BEAUTIFUL WOMAN IN DARK MOOD – Julia Wagner

BEAUTIFUL WOMAN IN DARK MOOD - Julia Wagner

Photography & Photoshop by Linden Hudson (amateur photog)
This image made from a Freeze Frame of video.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2017-10-01 16:46:43

Tagged: , beautiful , dark , mood , dark mood , black and white , monochrome , b&w , latina , pretty , art , artsy , artistic , moody , beauty , sad , girl , girls , female , model , woman , young_woman , sadness , sad_woman , feeling_bad , depression , darkness , feelings , pretty_woman

Teens and Depression

Teens and Depression

Feelings of sadness are pretty normal in adults and are even more common among the turbulent teenage years. Sadness is often the byproduct of the complications in our lives. Depression is the name we give to express feeling very sad or feeling sad for a prolonged amount of time.

Life for a teen can be complicated. There are tons of situations, events, surprises, and relationships which can cause a teen to fall into depression at times. It is hard to prepare yourself for what it feels like to be depressed and it isn’t something you can just totally avoid either. Some depression is described as being mild temporary depression, usually when it lasts less than three days, and often the best way to deal with this depression is to just let it happen and pass.

One thing that really helps when you are depressed as a teen is talking to a friend or someone who you trust. This can be an adult at school, a parent, or a teacher. Often your school will have a counselor who you can talk to and whose job it is to help you feel better. Often talking about your problems as a teen can help make them seem smaller and less daunting than bottling up your emotions.

One way in which teens can deal with their depression is by expressing it through anger. Depression is often described by psychiatrists as anger turned inward on ones self. This kind of depression can occur when a complex situation makes you feel that you are being treated unfairly, and that if you take a closer look, instead of feeling depressed you can feel angry. This can be helpful for teens because anger can be much easier to deal with than depression, although if anger gets out of control, it too can become a very big problem for teens.

There are many things teens can do to manage their feelings of depression, however, sometimes the depression has already existed too long and has run too deep to easily be dealt with. If this is the case, it is important to talk to your parents and get help from a therapist or psychologist.

Satyendra is a professional freelancer writers writing website contents and articles for both the public and private sector companies offline and online.

Dustbowl, The Purple Moon – Wallpaper

Dustbowl, The Purple Moon - Wallpaper

Wallpaper made from several source elements including a Dust Bowl era photograph found in government archives.


From my website: www.abcdeology.com/?p=120

Watching a clip from absurdist space western/musical The American Astronaut I thought about alien landscapes and black and white antique photographs, and I was reminded of the amazing pictures taken of the Dust Bowl. The Dust Bowl being when the prairie lands were farmed to death and the skies over the heartland of America turned black, swallowing a whole generation in the dust storms.

Somehow that led to me deciding to muck around in photoshop and make this based on the alienating landscape of the Dust Bowl.

Posted by Thoth, God of Knowledge on 2009-07-02 08:11:51

Tagged: , wallpaper , wall , paper , background , computer background , Dust Bowl , purple , moon , people , children , portrait , FDR , Depression , wind , farming , desert , poverty , poor , father , shack , planet , flag , steampunk , fantasy , sad

Looking-Glass Aberration. Bluhm Family Terrace, The Art Institute, Chicago, Illinois, USA

Looking-Glass Aberration. Bluhm Family Terrace, The Art Institute, Chicago, Illinois, USA

Our cameras record the world-out-there as clearly as possible. So we don’t want dust or smudges on our lenses. Differently from Alice in Wonderland and Through the Looking Glass, we prefer real turles over the Mock-Turtle and real bread-and-butter or flies over the Bread-And-Butter-Fly… But we often forget that even clean and clear lenses can cause inherent distortions of what we think we see. Chromatic aberration is one of these, and you can see it in this photo: the horizontal, thinnish black lines or line segments are not ‘out-there’ but in the camera’s ‘brain’, as it were. To make things even more a part of my mind-game, I shot this picture through the plate glass window of the Terzo Piano restaurant of The Art Institute at Chicago, Illinois, USA. (I wonder incidentally whether that name is a pun on Renzo Piano, the architect of this new wing…) Thus there are at least three all but invisible – except for that Chromatic Aberration – barriers to seeing this world as it ‘really’ is; and I haven’t even mentioned the various computer screens and electronic waves and so on by which this picture is further transmitted (nor my eyeglasses).
The Bluhm Family Terrace and its bright surroundings are as real or unreal as the deconstructivism of Frank Owen Gehry’s (1929-) Jay Pritzker open-air Music Pavilion (just to be seen in the lower right of the photo) or the Rising Architecture in de backdrop, or the Boeing Engine Installation.
The two engines were ‘installed’ here by the British artist Roger Hiorns (1975-). They were originally attached to a jet of the Strategic Air Command (USA), a Boeing EC135. These jets were part of the mission called Operation Looking Glass, put into place in 1961. It mirrors ground command in the sky, if after a cataclysmic event ground control were no longer able to function. Hiorns calls his installation "Untitled (Alliance)". To make things even more complicated, the artist has ‘hidden’ containers of medicine and drugs in these engines. What this all means is not very clear to me: I think I read words like ‘trauma’, ‘depression’, ‘symbols’, ‘security’, ‘personal well-being’, ‘ties’, ‘alliances’, ‘freedom’. I suppose this all falls under ‘deconstructivism’. I feel like Alice in Wonderland in a rather scary story; and it’s uncanny and ‘unreal’ at the same time. But on a fine clear, crisp and blue-skied day like this it’s exhilirating as well, even if my lenses suffer from chromatic aberation.
And those people in the photo? They’re a group of journalists, I think, recording and talking and creating ‘lenses’ through which to understand… What they’re saying I know not… Meanwhile, I think I’ll stick with St Augustine’s "uti et frui".

Posted by Rana Pipiens on 2010-04-29 13:20:21

Tagged: , camera , Chicago, Illinois, USA , Jay Pritzker Music Pavilion, Chicago, Illinois , Millennium Park, Chicago, Illinois , lenses , Alice in Wonderland , The Art Institute, Chicago, Illinois, USA , Frank Owen Gehry , Roger Hiorns , trauma , depression , Untitled (Alliance) , Terzo Piano, The Art Institute, Chicago, Illinois , Bluhm Family Terrace, The Art Institute, Chicago, Illinois, USA , Mock-Turtle , Bread-and-Butter-Fly , Operation Looking Glass , Strategic Air Command (USA) , Boeing , Boeing EC135 , jets , St Augustine , chromatic aberration , flickrAward , BlueRibbonWinner , 1001 Nights , Art2010 , AnAwesomeShot , Renzo Piano