas-and-dust canyon, about 15 light-years across. During the ride, viewers will see bright and dark, gaseous clouds; thousands of stars, including a grouping of bright, hefty stars called the Trapezium; and embryonic planetary systems. The tour ends with a detailed look at a young circumstellar disk, which is much like the structure from which our solar system formed 4.5 billion years ago.

Based on a Hubble image of Orion released in 2006, the visualization was a collaborative effort between science visualization specialists at STScI, including Greg Bacon, who sculpted the Orion Nebula digital model, with input from STScI astronomer Massimo Roberto; the National Center for Supercomputing Applications at the University of Illinois at Urbana-Champaign; and the Spitzer Science Center at the California Institute of Technology in Pasadena.

For some of the sequences, STScI imaging specialists developed new techniques for transforming the 2-D Hubble images into 3-D. STScI image processing specialists Lisa Frattare and Zolt Levay, for example, created methods of splitting a giant gaseous pillar in the Carina Nebula into multiple layers to produce a 3-D effect, giving the structure depth. The Carina Nebula is a nursery for baby stars.

Frattare painstakingly removed the thousands of stars in the image so that Levay could separate the gaseous layers on the isolated Carina pillar. Frattare then replaced the stars into both foreground and background layers to complete the 3-D model. For added effect, the same separation was done for both vi

Posted by Sabri KARADOĞAN on 2018-11-24 20:03:41

Tagged: , NASA , Hubble , Hubble 3D , Orion Nebula , HST , Goddard , Goddard Space Flight Center , GSFC , NASA Hubble Hubble 3D Orion Nebula HST Goddard Goddard Space Flight Center GSFC

The Mice

The Mice

This colliding pair of spiral galaxies is known as "The Mice" because of the long tails of stars and gas emanating from each galaxy. Otherwise known as NGC 4676, they will eventually merge into a single giant galaxy.

In the galaxy at left, the bright blue patch can be identified as a cascade of clusters and associations of young, hot blue stars, whose formation has been triggered by the tidal forces of the gravitational interaction. Streams of material can also be seen flowing between the two galaxies in this Hubble Space Telescope image.

The clumps of young stars in the long, straight tidal tail (upper right) are separated by fainter regions of material. These dim regions suggest that the clumps of stars have formed from the gravitational collapse of the gas and dust that once occupied those areas. Some of the clumps have luminous masses comparable to dwarf galaxies that orbit in the halo of our own Milky Way.

For more information, visit: hubblesite.org/image/1183/news_release/2002-11

For a computer simulation of The Mice colliding, visit: hubblesite.org/video/285/news_release/2002-11

Credit: NASA, H. Ford (JHU), G. Illingworth (UCSC/LO), M. Clampin (STScI), G. Hartig (STScI), the ACS Science Team, and ESA

Posted by NASA Hubble on 2019-04-09 20:57:37

Tagged: , NGC 4676 , Interacting galaxies , colliding galaxies , galaxy collision , galaxy , galaxies , space , astronomy , NASA , Hubble , Hubble Space Telescope , cosmos

Interacting Galaxy NGC 4485

Interacting Galaxy NGC 4485

Galaxy NGC 4485 is irregular in shape, but it hasn’t always been so. Part of NGC 4485 has been dragged toward a second galaxy, named NGC 4490 — which lies out of frame to the bottom right of this image. Between them, these two galaxies make up a galaxy pair called Arp 269. Their interactions have warped them both, turning them from spiral galaxies into irregular ones.

NGC 4485 is the smaller galaxy in this pair, which provides a real-world example for astronomers to compare to their computer models of galactic collisions. The most intense interaction between these two galaxies is all but over; they have made their closest approach and are now separating. The trail of bright stars and knotty, orange clumps that we see here extending out from NGC 4485 is all that connects them — a trail that spans some 24,000 light-years.

Astronomers believe that many of the stars in this connecting trail could never have existed without the galaxies’ close encounter. When galaxies interact, hydrogen gas is shared between them, triggering intense bursts of star formation. The orange knots of light in this image are examples of such regions, clouded with gas and dust.

A version of this image was entered into the Hubble’s Hidden Treasures image processing competition by contestant Kathy van Pelt.

For more information, visit: www.spacetelescope.org/images/potw1419a/

Credit: ESA/Hubble & NASA; Acknowledgment: Kathy van Pelt

Posted by NASA Hubble on 2019-04-11 05:57:45

Tagged: , NGC 4485 , NGC 4490 , Arp 269 , Interacting galaxies , colliding galaxies , galaxy collision , galaxy , galaxies , space , astronomy , NASA , Hubble , Hubble Space Telescope , cosmos , ESA , Hidden Treasures

18.0615 Hubble Orion Nebulas

18.0615 Hubble Orion Nebulas

This image depicts a vast canyon of dust and gas in the Orion Nebula from a 3-D computer model based on observations by NASA’s Hubble Space Telescope and created by science visualization specialists at the Space Telescope Science Institute (STScI) in Baltimore, Md. A 3-D visualization of this model takes viewers on an amazing four-minute voyage through the 15-light-year-wide canyon.

Credit: NASA, G. Bacon, L. Frattare, Z. Levay, and F. Summers (STScI/AURA)

Take an exhilarating ride through the Orion Nebula, a vast star-making factory 1,500 light-years away. Swoop through Orion’s giant canyon of gas and dust. Fly past behemoth stars whose brilliant light illuminates and energizes the entire cloudy region. Zoom by dusty tadpole-shaped objects that are fledgling solar systems.

This virtual space journey isn’t the latest video game but one of several groundbreaking astronomy visualizations created by specialists at the Space Telescope Science Institute (STScI) in Baltimore, the science operations center for NASA’s Hubble Space Telescope. The cinematic space odysseys are part of the new Imax film "Hubble 3D," which opens today at select Imax theaters worldwide.

The 43-minute movie chronicles the 20-year life of Hubble and includes highlights from the May 2009 servicing mission to the Earth-orbiting observatory, with footage taken by the astronauts.

The giant-screen film showcases some of Hubble’s breathtaking iconic pictures, such as the Eagle Nebula’s "Pillars of Creation," as well as stunning views taken by the newly installed Wide Field Camera 3.

While Hubble pictures of celestial objects are awe-inspiring, they are flat 2-D photographs. For this film, those 2-D images have been converted into 3-D environments, giving the audience the impression they are space travelers taking a tour of Hubble’s most popular targets.

"A large-format movie is a truly immersive experience," says Frank Summers, an STScI astronomer and science visualization specialist who led the team that developed the movie visualizations. The team labored for nine months, working on four visualization sequences that comprise about 12 minutes of the movie.

"Seeing these Hubble images in 3-D, you feel like you are flying through space and not just looking at picture postcards," Summers continued. "The spacescapes are all based on Hubble images and data, though some artistic license is necessary to produce the full depth of field needed for 3-D."

The most ambitious sequence is a four-minute voyage through the Orion Nebula’s gas-and-dust canyon, about 15 light-years across. During the ride, viewers will see bright and dark, gaseous clouds; thousands of stars, including a grouping of bright, hefty stars called the Trapezium; and embryonic planetary systems. The tour ends with a detailed look at a young circumstellar disk, which is much like the structure from which our solar system formed 4.5 billion years ago.

Based on a Hubble image of Orion released in 2006, the visualization was a collaborative effort between science visualization specialists at STScI, including Greg Bacon, who sculpted the Orion Nebula digital model, with input from STScI astronomer Massimo Roberto; the National Center for Supercomputing Applications at the University of Illinois at Urbana-Champaign; and the Spitzer Science Center at the California Institute of Technology in Pasadena.

For some of the sequences, STScI imaging specialists developed new techniques for transforming the 2-D Hubble images into 3-D. STScI image processing specialists Lisa Frattare and Zolt Levay, for example, created methods of splitting a giant gaseous pillar in the Carina Nebula into multiple layers to produce a 3-D effect, giving the structure depth. The Carina Nebula is a nursery for baby stars.

Frattare painstakingly removed the thousands of stars in the image so that Levay could separate the gaseous layers on the isolated Carina pillar. Frattare then replaced the stars into both foreground and background layers to complete the 3-D model. For added effect, the same separation was done for both vi

Posted by barbara.bellowsterranova on 2018-06-16 23:59:50

Tagged: , NASA , Hubble , Hubble 3D , Orion Nebula , HST , Goddard , Goddard Space Flight Center , GSFC

Closeup of the Whirlpool Galaxy, Messier 51

Closeup of the Whirlpool Galaxy, Messier 51

Taken in visible light with Hubble’s Advanced Camera for Surveys (ACS), this image shows a magnified view of the magnificent spiral galaxy Messier 51 (M51), dubbed the Whirlpool Galaxy. It highlights the attributes of a typical spiral galaxy, including graceful, curving arms, pink star-forming regions, and brilliant blue strands of star clusters

M51, also known as NGC 5194, is engaged in a close encounter with a nearby galaxy, NGC 5195, outside the field of view of this image. The companion’s gravitational pull triggers star formation in the main galaxy, as seen in the numerous, luminous clusters of young and energetic stars. The bright clusters are highlighted in red by their associated emission from glowing hydrogen gas.

Along the spiral arms, dust "spurs" are seen branching out almost perpendicular to the main spiral arms. The large number and regularity of these features are not fully understood, suggesting that previous computer models of "two-arm" spiral galaxies are incomplete.

For more information, please visit: hubblesite.org/news_release/news/2011-03

Credit: NASA, ESA, S. Beckwith (STScI), and the Hubble Heritage Team (STScI/AURA)

Posted by NASA Hubble on 2018-05-18 18:38:32

Tagged: , Whirlpool Galaxy , M51 , Hubble , NASA , space , cosmos , astronomy , galaxy , spiral galaxy , Hubble Space Telescope , NGC 5194 , Messier 51 , NGC 5195

FAMOUS ASTRONAUT

FAMOUS ASTRONAUT

Photo taken by a fellow crewmember while Linden was working on a film crew as an audio engineer. This astronaut was a super nice guy.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-09-22 18:44:42

Tagged: , famous , astronaut , shuttle , arm , shuttle arm , french , america , usa , snapshot , nasa , hubble , hubble_repair

18.0615 Hubble Orion Nebulas2

18.0615 Hubble Orion Nebulas2

This image depicts a vast canyon of dust and gas in the Orion Nebula from a 3-D computer model based on observations by NASA’s Hubble Space Telescope and created by science visualization specialists at the Space Telescope Science Institute (STScI) in Baltimore, Md. A 3-D visualization of this model takes viewers on an amazing four-minute voyage through the 15-light-year-wide canyon.

Credit: NASA, G. Bacon, L. Frattare, Z. Levay, and F. Summers (STScI/AURA)

Take an exhilarating ride through the Orion Nebula, a vast star-making factory 1,500 light-years away. Swoop through Orion’s giant canyon of gas and dust. Fly past behemoth stars whose brilliant light illuminates and energizes the entire cloudy region. Zoom by dusty tadpole-shaped objects that are fledgling solar systems.

This virtual space journey isn’t the latest video game but one of several groundbreaking astronomy visualizations created by specialists at the Space Telescope Science Institute (STScI) in Baltimore, the science operations center for NASA’s Hubble Space Telescope. The cinematic space odysseys are part of the new Imax film "Hubble 3D," which opens today at select Imax theaters worldwide.

The 43-minute movie chronicles the 20-year life of Hubble and includes highlights from the May 2009 servicing mission to the Earth-orbiting observatory, with footage taken by the astronauts.

The giant-screen film showcases some of Hubble’s breathtaking iconic pictures, such as the Eagle Nebula’s "Pillars of Creation," as well as stunning views taken by the newly installed Wide Field Camera 3.

While Hubble pictures of celestial objects are awe-inspiring, they are flat 2-D photographs. For this film, those 2-D images have been converted into 3-D environments, giving the audience the impression they are space travelers taking a tour of Hubble’s most popular targets.

"A large-format movie is a truly immersive experience," says Frank Summers, an STScI astronomer and science visualization specialist who led the team that developed the movie visualizations. The team labored for nine months, working on four visualization sequences that comprise about 12 minutes of the movie.

"Seeing these Hubble images in 3-D, you feel like you are flying through space and not just looking at picture postcards," Summers continued. "The spacescapes are all based on Hubble images and data, though some artistic license is necessary to produce the full depth of field needed for 3-D."

The most ambitious sequence is a four-minute voyage through the Orion Nebula’s gas-and-dust canyon, about 15 light-years across. During the ride, viewers will see bright and dark, gaseous clouds; thousands of stars, including a grouping of bright, hefty stars called the Trapezium; and embryonic planetary systems. The tour ends with a detailed look at a young circumstellar disk, which is much like the structure from which our solar system formed 4.5 billion years ago.

Based on a Hubble image of Orion released in 2006, the visualization was a collaborative effort between science visualization specialists at STScI, including Greg Bacon, who sculpted the Orion Nebula digital model, with input from STScI astronomer Massimo Roberto; the National Center for Supercomputing Applications at the University of Illinois at Urbana-Champaign; and the Spitzer Science Center at the California Institute of Technology in Pasadena.

For some of the sequences, STScI imaging specialists developed new techniques for transforming the 2-D Hubble images into 3-D. STScI image processing specialists Lisa Frattare and Zolt Levay, for example, created methods of splitting a giant gaseous pillar in the Carina Nebula into multiple layers to produce a 3-D effect, giving the structure depth. The Carina Nebula is a nursery for baby stars.

Frattare painstakingly removed the thousands of stars in the image so that Levay could separate the gaseous layers on the isolated Carina pillar. Frattare then replaced the stars into both foreground and background layers to complete the 3-D model. For added effect, the same separation was done for both vi

Posted by barbara.bellowsterranova on 2018-06-16 23:59:50

Tagged: , NASA , Hubble , Hubble 3D , Orion Nebula , HST , Goddard , Goddard Space Flight Center , GSFC

18.0615 Hubble Orion Nebulas3

18.0615 Hubble Orion Nebulas3

This image depicts a vast canyon of dust and gas in the Orion Nebula from a 3-D computer model based on observations by NASA’s Hubble Space Telescope and created by science visualization specialists at the Space Telescope Science Institute (STScI) in Baltimore, Md. A 3-D visualization of this model takes viewers on an amazing four-minute voyage through the 15-light-year-wide canyon.

Credit: NASA, G. Bacon, L. Frattare, Z. Levay, and F. Summers (STScI/AURA)

Take an exhilarating ride through the Orion Nebula, a vast star-making factory 1,500 light-years away. Swoop through Orion’s giant canyon of gas and dust. Fly past behemoth stars whose brilliant light illuminates and energizes the entire cloudy region. Zoom by dusty tadpole-shaped objects that are fledgling solar systems.

This virtual space journey isn’t the latest video game but one of several groundbreaking astronomy visualizations created by specialists at the Space Telescope Science Institute (STScI) in Baltimore, the science operations center for NASA’s Hubble Space Telescope. The cinematic space odysseys are part of the new Imax film "Hubble 3D," which opens today at select Imax theaters worldwide.

The 43-minute movie chronicles the 20-year life of Hubble and includes highlights from the May 2009 servicing mission to the Earth-orbiting observatory, with footage taken by the astronauts.

The giant-screen film showcases some of Hubble’s breathtaking iconic pictures, such as the Eagle Nebula’s "Pillars of Creation," as well as stunning views taken by the newly installed Wide Field Camera 3.

While Hubble pictures of celestial objects are awe-inspiring, they are flat 2-D photographs. For this film, those 2-D images have been converted into 3-D environments, giving the audience the impression they are space travelers taking a tour of Hubble’s most popular targets.

"A large-format movie is a truly immersive experience," says Frank Summers, an STScI astronomer and science visualization specialist who led the team that developed the movie visualizations. The team labored for nine months, working on four visualization sequences that comprise about 12 minutes of the movie.

"Seeing these Hubble images in 3-D, you feel like you are flying through space and not just looking at picture postcards," Summers continued. "The spacescapes are all based on Hubble images and data, though some artistic license is necessary to produce the full depth of field needed for 3-D."

The most ambitious sequence is a four-minute voyage through the Orion Nebula’s gas-and-dust canyon, about 15 light-years across. During the ride, viewers will see bright and dark, gaseous clouds; thousands of stars, including a grouping of bright, hefty stars called the Trapezium; and embryonic planetary systems. The tour ends with a detailed look at a young circumstellar disk, which is much like the structure from which our solar system formed 4.5 billion years ago.

Based on a Hubble image of Orion released in 2006, the visualization was a collaborative effort between science visualization specialists at STScI, including Greg Bacon, who sculpted the Orion Nebula digital model, with input from STScI astronomer Massimo Roberto; the National Center for Supercomputing Applications at the University of Illinois at Urbana-Champaign; and the Spitzer Science Center at the California Institute of Technology in Pasadena.

For some of the sequences, STScI imaging specialists developed new techniques for transforming the 2-D Hubble images into 3-D. STScI image processing specialists Lisa Frattare and Zolt Levay, for example, created methods of splitting a giant gaseous pillar in the Carina Nebula into multiple layers to produce a 3-D effect, giving the structure depth. The Carina Nebula is a nursery for baby stars.

Frattare painstakingly removed the thousands of stars in the image so that Levay could separate the gaseous layers on the isolated Carina pillar. Frattare then replaced the stars into both foreground and background layers to complete the 3-D model. For added effect, the same separation was done for both vi

Posted by barbara.bellowsterranova on 2018-06-16 23:59:49

Tagged: , NASA , Hubble , Hubble 3D , Orion Nebula , HST , Goddard , Goddard Space Flight Center , GSFC

Released to Public: Panoramic Hubble Image for 17th Launch Anniversary (NASA)

Released to Public: Panoramic Hubble Image for 17th Launch Anniversary (NASA)

Public Domain. Credit for Hubble image: NASA, ESA, N. Smith (University of California, Berkeley), and The Hubble Heritage Team (STScI/AURA). Credit for CTIO image: N. Smith (University of California, Berkeley) and NOAO/AURA/NSF . For more information Visit NASA’s Multimedia Gallery You may wish to consult NASA’s
image use guidelines. If you plan to use an image and especially if you are considering any commercial usage, you should be aware that some restrictions may apply.
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In celebration of the 17th anniversary of the launch and deployment of NASA’s Hubble Space Telescope, a team of astronomers is releasing one of the largest panoramic images ever taken with Hubble’s cameras. It is a 50-light-year-wide view of the central region of the Carina Nebula where a maelstrom of star birth – and death – is taking place.

Hubble’s view of the nebula shows star birth in a new level of detail. The fantasy-like landscape of the nebula is sculpted by the action of outflowing winds and scorching ultraviolet radiation from the monster stars that inhabit this inferno. In the process, these stars are shredding the surrounding material that is the last vestige of the giant cloud from which the stars were born.

The immense nebula contains at least a dozen brilliant stars that are roughly estimated to be at least 50 to 100 times the mass of our Sun. The most unique and opulent inhabitant is the star Eta Carinae, at far left. Eta Carinae is in the final stages of its brief and eruptive lifespan, as evidenced by two billowing lobes of gas and dust that presage its upcoming explosion as a titanic supernova.

The fireworks in the Carina region started three million years ago when the nebula’s first generation of newborn stars condensed and ignited in the middle of a huge cloud of cold molecular hydrogen. Radiation from these stars carved out an expanding bubble of hot gas. The island-like clumps of dark clouds scattered across the nebula are nodules of dust and gas that are resisting being eaten away by photoionization.

The hurricane blast of stellar winds and blistering ultraviolet radiation within the cavity is now compressing the surrounding walls of cold hydrogen. This is triggering a second stage of new star formation.

Our Sun and our solar system may have been born inside such a cosmic crucible 4.6 billion years ago. In looking at the Carina Nebula we are seeing the genesis of star making as it commonly occurs along the dense spiral arms of a galaxy.

The immense nebula is an estimated 7,500 light-years away in the southern constellation Carina the Keel (of the old southern constellation Argo Navis, the ship of Jason and the Argonauts, from Greek mythology).

This image is a mosaic of the Carina Nebula assembled from 48 frames taken with Hubble Space Telescope’s Advanced Camera for Surveys. The Hubble images were taken in the light of neutral hydrogen. Color information was added with data taken at the Cerro Tololo Inter-American Observatory (CTIO) in Chile. Red corresponds to sulfur, green to hydrogen, and blue to oxygen emission.

Credit for Hubble image: NASA, ESA, N. Smith (University of California, Berkeley), and The Hubble Heritage Team (STScI/AURA)
Credit for CTIO image: N. Smith (University of California, Berkeley) and NOAO/AURA/NSF

Interesting Hubble Facts

In its 17 years of exploring the heavens, NASA’s Hubble Space Telescope has made nearly 800,000 observations and snapped nearly 500,000 images of more than 25,000 celestial objects. Hubble does not travel to stars, planets and galaxies. It takes pictures of them as it whirls around Earth at 17,500 miles an hour. In its 17-year lifetime, the telescope has made nearly 100,000 trips around our planet. Those trips have racked up plenty of frequent-flier-miles, about 2.4 billion, which is the equivalent of a round trip to Saturn.

The 17 years’ worth of observations has produced more than 30 terabytes of data, equal to about 25 percent of the information stored in the Library of Congress. Each day the orbiting observatory generates about 10 gigabytes of data, enough information to fill the hard drive of a typical home computer in two weeks. The Hubble archive sends about 66 gigabytes of data each day to astronomers throughout the world.

Astronomers using Hubble data have published nearly 7,000 scientific papers, making it one of the most productive scientific instruments ever built.

Posted by pingnews.com on 2007-04-28 02:29:00

Tagged: , nasa , space , stars , hubble , telescope , Launch , Anniversary , heritage , hubble space telescope , panorama , panoramic , carina , nebula , astronomer , light-year , pingnews , pingnews.com , royalty-free , stock , photo , foto , archive , library , digital , image , archival , news , stockphoto , astronomy , public , public domain , nasa.gov , media , space for all , stockfoto , creative_commons , via pingnews , cc , stock photography

GaimanNotBordered

GaimanNotBordered

This image depicts a vast canyon of dust and gas in the Orion Nebula from a 3-D computer model based on observations by NASA’s Hubble Space Telescope and created by science visualization specialists at the Space Telescope Science Institute (STScI) in Baltimore, Md. A 3-D visualization of this model takes viewers on an amazing four-minute voyage through the 15-light-year-wide canyon.

Credit: NASA, G. Bacon, L. Frattare, Z. Levay, and F. Summers (STScI/AURA)

Take an exhilarating ride through the Orion Nebula, a vast star-making factory 1,500 light-years away. Swoop through Orion’s giant canyon of gas and dust. Fly past behemoth stars whose brilliant light illuminates and energizes the entire cloudy region. Zoom by dusty tadpole-shaped objects that are fledgling solar systems.

This virtual space journey isn’t the latest video game but one of several groundbreaking astronomy visualizations created by specialists at the Space Telescope Science Institute (STScI) in Baltimore, the science operations center for NASA’s Hubble Space Telescope. The cinematic space odysseys are part of the new Imax film "Hubble 3D," which opens today at select Imax theaters worldwide.

The 43-minute movie chronicles the 20-year life of Hubble and includes highlights from the May 2009 servicing mission to the Earth-orbiting observatory, with footage taken by the astronauts.

The giant-screen film showcases some of Hubble’s breathtaking iconic pictures, such as the Eagle Nebula’s "Pillars of Creation," as well as stunning views taken by the newly installed Wide Field Camera 3.

While Hubble pictures of celestial objects are awe-inspiring, they are flat 2-D photographs. For this film, those 2-D images have been converted into 3-D environments, giving the audience the impression they are space travelers taking a tour of Hubble’s most popular targets.

"A large-format movie is a truly immersive experience," says Frank Summers, an STScI astronomer and science visualization specialist who led the team that developed the movie visualizations. The team labored for nine months, working on four visualization sequences that comprise about 12 minutes of the movie.

"Seeing these Hubble images in 3-D, you feel like you are flying through space and not just looking at picture postcards," Summers continued. "The spacescapes are all based on Hubble images and data, though some artistic license is necessary to produce the full depth of field needed for 3-D."

The most ambitious sequence is a four-minute voyage through the Orion Nebula’s gas-and-dust canyon, about 15 light-years across. During the ride, viewers will see bright and dark, gaseous clouds; thousands of stars, including a grouping of bright, hefty stars called the Trapezium; and embryonic planetary systems. The tour ends with a detailed look at a young circumstellar disk, which is much like the structure from which our solar system formed 4.5 billion years ago.

Based on a Hubble image of Orion released in 2006, the visualization was a collaborative effort between science visualization specialists at STScI, including Greg Bacon, who sculpted the Orion Nebula digital model, with input from STScI astronomer Massimo Roberto; the National Center for Supercomputing Applications at the University of Illinois at Urbana-Champaign; and the Spitzer Science Center at the California Institute of Technology in Pasadena.

For some of the sequences, STScI imaging specialists developed new techniques for transforming the 2-D Hubble images into 3-D. STScI image processing specialists Lisa Frattare and Zolt Levay, for example, created methods of splitting a giant gaseous pillar in the Carina Nebula into multiple layers to produce a 3-D effect, giving the structure depth. The Carina Nebula is a nursery for baby stars.

Frattare painstakingly removed the thousands of stars in the image so that Levay could separate the gaseous layers on the isolated Carina pillar. Frattare then replaced the stars into both foreground and background layers to complete the 3-D model. For added effect, the same separation was done for both vi

Posted by barbara.bellowsterranova on 2015-01-04 00:50:02

Tagged: , NASA , Hubble , Hubble 3D , Orion Nebula , HST , Goddard , Goddard Space Flight Center , GSFC