Results are in on “Zenith City and Beyond” 500-Image CD-ROM by Jeff Lemke

Results are in on

If you enjoy pictures like the one shown on the cover of my latest project—taken at Duluth, MN. in 1966—then you’ll really enjoy my new Zenith City and Beyond 2016 digital image disc that’s available now. I announced this CD in October and made it available to subscribers for a small donation beginning on November 21st.

Positive vibes are already reaching my email INBOX, such as this one: "Just got my CD and absolutely love it! So many photos of places I have worked, brought back many memories. Thanks again for keeping Twin Ports Rail History alive." Vicki G.

As Vicki already discovered, my new CD contains 500 digital display images covering the Twin Ports of Duluth, Superior and surrounding communities—including the Mesabi Range. She used this link to find out much more information about this product before she made a small donation of just 4 cents an image!

Please check it out for yourself: conta.cc/2j3hGgI

My 2016 digital image disc is designed to be viewed digitally—perfect for viewing on your favorite digital device. And if you’re a historian like me then you’ll be happy to learn that you can use my images in a history presentation of your own, as long as they are not modified in any way. These aren’t just quick scans and copies like virtually every other history photo CD on the market today. Each of these images has been restored to remove the dust, fingerprints, film blemishes and scratches. Quality varies depending on the age and condition of the original, but overall—they look pretty darn good.

Content includes both color and black & white images that you can view on your computer through a CD-ROM drive or through your HDTV if connected to your computer network. No special software needed. Each image is its own file. Click through them one at a time or watch in slide show mode on your computer or HDTV. This is silent, no music or annoying beeps or clicks. It’s all about the photos, and each is made from an original film negative or positive.

Railroads include at minimum:

Burlington Northern Railroad
Chicago & North Western Railway
Duluth, Missabe & Iron Range Railway
Duluth & Northeastern Railroad
Duluth, Winnipeg & Pacific Railway
Great Northern Railway
Lake Superior Terminal & Transfer Railway
Northern Pacific Railway
Milwaukee Road
Soo Line

I’ve included many different industrial topics from around the area too. There are pictures taken from the air and high vantage points, shots of depots, buildings, bridges, trains, train cars, steam and diesel locomotives and details, boats, industries, ore docks, ore trains, ore cars, ore mines, signs, railroad men, interlocking towers, rail yards, roundhouses, and pretty much anything else you can imagine. The oldest image on the CD go back to 1889 while most were taken during the 1950s-1980s. Only a scant handful are more recent than 1980. So please consider making a donation today to help me do much more in 2017. There is a book in the works too so be sure that you are subscribed to my once-a-month e-Newsletter to receive those updates by email.

Thanks so much for your interest and very kind support.

Here’s that information link again: conta.cc/2hZ5Jr9

Cheers!

Posted by Twin Ports Rail History on 2016-11-26 15:16:51

Tagged: , Zenith , City , Beyond , Twin , Ports , Rail , History , Jeff , Lemke , 2016 , BN , Burlington , Northern , Great , Pacific , Railway , Railroad , Train , Duluth , Minnesota , MN , Superior , Wisconsin , WI , LST&T , Lake , Terminal , Transfer , Soo , Line , C&NW , Chicago , North , Western , Milwaukee , Road , Missabe , Iron , Range , Winnipeg , Union , Depot , West , Central , Avenue , Hill , Ore , Yards , Dock , Sorting , Freight , Car , Connor’s , Point , East , End , Junction , Rice’s , Aerial , Pictures , Station , Allouez , Grassy , Draw , Bridge , Interstate , Taconite , Grain , Elevator , Silo , Roundhouse , Kelly , Locomotive , Steam , Diesel

15 Shocking Facts About Us East Coast Mountains | us east coast mountains

15 Shocking Facts About Us East Coast Mountains | us east coast mountains

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The ambassador of Canadian boondocks Saint John has asked the federal government to dust off the Energy East activity project, which TransCanada abdicate aftermost year. Don Darling fabricated his alarm afterwards bygone Ottawa appear it would buy the Trans Mountain amplification activity from Kinder Morgan and attending for new investors.

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The accommodation acquired abuse in assembly because if the government cannot acquisition new investors, it would be bottomward to taxpayers to booty on the amount of the project, which Kinder Morgan advised abandoning if the federal government could not agreement it would go advanced admitting action from British Columbia.

But besides the aldermanic outrage, the accommodation to pay Kinder Morgan US$3.46 billion (C$4.5 billion) has now acquired Saint John’s leaders to catechism this appropriate analysis of Trans Mountain.

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“It does not assume fair that we couldn’t get the akin of support. I mean, it seems like this is a activity that the federal government is activity to advance through at all costs,” Darling said as quoted by CBC. “In the case of the Energy East project, I mean, I anticipate the activity had a lot of merit. The oil continues to be alien actuality by abuse bed. We aloof couldn’t assume to get the akin of charge that is actuality approved … on the West Coast.”

Energy East was declared to backpack awkward from Alberta’s oil bank to an consign terminal in Saint John, in New Brunswick. TransCanada appear it would abdicate the activity aftermost year afterwards it became bright that cheaper oil would accomplish the amount accountability too abundant to bear, at about US$12.3 billion (C$16 billion). It would accept transported added than a actor barrels of awkward circadian to Canada’s east coast.

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Related: Canada To Buy Kinder Morgan’s Trans Mountain Amplification Project

Environmental affair has been active aerial in Canada and the Untied States, with action absorption decidedly on new activity projects. Besides the accepted anguish for the ambiance based on the actuality that oil is transported in aqueous anatomy and there is consistently a adventitious for it to spill, the capital rational altercation of activity opponents is that aiguille oil appeal is abreast and any new pipelines will become abandoned assets afore long.

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The adverse argument, of course, is that they are bare actively now, so Canadian producers won’t accept to advertise to U.S. refineries at a above abatement to WTI because of activity bottlenecks, and instead could tap added all-embracing markets.

By Irina Slav for Oilprice.com

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BERLIN STREET

BERLIN STREET

Photo by Linden Hudson (amateur photog)

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2017-09-29 23:08:40

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Day 13-14

Day 13-14

DAY THIRTEEN & FOURTEEN This picture is of myself and Carys BBQing in Martin & Claires garden.

Carys loves playing with my digital radio, she’s always enoyed twiddling with the volume control. Today she has discovered that the radio is powered from a small black lead, she repeatedly pulls it out whilst I am listening to the Everton V Manchester United game.

Sarah starts to ask me opinion on housewifery/househusbandry issues, like ‘Should I give Carys another banana for dinner?’ and ‘do you think you should be dusting now or playing on your computer?’ It seems my hard work is paying dividends I am starting to be taken more seriously in this new domestic world, previously dominated by Sarah.

Sarah and Carys go to St James’ park for the afternoon to meet up with Alex and Laila, two of her old friends from SEES (University) I get some time to myself, so I try and set up my photography site to take credit card payments direct from customers. This goes well and it’s surprising how easy it is to do. It’s very time consuming, but at least I know what to do now, so far have only set up one page to take payments (www.alphabetclub.com/e2.html), it’s in it’s early stages, so I’m gonna have to road test it first and make changes later. I also listen to manly football and drink beer from manly cans, this feels nice, a secret journey back to my old life for the afternoon.

Saturday night Carys is very restless, she has adopted a new wail, it sounds like a yodel, quite alarming at first, I deduce that her first molar is coming through and would deserve such a boast of pain, molars are about 4 times the mass of a front tooth (forgotten the word), I don’t sleep between midnight and 3.30am, Carys and I watch The Jonathan Ross Show on telly, it’s a programme where guests come on and have a banter with Jonathan and then at the end they sell their product (always different forms of popular media, not kettles, towels and jewellery here!) to the viewers, it’s a bit like a shopping channel but the embellishments are longer than the product and they call it a ‘chat show’. (Would be great if Brad Pitt came on the show and plugged his new eBay shop that specialises in pirated computer games or cuddly toys).

7.20am Carys wakes up and so I watch Match Of The Day with her, it’s her favoutite TV show, lucky for me, by 9am I’m fully awake and ready for the Sunday of blurry vision and perspiration ( I always sweat like a feverish horse when I am very tired, my odour is sweeter too.)

9.00am Start my dusting, hoovering and tidying-up chores, proper house-husbandry stuff is this, I learn to dust from the top down, and that the purpose of dusting is to redistribute the dust and hope that most of it goes onto the carpet, which is then hoovered up with a Dyson – or shuld that be ‘dysoned up with a hoover’?

12.30pm Sarah, Carys and I go over to Martin and Claires house for a BBQ, I purposely have a miniscule breakfast, to keep stomach space for the piles of meat I am to receive from the God of Meat – Martin. I want to show off my new linen suit from Peckham’s poshest shop, but it’s too warm, it’s only April and summertime is already a month old, so it doesn’t look like I’ll be able to wear it until the autumn, this year spring only lasted a few weeks, we’re beginning to get Canadian style springs and autumns here, but at least we don’t get their type of winter, well not yet anyway. I haven’t been to a BBQ for 2 years, and that was in darkness, and the food not up-to-scratch, y’know mushy veggie burgers and stale rolls affair, and I hadn’t hosted one myself since the World Cup Final of 2002. The food was great, Claire and Martin are ‘foodies’, we have Merguez sausages, lamb cutlets, pork loins with feta, chipolatas, chicken drummers and spare ribs, all marinated in special sauces too. I just eat and eat, it’s brilliant, one quarter of the guests don’t turn up so it’s more grub for me, I show up with two bottles of top red plonk and I seem to be the only one of two people drinking it, even better! As soon as as the first platter of meat comes off the BBQ, Carys and the other two babies are up on their hind legs waving their noses and arfing at it like seals at an Ethiopian sea-life park. Of course when the meats are eventually offered to Carys she tries it then violently dismisses it like it’s not cooked to her high standards.

We leave at 5.30pm, a successful eating and drinking adventure over. Martin and Claire are selling up and moving to central Kent far-commuter belt, they’re trading their three bedroom terrace for a barn with out-buildings and three acres! Amazing what difference a simple location change can make, but poor Martin will have to commute 85 minutes (door to door) each way five days a week, a lot of people sacrifice their week and seem to just live for the weekends in the far suburbs. It’s a big sacrifice, one that I’m not ready to make yet, or hopefully never will. I know a fellow who commutes about 90 minutes (door to door) from Sussex to Soho every day, and has been so for seven years. He said he’s sick of having to do it, of having to read meaningless books, of having to squat in the doorway of the train, as there’s no seats available, of having to spend three thousand pounds a year on train fares, of having to live that far out to afford a decent sized house in a crime-free (so called) area, and yes he is now physically sick too, he’s had a mystery bug for about a year now, perhaps he’s terminally ill with Commuteritis? So that’s what the Daily Mail has done for us, twenty years of baiting us with fearful headlines of bad schools, hoodies, muggings, big gardens, parking tickets and expensive this and that, it’s driven their own London Evening Standard (owned by the Daily Mail) readers into ever further away suburbs, where they don’t even sell the London Evening Standard, and now they have to buy the damn Daily Mail, which will drive them even further away with their doom mongering to places where it’s 2 hours commute away. And the telly is just as bad… ( I could rant on, (perhaps next week)

So it’s home to bed and then Carys starts up her yodelling about 9pm, oh well fatherhood, fatherhood, fatherhood…

Posted by steffanmacmillan on 2007-04-30 09:21:46

Tagged: , London , East , Dulwich , BBQ , barbecue , father , daughter , baby , fatherhood , England , UK , Britain , british , meat , red-meat , eating , greed , greedy , Welsh , fence , BW , black and white , inner city suburb , house , decking , stripes , boozing , grill , tongs , Multipurpose Compost

Pink skies

Pink skies

More of the same, anyone bored yet? I’ve got loads of these, but none of them ‘the perfect shot’ yet. I was really hacked off when I got them onto the computer at first, as on closer inspection I’ve got tons of sensor dust and had to do a fair bit of cloning to get rid.

Posted by justine mcmillan on 2008-12-30 18:00:25

Tagged: , ‘Hornsea’ , ‘East , Yorkshire’ , ‘Seaside’

Moods of LIght #3 of 3 – Sausalito, Ca

Moods of LIght #3 of 3 - Sausalito, Ca

Pic #1 of 3 – 6:22:08am – Here
Pic #2 of 3 – 6:33:53am – Here
Pic #3 of 3 – 6:44:33am – This One 🙂

Visit Here to see where we shot after this set.

So last night as I was falling asleep on my old friend Dimpi‘s couch in the Marina District, I had very little confidence that this morning’s shoot would be anything but a bust. Mainly do to the fact that at Midnight when I checked weather.com the forecast was solid rain all Saturday starting at 5am this morning and it was pouring buckets when I finally went to bed. But, having made plans with fellow photographer and flickerite maxxsmart , I decided to get some rest and meet him at Starbucks in the morning.

Well, when I woke up and checked the whether at 5am it showed partly cloudy skis until 8am, then solid rain from then on out. And they were right on. So, after meeting Steve and Grabbing a coffee. We were off.

So, usually the way it works, at least for me; is you go out to a location; you take a bunch of shots; of basically the same subject, from different angles and then you pick the best shot when you get home and open your files on the computer.

Well, when I got out to this spot with fellow photographer and flickerite maxxsmart this morning, I notice that both the light and clouds where changing very rapidly. So, I got an idea. If after making my initial calculations for my long exposure and taking my first shot, my calculations turned out to be correct; I’d try to show how the light changes very quickly in the morning. Depending on when you start and end your exposure, your results can be stunningly different.

In this set of 3 shots, taken approximately 11 minutes apart you can clearly see what I am talking about. For example reason only, I did no post processing (except using iPhoto’s crude retouch tool to make a piece of lint or something disappear from the sky of all 3 shoots). BTW I Hate dust, it plagues me. If anyone has a method of keeping it off my sensor PLEASE let me know.

So, here is my mini set of 3 shots, all in a row, on a morning that I almost certainly thought that I and Steve would be standing in the rain getting nothing more then a cold.

Enjoy 🙂

For the Techies 🙂

Canon 5D Mark II
Exposure: 160
Aperture: f/16.0
Focal Length: 70 mm
ISO Speed: 50 (to control noise in the Long Exposure)
Lens: Canon EF16-35mm f2.8L II
Tripod Gitzo G 026
Head Gitzo G1178M
No Filters (Just UV to protect the front of the lens) Just adding this note because I had a few questions about which filters I used. The changes in color are due to the moving clouds acting as "filter" and "reflectors", upon the emerging sun.

Posted by Rich Capture on 2009-12-13 05:16:42

Tagged: , Sausalito , California , Bay Bridge , Richard , Matyskiewicz , Richard Matyskiewicz , wood , wharf , lighthouse , Alcatraz , San Francisco , water , bay , sea , seascape , landscape , city lights , sun rise , east , glow , golden hour , bueatiful light , Tell me a story… , TMS

Moods of LIght #1 of 3 – Sausalito, Ca

Moods of LIght #1 of 3 - Sausalito, Ca

Pic #1 of 3 – 6:22:08am – This One 🙂
Pic #2 of 3 – 6:33:53am – Here
Pic #3 of 3 – 6:44:33am – Here

Visit Here to see where we shot after this set.

So last night as I was falling asleep on my old friend Dimpi‘s couch in the Marina District, I had very little confidence that this morning’s shoot would be anything but a bust. Mainly do to the fact that at Midnight when I checked weather.com the forecast was solid rain all Saturday starting at 5am this morning and it was pouring buckets when I finally went to bed. But, having made plans with fellow photographer and flickerite maxxsmart (www.flickr.com/photos/maxxwellsmart/), I decided to get some rest and meet him at Starbucks in the morning.

Well, when I woke up and checked the whether at 5am it showed partly cloudy skis until 8am, then solid rain from then on out. And they were right on. So, after meeting Steve and Grabbing a coffee. We were off.

So, usually the way it works, at least for me; is you go out to a location; you take a bunch of shots; of basically the same subject, from different angles and then you pick the best shot when you get home and open your files on the computer.

Well, when I got out to this spot with fellow photographer and flickerite maxxsmart (www.flickr.com/photos/maxxwellsmart/) this morning, I notice that both the light and clouds where changing very rapidly. So, I got an idea. If after making my initial calculations for my long exposure and taking my first shot, my calculations turned out to be correct; I’d try to show how the light changes very quickly in the morning. Depending on when you start and end your exposure, your results can be stunningly different.

In this set of 3 shots, taken approximately 11 minutes apart you can clearly see what I am talking about. For example reason only, I did no post processing (except using iPhoto’s crude retouch tool to make a piece of lint or something disappear from the sky of all 3 shoots). BTW I Hate dust, it plagues me. If anyone has a method of keeping it off my sensor PLEASE let me know.

So, here is my mini set of 3 shots, all in a row, on a morning that I almost certainly thought that I and Steve (www.flickr.com/photos/maxxwellsmart/) would be standing in the rain getting nothing more then a cold.

Enjoy 🙂

For the Techies 🙂

Canon 5D Mark II
Exposure: 240
Aperture: f/16.0
Focal Length: 70 mm
ISO Speed: 100 (to get enough light for a proper exposure) (It was still very dark out at this time)
Lens: Canon EF16-35mm f2.8L II
Tripod Gitzo G 026
Head Gitzo G1178M
No Filters (Just UV to protect the front of the lens) Just adding this note because I had a few questions about which filters I used. The changes in color are due to the moving clouds acting as "filter" and "reflectors", upon the emerging sun.

Posted by Rich Capture on 2009-12-13 05:16:37

Tagged: , Sausalito , California , Bay Bridge , Richard , Matyskiewicz , Richard Matyskiewicz , wood , wharf , lighthouse , Alcatraz , San Francisco , water , bay , sea , seascape , landscape , city lights , sun rise , east , glow , golden hour , bueatiful light , TheUnforgettablePictures , Tell me a story… , TMS

Moods of LIght #2 of 3 – Sausalito, Ca

Moods of LIght #2 of 3 - Sausalito, Ca

Pic #1 of 3 – 6:22:08am – Here
Pic #2 of 3 – 6:33:53am – This One 🙂
Pic #3 of 3 – 6:44:33am – Here

Visit Here to see where we shot after this set.

So last night as I was falling asleep on my old friend Dimpi‘s couch in the Marina District, I had very little confidence that this morning’s shoot would be anything but a bust. Mainly do to the fact that at Midnight when I checked weather.com the forecast was solid rain all Saturday starting at 5am this morning and it was pouring buckets when I finally went to bed. But, having made plans with fellow photographer and flickerite maxxsmart , I decided to get some rest and meet him at Starbucks in the morning.

Well, when I woke up and checked the whether at 5am it showed partly cloudy skis until 8am, then solid rain from then on out. And they were right on. So, after meeting Steve and Grabbing a coffee. We were off.

So, usually the way it works, at least for me; is you go out to a location; you take a bunch of shots; of basically the same subject, from different angles and then you pick the best shot when you get home and open your files on the computer.

Well, when I got out to this spot with fellow photographer and flickerite maxxsmart this morning, I notice that both the light and clouds where changing very rapidly. So, I got an idea. If after making my initial calculations for my long exposure and taking my first shot, my calculations turned out to be correct; I’d try to show how the light changes very quickly in the morning. Depending on when you start and end your exposure, your results can be stunningly different.

In this set of 3 shots, taken approximately 11 minutes apart you can clearly see what I am talking about. For example reason only, I did no post processing (except using iPhoto’s crude retouch tool to make a piece of lint or something disappear from the sky of all 3 shoots). BTW I Hate dust, it plagues me. If anyone has a method of keeping it off my sensor PLEASE let me know.

So, here is my mini set of 3 shots, all in a row, on a morning that I almost certainly thought that I and Steve would be standing in the rain getting nothing more then a cold.

Enjoy 🙂

For the Techies 🙂

Canon 5D Mark II
Exposure: 240
Aperture: f/16.0
Focal Length: 24 mm
ISO Speed: 50 (to control noise in the Long Exposure)
Lens: Canon EF16-35mm f2.8L II
Tripod Gitzo G 026
Head Gitzo G1178M
No Filters (Just UV to protect the front of the lens) Just adding this note because I had a few questions about which filters I used. The changes in color are due to the moving clouds acting as "filter" and "reflectors", upon the emerging sun.

Posted by Rich Capture on 2009-12-13 05:16:40

Tagged: , Sausalito , California , Bay Bridge , Richard , Matyskiewicz , Richard Matyskiewicz , wood , wharf , lighthouse , Alcatraz , San Francisco , water , bay , sea , seascape , landscape , city lights , sun rise , east , glow , golden hour , bueatiful light , Riceworld