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2019 will be a acceptable year for exceptional EV fans. While the Jaguar I-Pace SUV is already on the market, Audi will accompany its E-Tron to the bend in aloof a few months, and the Mercedes-Benz EQC lands afore year’s end. More a fan of sports cars? Don’t worry, Porsche has a car for you. It’s the Taycan, the company’s aboriginal full-production EV, and Porsche now has abundant absorption in the car from abeyant buyers to allotment some absorbing trends.

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While we still haven’t apparent the final assembly adaptation of Taycan, we apperceive a lot about it, including a arresting 600 application and a ambit of greater than 300 afar on the European analysis cycle. I’ve alike apprenticed an aboriginal ancestor of the car and I can acquaint you I’m very, actual agog to get abaft the caster of the absolute thing.

Apparently, I’m not the alone one. At this year’s LA Auto Show, Porsche North America President and CEO Klaus Zellmer told me that the aggregation has apparent “pretty amazing” acknowledgment to the alarm for absorbed parties to preorder the car with deposit. No, he wouldn’t accord me a number, but did say this: “If all the bodies [who preordered] buy this car, again we are awash out for the aboriginal year.”

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Klaus Zellmer

When ablution a new archetypal into an already-crowded assembly line, a accustomed affair for a aggregation like Porsche would be self-cannibalization. Does your new artefact overlap so acerb with your absolute ones that you won’t absolutely ability any new buyers? It’s a blackmail that Apple has foolishly abandoned for years, absolution articles like the iPad Mini and now a deluge of iPhones, accessories that potentially articulation rather than aggrandize their user-base. Clearly, it’s formed there.

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Zellmer, likewise, isn’t too concerned. “More than bisected of the bodies that are signing up for the Taycan accept not endemic or do not own a Porsche,” he said. So what do they drive? “Typically, if we attending at our antecedent of business, bodies advancing from added brands, it’s Audi, BMW, or Mercedes. The no. 1 cast now is Tesla. That’s appealing interesting, to see that bodies that were analytical about the Tesla for actual acceptable affidavit acutely don’t stop actuality curious.”

Bringing addition over from addition cast is alleged a conquest, and with the affectation of the Audi E-Tron GT, Porsche ability accept to anguish about a little conquesting from its accumulated cousin. The E-Tron GT and Taycan will allotment a platform, abundant like BMW’s 2019 Z4 and the new Toyota Supra, acceptation actual agnate achievement and adequacy figures. However, Zellmer told me that Porsche’s and Audi’s performance-minded EVs should drive actual differently.

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“When it’s about actuality competitive,” he said, “it’s article that absolutely has to absolutely allege Porsche. If you drive a Macan, you apperceive that we allotment a belvedere [with Audi], but it’s a absolutely altered car. And that’s absolutely what has to appear and I’m abiding Audi has followed a aforementioned path.”

Whether you’re advancement or conquesting, antagonism is actual acceptable for we consumers. It raises the bar, and abutting year we’ll see which EVs are acceptable abundant to bright it.

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World’s Weirdest Homes

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Rating:

Catherine King and Wayne Adams ability be the best adventurous brace in the world. It’s adamantine to accept they’re absolute — they assume to accept able from the pages of a Booker Prize novel.

She’s a dancer, who grows all their aliment by singing to it: ‘Dear dank tomatoes, I’m so abounding of acknowledgment to you.’

He’s a handyman, who congenital their amphibian home on a pink-and-blue bulk off the Canadian shore, with its own alarm and amphitheater dancefloor.

When the anchorage freezes, Wayne saws a aperture through the ice in the living-room attic and sits on his sofa, fishing. Every night, Catherine dances for him.

Catherine King and Wayne Adams were stars on World’s Weirdest Homes (C4) with their Canadian home

The brace congenital their amphibian home on a pink-and-blue bulk off the Canadian shore, with its own alarm and amphitheater dancefloor (pictured)

This admirable brace of old hippie lovers were stars on World’s Weirdest Homes (C4), as Charlie Luxton explored what can appear in those advantageous genitalia of the planet after a commune board planning committee.

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But far added absorbing than the architectonics were the characters who accept to alive in these crazy houses.

Christian administrator Aad Peters was sailing a replica of Noah’s Ark forth Holland’s canals, acquisitive to advance The Word.

Unfortunately, Aad’s agreement had baldheaded a plothole in the Bible story: you can’t actuate elephants to alive on boats.

Camels and tigers don’t adore it, either. Snakes assume absolutely blessed with amphibian life, he said hopefully, allegedly apathy that the serpent tends to be a bit of an Old Testament troublemaker.

Teenage YouTube brilliant Rashed, who goes by the moniker MoneyKicks, was accepting added luck with his assembly in Dubai.

Not alone did he accept white tigers, a pride of lions and some zebras (a bite for the lions, probably), but the brand of Mariah Carey would bead in to his clandestine zoo to bundle the babyish chimps.

Charlie Luxton hosts the appearance as he explores what can appear in those advantageous genitalia of the planet after a commune board planning committee

Rashed, you’ll be agape to hear, wasn’t aloof any abecedarian animal-lover. His dad was a multi-billionaire.

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Sixteen-year-old Rashed’s added amusement was decorating his accumulating of Lamborghini and Ferrari supercars in artificial wrappers advised by Versace. And they say money can’t buy class.

Beside these characters, affable Marcio, who able from Rio de Janeiro’s abominable barrio to alive in a behemothic sandcastle on the beach, seemed absolutely normal.

The absolute basics were the scientists at the Mars Research Facility in Utah’s red clay desert, who lived in a covering like bisected a golf brawl and banned to adventure alfresco after spacesuits and helmets.

This aces activity is partly adjourned by Tesla architect Elon Musk. Surely, that puts an end to those bottomless allegations that he’s a crackpot fruitloop.

Gangsters of the week: The Secret Activity Of The Zoo (C4) abreast us that a backpack of meerkats is accepted as a ‘mob’. That shouldn’t abruptness anyone. We already apperceive they advertise allowance — it’s assured they’ll aggrandize into liquor and gambling.

Death and Nightingales

Rating:

High on the crackpot fruitloop calibration is Billy Winters, the whisky-addled quarry bang-up whose buttoned-up bluff can’t adumbrate his abhorrent coercion to sack anybody he sees, in Death And Nightingales (BBC2).

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When amateur Pip Torrens angry up as a blackmailing English spy, Billy (played by Matthew Rhys) threw him out on his behind with such force that barrels of bang went off and covered the casting in dust. It was a attenuate moment of activity in this suffocatingly apathetic drama.

Jamie Dornan, Ann Skelly and Billy Winters brilliant in Death and Nightingales as Liam Ward, Beth Winters and Billy Winters respectively

Ann Skelly stars as Beth Winters in the new BBC drama, which Christopher Stevens has accustomed two stars out of five

At one point, it took Billy (wearing a bristling anaconda for his moustache) one minute and 15 abnormal to ride up the driveway.

He again spent addition two account soliloquising to his horse.

Everyone talks to themselves in Death And Nightingales, apparently because it would be unrealistic to apprehend others to accept to such baseborn claptrap.

At first, I anticipation that gormless announcement Jamie Dornan wears, as absorption agriculturalist Liam, was meant to back abysmal emotion, but now I doubtable he’s aloof apathetic out of his brain. At atomic that abominable dabble music has been bass down.

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HASSIA, Syria/GENEVA (Reuters) – At an Iranian government-owned car bulb abreast Homs, the baby cardinal of cartage on the accumulation band underscores the obstacles bruised Tehran’s bread-and-butter ambitions in Syria.

The bulb was set up afore Syria’s war began as the two allies approved to accompany their economies afterpiece calm and was restarted in 2016 on Tehran’s orders afterwards accepting bankrupt aboriginal in the conflict.

Instead of the 50-60 cars a day it accumulated afore the war, it now makes alone three or four, and dozens of cartage accumulate dust in its barn because alike aback discounts are offered, too few Syrians can allow them.

Car genitalia accept to be alien by sea instead of via the beneath acreage avenue because Syria’s bound with Iraq is closed, and Western sanctions accomplish it adamantine to alteration money.

That aggregate of a aged market, logistical problems and sanctions — as able-bodied as antagonism with companies from Damascus’ added capital ally, Russia — affect abounding Iranian businesses operating in Syria.

Tehran has played a acute allotment in allowance Admiral Bashar al-Assad affected seven years of rebellion, accouterment aggressive expertise, armament and fighters from militia it supports about the region.

It has accustomed Damascus absolute banking aid and advice abating its infrastructure, but has additionally angled for bread-and-butter concessions and bazaar admission that ability eventually accommodate some advantage for its advance in the war.

Iranian businesses say they appetite to consign to Syria or do business there, and are optimistic that the bazaar will advance as Damascus pushes against reconstruction.

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“We’re attractive at architecture projects there — residential, appointment space, sports halls. There’s a actual acceptable bazaar there,” said Mahdi Ghavam, accessible relations arch at Sherakate Omran va Maskan Iran, a developer angry to the state-controlled Bonyad Mostazafan, a accommodating foundation that took over abundant clandestine businesses afterwards the revolution.

Since the battle began, there accept been added Iranian appurtenances for sale, admitting not on the aforementioned calibration as in Iraq, which shares a continued bound with the Islamic Republic and area Iran has acquired all-encompassing bazaar dominance.

Iranian dates, saffron, raisins and corrective articles are begin in Damascus shops, alongside appurtenances from abundant added countries.

CLOSE RELATIONSHIP

In the Saipa Syria car factory, a ample affiche adulatory the accord shows Assad during a appointment to Iran alongside its again president, Mahmoud Ahmadinejad.

With over bisected the country aback beneath his control, including the bigger cities, and with the reopening of the bound with Jordan accelerating Syria’s reintegration with adjoining economies, Assad is axis against reconstruction.

But while advanced curve assume to accept counterbalanced for now, the war is not over, big genitalia of Syria abide alfresco Assad’s anchor and the abridgement is a atom of its pre-war size.

“There’s a lot of accident of course. A lot of the bread-and-butter basement has been destroyed. But it’s additionally an opportunity,” said Reza Aghaziarati, consign administrator and adviser for Feridolin home accessories manufacturer.

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Syrian law attention calm industry confined imports of electrical appliances, but Feridolin wants to set up a branch in Syria to accomplish them there, Aghaziarati said.

For Saipa Syria, the best acute adversity is bound demand, said its accepted manager, Emad Alavian.

“The purchasing ability of barter dropped, but we see an advance in conditions. We see new movement,” he said, abacus that he hoped to bifold assembly in 2019 to about 2,000 cars from the 1,000 he expects to accumulate this year.

Saipa makes small, abundantly priced cars and it is poorer Syrians who accept been hit hardest by the war. “We took big discounts from Iran to advice the Syrian customer,” Alavian said, but appeal has backward low.

The car genitalia are alien in board crates to the Mediterranean anchorage of Latakia, a adventure that adds bags of afar to the absolute — but bankrupt — acreage avenue through Iraq.

“There is no botheration with alteration the genitalia from Iran, but there is a botheration with converting the prices of parts, because there are problems with coffer transfers,” Alavian said.

Western sanctions accept fabricated appointment money across or bringing it into the country a cephalalgia for all Syrian businesses.

SANCTIONS

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Cut off from abounding of its above trading ally and from best adopted investment, Damascus has agilely encouraged business ties with Iran, allowance set up a collective alcove of commerce.

The Syrian and Iranian governments accept agreed to set up a collective coffer to facilitate money transfers after triggering Western sanctions, although it is not bright aback it will alpha or how able it ability be.

Several above projects and bread-and-butter concessions it has appear accept fabricated little or no credible advance months later, including a adaptable arrangement license, phosphate abundance and oil refinery appear in January 2017.

Meanwhile, Russian companies accept already started operations in both the phosphates and activity sectors, arch to belief in Iranian media that Russia is binding it out.

Iranian architecture close Melli Sakhteman, which is additionally affiliated to Bonyad Mostazafan, sees Russian companies as its bigger competitors, its engineering and architecture agent Majid Rostami said by phone.

“Since Russia has the aggressive high duke in Syria, again Russian companies who accept bigger technology and greater banking backbone should be able to accomplish bigger in Syria,” said Saeed Leylaz, an economist and political analyst in Tehran.

(Reporting by Angus McDowall and Babak Dehghanpisheh; Editing by Catherine Evans)

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THE RITZ IN AUSTIN TEXAS

THE RITZ IN AUSTIN TEXAS

The Ritz in Austin. Photo by Linden Hudson (amateur photog) in 2003. This old place was built in 1929 and has been the location of movie house, clubs, etc,, re-furbished in 2006. The camera wasn’t that great.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-08-17 02:30:28

Tagged: , the ritz , ritz , austin , texas , austin texas , night , night time , neon , grainy , 2003 , night lights , cars , street , sign

TORNADO AFTERMATH

TORNADO AFTERMATH

Photo taken from video shot by Linden Hudson (amateur photographer).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2017-10-10 21:15:03

Tagged: , tornado , destruction , alabama , enterprise , enterprise alabama , cars in a house , destroyed_house , wind , storm , tragic , cars , destroyed_cars , smashed , tornado_damage , tornado_aftermath , tornado_destruction , rubble , usa , america , united_states , destroyed_home , wrecked , wrecked_neighborhood , wreckage , twisted_wreckage , heavy_damage , cyclone , funnel , high_wind , death , fatalities

DOWNTOWN PARIS – SUNDOWN

DOWNTOWN PARIS - SUNDOWN

Photo taken in Paris by Linden Hudson (March 2017, sundown).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-02-02 14:51:05

Tagged: , paris , france , paris france , downtown , downtown paris , evening , sundown , intersection , bicycles , cars , street , bistro , people , cabs , taxi , neon , big_city , french_city , paris_street , motorcycle , cab

The Belt

The Belt

Posted by alexandriabrangwin on 2018-01-25 08:25:29

Tagged: , Alexandria Brangwin , Second Life , 3D , CGI , Computer , Graphics , Virtual , world , photography , Tokyo , Japan , Japanese , city , urban , heat , humid , dust , afternoon , early , evening , glow , dim , light , setting , sun , elevated , highway , belt , loop , road , cars , driving , skyscrapers , buildings , R2 , mainstore , Mizuki , town , distant , shadows

Toy collection

Toy collection

11. The Kid in Me (msh1212-11 and msh1212) collects cute little things, cars, dolls, dishes, furniture, animals. The kid in me seldom dusts the shelves. (Closer view below) December 28, 2012

Posted by diffuse on 2012-12-29 05:57:42

Tagged: , toys , shelf , cars , dolls , miniature , furniture , dishes , stuffies , 12Dec28c , msh1212-11 , msh1212 , tower , computer , lamp , rocking chair , Dopey , Ernie , Bear , tricycle

Tribute to Flickrites

Tribute to Flickrites

So i decided to tag alot on this to make up for all the tagging i don’t do. (i hate it) i wish i could post this into like 20 groups like some poeple do on flickr. this is a tribute to all of them out there. post your pictures put some tags (3 to 6 at most) add it to about 2 to 3 groups and then shoot some more than waste you time on here…. off the soap box now….

Posted by rych on 2006-07-08 01:00:49

Tagged: , landscape , nashville , red , white , kalonick , me , girl , stupid , car , thing , earth , smail , computer , nothing , boy , dog , star , pillow , flickr , rich , rych , july , summer , coffee , tree , flower , rust , green , purple , apple , pear , salad , shower , rain , fall , that , this , tag , tags , hola , look , picture , camera , 2.8 , macro , lensbabies , world , usa , soccer , football , event , cameraphone , yellow , wood , rotten , socks , fan , baseball , digital , web , canon , nikon , pentax , lomo , noise , grain , film , focus , tuna , river , lake , airport , nice , comp , RGB , gusty , weather , blue , flood , boat , sail , moble , music , rap , indy , emo , photo , photography , 37212 , jim , jason , pete , hate , sad , beach , towel , jeans , soap , pink , shirt , sandals , wire , tv , tlc , love , tape , weeds , rock , safari , lion , meat , steak , butter , more , rice , plate , deleteme , 123group , mostviews , 1000views , 500views , 1view , 90points , 80points , saveme , safe , ball , color , b&w , blackandwhite , info , frown , sapppy , woof , meow , done , finish , tagme , tagyou , home , apt , 1 , 2 , 3 , 4 , 5 , 6 , 7 , 8 , 9 , 10 , yours , mine , his , there , theris , video , dvd , movie , pic , jpeg , raw , cr2 , cs2 , sepia , h20 , 10d , 20d , 30 , d1s , markII , d100 , d200 , d2x , d1x , d2h , d2xs , rainbow , path , mountain , hill , stream , creek , peacan , life , happy , joy , crazy , PMS , excercise , cars , drums , mr. wiggles , my blue heaven , exhaustion , can I think of any other weird stuff?