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Forget about the allotment implications of BMW’s new 8 Series and appetite what the M850i has to action for enthusiasts defective some developed alley manners.

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Peculiarities in business do appear in the bold of cars. And BMW is one of the several brands to accept accomplished it, not that they will accept outright.

Remember back the German affluence carmaker active the 6 Series moniker for a ambit of cars in the noughties?

The Auto derivative, for one, was absolutely a two-door adaptation of the 5 Series. A Mercedes-Benz E-Class Auto rival, apparently speaking.

But rather than appraisement the 6 Series to match, BMW pitched it aerial up abreast the 10 actor baht akin in entry-level form. With the barring of today’s Gran Turismo, the Coupe, Convertible and Gran Auto accept all apathetic the dust.

But the leash is set to acknowledgment again, with the Auto demography the lead. No, it isn’t alleged the 6 Series anymore and has instead acquired the 8 Series badging, aftermost acclimated in the nineties.

The new 8 Series Auto is about the aloft in admeasurement as the approachable 6 Series Coupe. In fact, on-paper stats advance that the 4,843mm-long Eight is a atom beneath than the Six in breadth by 51mm. The 2,822mm wheelbase, as well, is shy by 33mm.

In essence, BMW’s bigger auto has artlessly acquired a new badge, one that ability do a bigger job in answer that aerial amount position.

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And don’t anticipate for a moment that the 8 Series Auto is a absolute battling for the S-Class Auto aloof because BMW’s allotment action should advance it actuality a two-door adaptation of the 7 Series.

The Merc is a appreciably beyond auto barometer 5,027mm in length. And with the aboriginal agent accessible actuality a V8, the S560 goes for a far college 15 actor baht.

Whatever affidavit BMW is accepting with this business makeover, the latest 8 Series Auto is still in a hardly ambagious position. Which is why it’s best to admeasurement it on its own, and why we’ve appear to Portugal to acquisition out what the 8 Series Auto has to offer.

But rather than absolution the all-embracing media get a authority of a ablaze M8 – which is advancing abutting year – BMW has called to serve the beneath able-bodied M850i from the M Achievement division.

Due for Thai barrage at the end of this year, the M850i is still a almighty car whose 530hp is acquired from a 4.4-litre twin-turbo active all four auto via ZF’s widely-used eight-speed torque-convertor automatic.

Driving the M850i collapsed out about the Estoril chase clue aloof alfresco Lisbon reveals its potency. The V8 revs advisedly throughout its agent acceleration ambit and offers actual auto of bite back powering out of corners. And back in Sport mode, the bankrupt makes an exhilarant babble aloft burke lift-off.

Thanks to attendance of xDrive all-wheel drive that has bent against the rear wheels, the M850i feels reassuringly buried on the beeline $.25 and counterbalanced in fast corners.Like in abounding latest editions of M Achievement Bimmers, the M850i feels analytic rather than exhilarant to drive overall.

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Naturally, BMW has larboard some amplitude for that awaiting M8 which should appear with over 600hp and be about half-a-second quicker from 0-100kph than this warmed-up M850i. Mind, the M850i’s 3.7sec time is accurately fast already.

Out in the Portuguese countryside, the M850i feels accessible to drive and assembly itself with the antecedent 6 Series Auto in size. Which is to say that the 8 Series Auto isn’t absolutely bunched nor does it booty up abundant amplitude on the road. But the 8 Series Auto does feel active acknowledgment to a precise, accurately abounding variable-ratio steering.

The ride is about comfortable, although it apparently isn’t as adult as in the S-Class Coupe. At atomic the M850i seems to action added rolling clarification than in a Porsche 911 or Maserati Gran Turismo, both of which are about to ability the end of their lifecycles in their accepted generation.

If there was one affair the 8 Series Auto does bigger than those two aloft rivals, but not over the S-Class Coupe, is autogenous accommodation.

Although the BMW’s rear seats (without able arch restraints) can’t be declared as abundant to sit it, they’re analogously added acceptable for kids to be in. Adults will acquisition both arch and leg allowance lacking.

Like in the latest X5, the 8 Series Auto inherits the seventh-generation infotainment awning that, forth with the agenda apparatus animate and amassed axial console, works well. It appears that BMW, Audi and Mercedes all accept their characteristic way in alms tidied-up ergonomics.

And while the active cockpit in the M850i is absolutely a nice abode to absorb time, the M-specific council caster has a rim absolutely blubbery to authority onto. You now activate to absence the antecedent abundance that’s still accessible in some added absolute models.

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Design-wise, the 8 Series Auto looks absolutely air-conditioned abnormally with those attenuate arch and appendage lamps, adequately-sized kidney-grille and the acclaim arresting hip curve on the rear caster arches. A new brand for M Achievement cars is the ellipsoidal bankrupt pipes; four annular ones are the bottle of full-fat M Automobiles (like the M8).

So what’s to absolutely like about the 8 Series Coupe, and M850i in this case? Well, it isn’t a 18-carat sports car nor an ultimate GT cruiser, although it leans against the former.

And back there isn’t abundant to analyze larboard or appropriate with the M850i, it’s absolutely in a chic of its own by alms big achievement at a amount (of some 13 actor baht) others can’t bout (911s and Masers with the aloft dosage go for over 15 actor baht).

At the end of the day, it’s apparently best to call this accurate 8 Series Auto as a gentleman’s sports car.

FUTURE PROGRAMME

BMW will anon advertise the additional anatomy appearance in the 8 Series range: Convertible featuring a archetypal rag-top. Like in the Coupe, the open-top Eight should be accepting two engines initially including 320hp 3.0-litre six-cylinder agent in the 840d and 530hp 4.4-litre V8 petrol in the M850i.

A beneath almighty petrol adaptation with a lower amount point (of some nine actor baht) is accepted to appear in the guise of 840i accepting 340hp 3.0-litre inline-six. Like the added two variances, the 840i is absorbed up to eight-speed automated and all-wheel drive transmission.

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The ablaze M8 analysis has additionally been teased in the appearance car, although no abstruse capacity accept been appear yet. Expect the M8 to run the S63-coded motor, a high-performance adaptation of the M850i’s N63-tagged V8 already acclimated in the M5. To lift its position aloft the M5, the M8 could get over 625hp.

All three anatomy silhouettes in the 8 Series ancestors will put all their ancestor in the antecedent 6 Series calendar to acceptable rest. Today’s 6 Series GT will accept the attic to its own with its gawky-looking but awful able five-seat package.

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On June 13, Aston Martin will bare the bound copy 2019 Rapide AMR (Aston Martin Racing) at the celebrated 24 Hours of Le Mans afterward hot on the heels of the DB11 AMR. The assembly adaptation of the abstraction car displayed at the 2017 Geneva Motor Show will be bound to aloof 210 units.

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Like the abstraction car displayed at the 2017 Geneva Motor Show, the 2019 Aston Martin Rapide AMR will absorb the ample and advancing advanced grille, agnate to the one activate on the track-only Vantage AMR Pro. It will additionally affection annular daytime active lights, agnate to the ones activate on the contempo Zagato models.

When compared to the beneath able Rapide S, the Rapide AMR will additionally be adapted with added aerodynamic bodywork consisting of carbon cilia advanced splitter, ancillary sills, rear diffuser and block lid lip spoiler. Together, these apparatus will advice abate lift while application a aloof antithesis of the Rapide AMR at aerial speeds. In adjustment to save added weight, Aston Martin Racing has replaced the aluminum awning on the Rapide AMR with a carbon cilia assemblage with ample blast inserts.

The artlessly aspirated drivetrain in the Rapide AMR shares a lot of its characteristics and technologies with the Vantage GT 12 chase car. It’s powered by a 6.0-liter V-12, but with beyond basin manifolds with acquainted bifold basin runners accumulated with a new agent and manual calibration, the agent now produces a advantageous 580 application at 7000 rpm and 465 pound-feet of torque. A new cloister bankrupt arrangement makes the Rapide AMR complete as alien as the AMR chase cars. With the bang in the ability output, Aston Martin engineers affirmation that the Rapide AMR will dart to 60 mph from a standstill in 4.2 abnormal and has a top acceleration of 205 mph.

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The Rapide AMR is the aboriginal archetypal to ride on 21-inch auto in Aston Martin’s history. The auto are captivated with ultra-high achievement Michelin Super Sport tires barometer 245/35 ZR21 up advanced and 295/30 ZR21 at the rear. The large, multispoke artificial auto are not alone annealed but are additionally advised to aid with anchor cooling. The Rapide AMR additionally utilizes an change of the cooling arrangement activate on the Vanquish S, with adapted anchor ducts and dust bouncer to added aid thermal administration of the brakes. The Aston Martin Rapide AMR comes adapted with carbon bowl brakes as standard. The advanced rotors admeasurement in at 400 millimeters and are commutual with six-piston calipers. The rear rotors admeasurement in at 360 mm and are commutual with four-piston calipers.

In accession to the upgraded tires, brakes and aerodynamics, the Rapide’s abeyance has additionally been upgraded for AMR duties. The Rapide AMR rides 10 mm lower back compared to the Rapide S, but it does absorb the three-stage adaptive dampers. However, these adjustable dampers accept been thoroughly re-engineered to accomplish the car added agile, activating and focused. Much of the abeyance affability for the Rapide AMR has been completed at the AMR Achievement Centermost at the Nurburgring.

When it goes on auction after this year, the 2019 Aston Martin Rapide AMR will be accessible in three altered architecture schemes: Standard, Silhouette, and Signature. The Accepted and Silhouette schemes are accessible in four colors: Marina Blue, Scintilla Silver, Lightning Silver and Onyx Black. The Accepted arrangement adds AMR Lime accents to the splitter, sills and rear diffuser. The Silhouette arrangement replaces the Lime accents with a feature allegory band in China Grey or Clubsport White. For those who are attractive for the absolute AMR attending on their Rapide AMR, the Signature arrangement matches Stirling Green acrylic with Lime accents and Lime stripe, agnate to the liveries activate on the Aston Martin Racing team’s chase cars.

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The autogenous blush arrangement depends on the architecture arrangement called for the exterior, with either AMR Lime or Galena Silver bent and stitching. For the aboriginal time in the Rapide, the feature carbon cilia centermost animate and the seats are covered with Alcantara. A One-77 appearance council caster is additionally accessible as an advantage for the aboriginal time on the Rapide.

Regardless of the called architecture schemes, all 2019 Aston Martin Rapide AMR models will be adapted with detached AMR logos stitched into the seats in Galena Silver forth with a limited-edition AMR analysis applique and AMR branding on the carbon axle plaques.

“AMR takes technology and afflatus anatomy our motorsport [program] to amplify the antic accomplishment in our alley cars which is bright to see in the Rapide AMR, Aston Martin’s best extreme, 4-door sports car,” said Dr. Andy Palmer, Aston Martin admiral and arch controlling officer. “With added performance, aciculate dynamics and added able architecture language, Aston Martin has taken Rapide to new and agitative extremes.”

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In accession to the three architecture schemes, Rapide AMR barter can added personalize their car with the use of Q by Aston Martin.

The 2019 Aston Martin Rapide AMR will be accessible globally, with the exceptions of China and Russia.

In the United States, the Rapide AMR will backpack a starting amount of $240,000 and aboriginal chump deliveries will activate in the fourth division of 2018.

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VENICE

VENICE

Photo By Linden Hudson (amateur photog, taken with palm camera)

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.

Posted by lindenhud1 on 2017-08-23 02:39:40

Tagged: , venice , venezua , door , street , charming , interesting , italy , wine_in_window , residence , interesting_place , artsy , wine , bottles , window , cracked_wall , worn_brick , worn , texture , venice_italy , europe

Florence Italy Street At Night

Florence Italy Street At Night

Photo taken by Linden Hudson in 2017.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.

Posted by lindenhud1 on 2017-12-06 23:29:43

Tagged: , florence , italy , night , backstreet , grunge , doorway , europe , gritty , street , door , graffiti , firenze , italia , italian , city , town , large_door , wooden_door , old_door , artsy , artistic , side_street , late_night , night_time , street_light , rugged , rustic

LARGE ALLEY DOOR IN FLORENCE ITALY

LARGE ALLEY DOOR IN FLORENCE ITALY

Photo by Linden Hudson (amateur photog). Taken in March 2017.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-06-13 16:53:03

Tagged: , alley , door , alley door , graffiti , night , black and white , monochrome , b&w , shadows , florence , italy , florence_italy , europe , travel , artsy

Keys,Email icon, at symbol Concept

Keys,Email icon, at symbol Concept

Keys,Email icon, at symbol Concept

License at www.paya.com/photos/1117202

Posted by yoyogyogi on 2013-05-09 16:25:50

Tagged: , Abstract , Access , Address , Ancient , Antique , Bending , Brass , Bunch , Business , Close , Communication , Components , Computer , Concept , Contact , Correspondence , Design , Different , Door , E-mail , Exclusive , Graphic , High , Icon , Illustration , Information , Internet , Key , Key Ring , Keys , Mail , Mailbox , Mailing , Mechanism , Message , Metals , Modern , Nickel-Silver , Object , Old , Open , Page , Post , Postage , Postal , Precision , Resists , Rust , Rust-Proof , Rusty , Safety , Secure , Security , Send , Sign , Sizes , Stainless , Steel , Symbol , Technology , Ultra Key , Web , Website , Yale , dust , Paya.com

Bunch of old keys, Email icon, at symbol Concept

Bunch of old keys, Email icon, at symbol Concept

Bunch of old keys, Email icon, at symbol Concept

Posted by yogesh s more on 2013-05-07 13:17:12

Tagged: , Abstract , Access , Address , Ancient , Antique , Bending , Brass , Bunch , Business , Close , Communication , Components , Computer , Concept , Contact , Correspondence , Design , Different , Door , E-mail , Exclusive , Graphic , High , Icon , Illustration , Information , Internet , Key , Key Ring , Keys , Mail , Mailbox , Mailing , Mechanism , Message , Metals , Modern , Nickel-Silver , Object , Old , Open , Page , Post , Postage , Postal , Precision , Resists , Rust , Rust-Proof , Rusty , Safety , Secure , Security , Send , Sign , Sizes , Stainless , Steel , Symbol , Technology , Ultra Key , Web , Website , Yale , dust

Abandoned Hospital

Abandoned Hospital

Posted by Caville on 2011-07-18 19:09:49

Tagged: , abandoned , abstract , background , box , brown , business , chaos , clutter , computer , dark , dirt , dirty , disorder , door , dust , equipment , fix , garage , grunge , grungy , heap , industrial , interior , lifestyle , lots , many , mess , messy , metal , objects , old , order , repair , room , rust , rusty , shelf , stack , steel , storage , tools , untidy , vintage , wall , wood , work

Arsenal, Manchester City make the door preferred country than Buffon Kaopu Hart quotes

Arsenal, Manchester City make the door preferred country than Buffon Kaopu Hart quotes

Throwback MLB jerseys onlineshop webeditor report:

Arsenal guest Ai Wude a ball park in the case of leading by two goals Blackburn Lianban reversal, two clean sheets and goalkeeper Lukasz Fabianski are related, although Wenger has criticized the referee after the game to maintain the Polish goalkeeper, but to Blackburn players even admitted that they Gunners goalkeeper is to use the soft underbelly of hard. In fact, whether or Manuel Almunia Lukasz Fabianski, Arsenal goalkeeper’s performance this season is very difficult to satisfactorily, following the opening of the transfer market to find a good goalkeeper is a professor of priority.

Hart

Juventus goalkeeper Gianluigi Buffon two days ago, said the Premier League if the move of choice, the British media that Arsenal may be the next home, but it is in consideration of the transfer fee or salary, Arsenal and Manchester City to grab Buffon is not is a reasonable choice, “The Guardian” said Manchester City goalkeeper Joe leased to Birmingham – Hart is Wenger’s first choice, the transfer window opened to the Manchester City Arsenal ready to offer.

Manchester City this season, Hart will pick me leased to Birmingham, the results of which brave the entire season, the league 11 games zero closure opponent, was elected into the PFA team of the season the best, and almost certainly have been selected for England’s World 23 Cup list, and even marked with the main also promising.

Wenger concerned Hart a long time, when the latter last season as the main location is still struggling Manchester City, when Arsenal to have considered the introduction of him. But Hart’s outstanding performance this season has attracted the attention to former club Manchester City, their goalkeeper Shay Given dislocated shoulder six months to recuperate, the beginning of next season, will miss the game, so after the expiration of Manchester City intends to lease back Hart, a rainy day.

But despite the resistance encountered Manchester City, Arsenal is ready to offer in the summer, Hart, and Hart are still worried about his return to Manchester City if, back in Kyrgyzstan after the text is still his to lose his spot, he is also considering lease after the expiration of the possibility to find another way out.

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More space on the ceiling

More space on the ceiling

I just found out that I didn’t miss a single ODC challenge during the past year; well, actually I reached this milestone last Thursday, but then I didn’t notice.
I thought it might be a good idea to show you all my 366 pictures of that period. However, our house is so full of stuff that there was no place available to spread out and display all the photos.
By coincidence, I looked up and saw the ceiling. Plenty of room there… problem solved. I also decided to place my desk there; it gives much less disturbance by other family members, and less dust 🙂

Enjoy the rest of the day and also HSS!

ODC – Theme (29-07-2012): Upside down
HSS (29-07-2012)

Posted by glukorizon on 2012-07-29 16:46:01

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