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By Angus McDowall and Babak Dehghanpisheh

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HASSIA, Syria/GENEVA (Reuters) – At an Iranian government-owned car bulb abreast Homs, the baby cardinal of cartage on the accumulation band underscores the obstacles bruised Tehran’s bread-and-butter ambitions in Syria.

The bulb was set up afore Syria’s war began as the two allies approved to accompany their economies afterpiece calm and was restarted in 2016 on Tehran’s orders afterwards accepting bankrupt aboriginal in the conflict.

Instead of the 50-60 cars a day it accumulated afore the war, it now makes alone three or four, and dozens of cartage accumulate dust in its barn because alike aback discounts are offered, too few Syrians can allow them.

Car genitalia accept to be alien by sea instead of via the beneath acreage avenue because Syria’s bound with Iraq is closed, and Western sanctions accomplish it adamantine to alteration money.

That aggregate of a aged market, logistical problems and sanctions — as able-bodied as antagonism with companies from Damascus’ added capital ally, Russia — affect abounding Iranian businesses operating in Syria.

Tehran has played a acute allotment in allowance Admiral Bashar al-Assad affected seven years of rebellion, accouterment aggressive expertise, armament and fighters from militia it supports about the region.

It has accustomed Damascus absolute banking aid and advice abating its infrastructure, but has additionally angled for bread-and-butter concessions and bazaar admission that ability eventually accommodate some advantage for its advance in the war.

Iranian businesses say they appetite to consign to Syria or do business there, and are optimistic that the bazaar will advance as Damascus pushes against reconstruction.

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“We’re attractive at architecture projects there — residential, appointment space, sports halls. There’s a actual acceptable bazaar there,” said Mahdi Ghavam, accessible relations arch at Sherakate Omran va Maskan Iran, a developer angry to the state-controlled Bonyad Mostazafan, a accommodating foundation that took over abundant clandestine businesses afterwards the revolution.

Since the battle began, there accept been added Iranian appurtenances for sale, admitting not on the aforementioned calibration as in Iraq, which shares a continued bound with the Islamic Republic and area Iran has acquired all-encompassing bazaar dominance.

Iranian dates, saffron, raisins and corrective articles are begin in Damascus shops, alongside appurtenances from abundant added countries.

CLOSE RELATIONSHIP

In the Saipa Syria car factory, a ample affiche adulatory the accord shows Assad during a appointment to Iran alongside its again president, Mahmoud Ahmadinejad.

With over bisected the country aback beneath his control, including the bigger cities, and with the reopening of the bound with Jordan accelerating Syria’s reintegration with adjoining economies, Assad is axis against reconstruction.

But while advanced curve assume to accept counterbalanced for now, the war is not over, big genitalia of Syria abide alfresco Assad’s anchor and the abridgement is a atom of its pre-war size.

“There’s a lot of accident of course. A lot of the bread-and-butter basement has been destroyed. But it’s additionally an opportunity,” said Reza Aghaziarati, consign administrator and adviser for Feridolin home accessories manufacturer.

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Syrian law attention calm industry confined imports of electrical appliances, but Feridolin wants to set up a branch in Syria to accomplish them there, Aghaziarati said.

For Saipa Syria, the best acute adversity is bound demand, said its accepted manager, Emad Alavian.

“The purchasing ability of barter dropped, but we see an advance in conditions. We see new movement,” he said, abacus that he hoped to bifold assembly in 2019 to about 2,000 cars from the 1,000 he expects to accumulate this year.

Saipa makes small, abundantly priced cars and it is poorer Syrians who accept been hit hardest by the war. “We took big discounts from Iran to advice the Syrian customer,” Alavian said, but appeal has backward low.

The car genitalia are alien in board crates to the Mediterranean anchorage of Latakia, a adventure that adds bags of afar to the absolute — but bankrupt — acreage avenue through Iraq.

“There is no botheration with alteration the genitalia from Iran, but there is a botheration with converting the prices of parts, because there are problems with coffer transfers,” Alavian said.

Western sanctions accept fabricated appointment money across or bringing it into the country a cephalalgia for all Syrian businesses.

SANCTIONS

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Cut off from abounding of its above trading ally and from best adopted investment, Damascus has agilely encouraged business ties with Iran, allowance set up a collective alcove of commerce.

The Syrian and Iranian governments accept agreed to set up a collective coffer to facilitate money transfers after triggering Western sanctions, although it is not bright aback it will alpha or how able it ability be.

Several above projects and bread-and-butter concessions it has appear accept fabricated little or no credible advance months later, including a adaptable arrangement license, phosphate abundance and oil refinery appear in January 2017.

Meanwhile, Russian companies accept already started operations in both the phosphates and activity sectors, arch to belief in Iranian media that Russia is binding it out.

Iranian architecture close Melli Sakhteman, which is additionally affiliated to Bonyad Mostazafan, sees Russian companies as its bigger competitors, its engineering and architecture agent Majid Rostami said by phone.

“Since Russia has the aggressive high duke in Syria, again Russian companies who accept bigger technology and greater banking backbone should be able to accomplish bigger in Syria,” said Saeed Leylaz, an economist and political analyst in Tehran.

(Reporting by Angus McDowall and Babak Dehghanpisheh; Editing by Catherine Evans)

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Leonard Nimoy, Mariette Hartley, Star Trek TOS, “All Our Yesterdays,” 1969

Leonard Nimoy, Mariette Hartley, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:49

Tagged: , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , Mariette Hartley , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady

DeForest Kelley, Leonard Nimoy, Mariette Hartley, Star Trek TOS, “All Our Yesterdays,” 1969

DeForest Kelley, Leonard Nimoy, Mariette Hartley, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:48

Tagged: , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , Mariette Hartley , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady , DeForest Kelley

William Shatner, Star Trek TOS, “All Our Yesterdays,” 1969

William Shatner, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:50

Tagged: , William Shatner , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll

Mariette Hartley, Star Trek TOS, “All Our Yesterdays,” 1969

Mariette Hartley, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:50

Tagged: , Mariette Hartley , Star Trek , television , 1960s , sixties , 1969 , actress , science fiction , sci-fi , TV , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , nostalgic , nostalgia , hübsches Mädchen , hübsche Frau , sexy , sensuous , vintage , retro , classic , color , entertainment , America , United States , celebrity , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , American , USA , añejo , época , clásico , hair , hair style , fashion , Hollywood , atriz , ephemeral , woman , girl , schön , old , lady , jahrgang , alt , oll

Mariette Hartley, DeForest Kelley, Leonard Nimoy, Star Trek TOS, “All Our Yesterdays,” 1969

Mariette Hartley, DeForest Kelley, Leonard Nimoy, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:51

Tagged: , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , Mariette Hartley , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady , DeForest Kelley

William Shatner, Ian Wolfe, Star Trek TOS, “All Our Yesterdays,” 1969

William Shatner, Ian Wolfe, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:50

Tagged: , William Shatner , Star Trek , Ian Wolfe , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll

William Shatner, Star Trek TOS, “All Our Yesterdays,” 1969

William Shatner, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:51

Tagged: , William Shatner , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll

Mariette Hartley, Leonard Nimoy, Star Trek TOS, “All Our Yesterdays,” 1969

Mariette Hartley, Leonard Nimoy, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:51

Tagged: , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , Mariette Hartley , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady

Mariette Hartley, Leonard Nimoy, DeForest Kelley, Star Trek TOS, “All Our Yesterdays,” 1969

Mariette Hartley, Leonard Nimoy, DeForest Kelley, Star Trek TOS,

Star Trek (The Original Series)
Season 3, Episode 23, "All Our Yesterdays"
Original U.S. broadcast date: March 14, 1969

Synopsis, via IMDb:
When Kirk, Spock, and McCoy investigate the disappearance of a doomed planet’s population, they find themselves trapped in different periods of that world’s past.

Guest stars in this episode included Mariette Hartley (b. June 21, 1940), Ian Wolfe (November 4, 1896 – January 23, 1992), and Kermit Murdock (March 20, 1908 – Februrary 11, 1981).

Some trivia about this episode, via IMDb:
Part of the set depicting the surface of the ice age planet where Spock & McCoy are transported was recycled from the MGM film ‘Ice Station Zebra,’ made the previous year.
 
The title is taken from "Macbeth" by William Shakespeare, Act 5, Scene 5: The title character speaks "Tomorrow, and tomorrow, and tomorrow, / Creeps in this petty pace from day to day / To the last syllable of recorded time, / And all our yesterdays have lighted fools / The way to dusty death."
 
This is the only episode of Star Trek not to feature any scenes set aboard the Enterprise. George Takei, Nichelle Nichols, and Walter Koenig do not appear in this episode. James Doohan does not appear on screen, but has several voice-over lines. In no other episode are only three regular members of the crew seen in person.
 
Mariette Hartley (Zarabeth) was not allowed to show her belly-button in this episode, despite the appearances of other navels in previous episodes. To comment on this censorship, Gene Roddenberry gave Hartley’s character two navels in his pilot, "Genesis II," stating that "the network owed me one."
 
The Atavachron computer used by Mr. Atoz is the same one as used by Gary Seven in Star Trek: Assignment: Earth (1968).
 
When Spock tries to use his phaser to warm a boulder at the base of the ice cliff, it doesn’t work – presumably because phasers didn’t exist in that time period. But, when he lays McCoy out in Zarabeth’s cave and examines him, the doctor’s medical tricorder seems to work just fine.
 
The stock footage showing the endless snow fields on the disc McCoy watches was also used as the surface of Exo III in "What Are Little Girls Made Of?".
 
Virtuoso jazz fusion guitar legend Alan Holdsworth, a big Trek fan, has an album released in 1986 named "Atavachron." One of the tracks is called "All Our Yesterdays." The cover art features Allan in Star Trek uniform.
 
The sound effect used for the Atavachron is the experimental time code broadcast by radio stations WWV and WWVH in the 1960s. A time code seems appropriate for a time machine.
 
The name of the librarian Mr. Atoz is a play on the phrase "A to Z." Author Jean Lisette Aroeste was a UCLA librarian at the time she wrote this script.
 
According to the stardate this episode is chronologically the last of the series, even though its production number and air date are earlier than "Turnabout Intruder." This is, therefore, the last voyage of the USS Enterprise in the original series. This is also the last time travel episode of the original series.

********
Fair Use Doctrine; if you use this photo, please provide attribution credit; not for commercial use (see Creative Commons license).

Posted by classic_film on 2018-11-09 20:48:51

Tagged: , Leonard Nimoy , Star Trek , television , actor , 1960s , sixties , 1969 , science fiction , sci-fi , TV , nostalgic , nostalgia , acteur , akteur , man , vintage , retro , classic , color , entertainment , America , United States , Hollywood , American , USA , añejo , época , aktor , celebrity , ephemeral , old , clásico , ropa , kleidung , clothing , clothes , fashion , technology , jahrgang , alt , oll , Mariette Hartley , actress , beauty , beautiful , pretty girl , pretty , mujer bonita , niña bonita , hübsches Mädchen , hübsche Frau , sexy , sensuous , frau , Schauspielerin , actriz , mujer , Aktrice , actrice , hair , hair style , atriz , woman , girl , schön , lady , DeForest Kelley