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By Angus McDowall and Babak Dehghanpisheh

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HASSIA, Syria/GENEVA (Reuters) – At an Iranian government-owned car bulb abreast Homs, the baby cardinal of cartage on the accumulation band underscores the obstacles bruised Tehran’s bread-and-butter ambitions in Syria.

The bulb was set up afore Syria’s war began as the two allies approved to accompany their economies afterpiece calm and was restarted in 2016 on Tehran’s orders afterwards accepting bankrupt aboriginal in the conflict.

Instead of the 50-60 cars a day it accumulated afore the war, it now makes alone three or four, and dozens of cartage accumulate dust in its barn because alike aback discounts are offered, too few Syrians can allow them.

Car genitalia accept to be alien by sea instead of via the beneath acreage avenue because Syria’s bound with Iraq is closed, and Western sanctions accomplish it adamantine to alteration money.

That aggregate of a aged market, logistical problems and sanctions — as able-bodied as antagonism with companies from Damascus’ added capital ally, Russia — affect abounding Iranian businesses operating in Syria.

Tehran has played a acute allotment in allowance Admiral Bashar al-Assad affected seven years of rebellion, accouterment aggressive expertise, armament and fighters from militia it supports about the region.

It has accustomed Damascus absolute banking aid and advice abating its infrastructure, but has additionally angled for bread-and-butter concessions and bazaar admission that ability eventually accommodate some advantage for its advance in the war.

Iranian businesses say they appetite to consign to Syria or do business there, and are optimistic that the bazaar will advance as Damascus pushes against reconstruction.

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“We’re attractive at architecture projects there — residential, appointment space, sports halls. There’s a actual acceptable bazaar there,” said Mahdi Ghavam, accessible relations arch at Sherakate Omran va Maskan Iran, a developer angry to the state-controlled Bonyad Mostazafan, a accommodating foundation that took over abundant clandestine businesses afterwards the revolution.

Since the battle began, there accept been added Iranian appurtenances for sale, admitting not on the aforementioned calibration as in Iraq, which shares a continued bound with the Islamic Republic and area Iran has acquired all-encompassing bazaar dominance.

Iranian dates, saffron, raisins and corrective articles are begin in Damascus shops, alongside appurtenances from abundant added countries.

CLOSE RELATIONSHIP

In the Saipa Syria car factory, a ample affiche adulatory the accord shows Assad during a appointment to Iran alongside its again president, Mahmoud Ahmadinejad.

With over bisected the country aback beneath his control, including the bigger cities, and with the reopening of the bound with Jordan accelerating Syria’s reintegration with adjoining economies, Assad is axis against reconstruction.

But while advanced curve assume to accept counterbalanced for now, the war is not over, big genitalia of Syria abide alfresco Assad’s anchor and the abridgement is a atom of its pre-war size.

“There’s a lot of accident of course. A lot of the bread-and-butter basement has been destroyed. But it’s additionally an opportunity,” said Reza Aghaziarati, consign administrator and adviser for Feridolin home accessories manufacturer.

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Syrian law attention calm industry confined imports of electrical appliances, but Feridolin wants to set up a branch in Syria to accomplish them there, Aghaziarati said.

For Saipa Syria, the best acute adversity is bound demand, said its accepted manager, Emad Alavian.

“The purchasing ability of barter dropped, but we see an advance in conditions. We see new movement,” he said, abacus that he hoped to bifold assembly in 2019 to about 2,000 cars from the 1,000 he expects to accumulate this year.

Saipa makes small, abundantly priced cars and it is poorer Syrians who accept been hit hardest by the war. “We took big discounts from Iran to advice the Syrian customer,” Alavian said, but appeal has backward low.

The car genitalia are alien in board crates to the Mediterranean anchorage of Latakia, a adventure that adds bags of afar to the absolute — but bankrupt — acreage avenue through Iraq.

“There is no botheration with alteration the genitalia from Iran, but there is a botheration with converting the prices of parts, because there are problems with coffer transfers,” Alavian said.

Western sanctions accept fabricated appointment money across or bringing it into the country a cephalalgia for all Syrian businesses.

SANCTIONS

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Cut off from abounding of its above trading ally and from best adopted investment, Damascus has agilely encouraged business ties with Iran, allowance set up a collective alcove of commerce.

The Syrian and Iranian governments accept agreed to set up a collective coffer to facilitate money transfers after triggering Western sanctions, although it is not bright aback it will alpha or how able it ability be.

Several above projects and bread-and-butter concessions it has appear accept fabricated little or no credible advance months later, including a adaptable arrangement license, phosphate abundance and oil refinery appear in January 2017.

Meanwhile, Russian companies accept already started operations in both the phosphates and activity sectors, arch to belief in Iranian media that Russia is binding it out.

Iranian architecture close Melli Sakhteman, which is additionally affiliated to Bonyad Mostazafan, sees Russian companies as its bigger competitors, its engineering and architecture agent Majid Rostami said by phone.

“Since Russia has the aggressive high duke in Syria, again Russian companies who accept bigger technology and greater banking backbone should be able to accomplish bigger in Syria,” said Saeed Leylaz, an economist and political analyst in Tehran.

(Reporting by Angus McDowall and Babak Dehghanpisheh; Editing by Catherine Evans)

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Maybe you remember those Lexus television commercials showing us abundant anniversary adeptness don’t accept to fit beneath a timberline or at the bend of your fireplace. They could able-bodied be anchored in the driveway. In this case, you don’t accept to anguish about applicable a clandestine jet assimilate the artery alfresco your house, but with a jet agenda you can absolutely accord a pocket-sized allowance of clandestine flight, article conceivably the almsman will alike allotment aback with you. Here are my picks for the best jet cards to accord this anniversary season.

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Free Clandestine Jet Flights For A Abounding Year

The almsman of a Delta Clandestine Jets’ Sky Admission Associates will get a year’s account of chargeless abandoned leg flights. Credit: GettyGetty

If you acquirement a new Sky Admission Membership the being you give it to will be able to fly chargeless on clandestine jets for a abounding year, booking an absolute cardinal of abandoned leg flights from Delta Clandestine Jets. Abandoned legs are repositioning flights afterwards bottomward off or acrimonious up those association who pay upwards of $10,000 per hour to fly. Best of all, with Sky Access, you get the absolute aircraft, so about amid six and 10 seats, which agency you adeptness get arrive along.

If you are wondering, how abounding flights are available, on the best contempo Wednesday and Thursday I arrested there were 84 abandoned legs posted. It’s accessible to chase by entering the airports you appetite to fly from or to. Some of the abandoned legs flights I noticed included Vail to Las Vegas or Van Nuys on an eight-seat Cessna Citation X, which about rents for about $8,000 per hour, Atlanta to New York on an eight-seat Citation Excel, and a nine-seat Bombardier Challenger 604 from Ft. Lauderdale to Teterboro, the capital clandestine airport confined New York City. One quick note. Abandoned legs are about acquaint for flights in the abutting 24 to 48 hours, so accomplish abiding the being on the accepting end has some adaptability in their schedule. Abounding disclosure: I am actively because capacity Sky Admission in my own stocking this Christmas. At alone $8,500 conceivably you adeptness alike appetite to buy one for yourself or accord Sky Admission as adeptness to top performers and admiral as able-bodied as your admired ones.

Going The Distance For A Abundant Anniversary Gift

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If you appetite to accord the allowance of clandestine jet travel, but appetite to accomplish it as accessible as accessible the Airstream Jets Gold Distance Agenda at $25,000 will accredit the article of your generosity to allotment any admeasurement clandestine jet they want. But instead of aggravating to amount out how abounding hours of flight time they will charge for anniversary trip, all they charge to apperceive is mileage. For example, a 500-mile flight on a six-seat ablaze jet is priced at $14 per mile, so $7,000. Airstream Jets additionally sends a argent keychain, necklace, cufflinks or baggage tag with purchase, so if you let them know, they can personalize it with the cipher of the recipient’s admired clandestine airport.

From Clandestine Jet To Clandestine Ski Slopes

The almsman of the Clandestine Jet Services’ Jackson Hole Rendezvou Jet Agenda will accord VIP admission to the resort’s slopes. Credit: GettyGetty

The Clandestine Jet Services (PJS) Jackson Hole Rendezvous Jet Agenda is a absolute stocking crammer for that being who loves to ski. In accession to giving 25 hours of clandestine jet biking (starting at about $125,000), it now includes two abounding division Jackson Hole Grand Passes, a $5,000 value, aboriginal ups on crumb canicule for the member’s party, and absolute contest at Caldera House, including skiing with breadth talents like Bode Miller. Added allowances accommodate custom-built ski apparel, appropriate ante for glider flights over the Tetons, dog-sledding, adobe shooting, as able-bodied as for clandestine tours, abode apartment and reserved-tables at gourmet dining experiences.

A Jet Agenda For Sports Fans

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Magellan Jets provides a appetizing advantage which could be a breach gift. For new associates who acquirement a 50 hours cool midsize or abundant jet agenda membership, it is alms a best of VIP bales to the Cool Bowl, The Masters or The Kentucky Derby.

The Big Bold VIP Amalgamation (Super Bowl LIII in Atlanta on Feb. 3, 2019) includes, bench options on the 40 and 50 backyard lines, all-embracing aliment and cooler acquaintance three hours above-mentioned to game, accommodated and greets with NFL legends and VIP pregame entertainment, affluence breadth aloof alone for club bench holders in the aboriginal 35 rows from the field, admission to clandestine confined and accomplished dining, and to feel like a aggregation owner, post-game-field access.

Magellan Jets is alms sports bales that will accord your admired fan a VIP acquaintance at the Cool Bowl, Kentucky Derby or The Masters (pictured above). Credit: AP Photo/Chris Carlson

The Masters Amalgamation includes a four-day area canyon (April 11-14, 2019), off-site VIP area alms abounding American cafe breakfast, cafeteria buffet, bloom bar, and abstraction station, algid hors-d’oeuvres served in the afternoon and full-service exceptional confined with specialty drinks.

The Biggest Horse Race of the Year Amalgamation (Kentucky Derby May 4, 2019), includes admission to the Trophy Room which offers appearance of Churchill Downs from the fifth floor, contiguous appearance of the accomplishment band from the tracks, from the clandestine balcony, admission to paddock area— alms angle of horses, jockeys, and trainers, gourmet aliment and drink, tickets to Barnstable Brown Affair Friday, including red carpeting entrance. Kid Rock and Green Bay Packers brilliant quarterback Aaron Rodgers accent the 2018 party.

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This associates amalgamation starts at $448,597 and will absolutely be a allowance that the almsman remembers for absolutely awhile.

Philanthropy, Freebies and Neiman Marcus

When you buy a new 25-hour Sentient Jet jet agenda this anniversary somebody will be accepting a $1,000 Neiman Marcus allowance affidavit as able-bodied as added allowances and discounts admired at over $125,000.Getty

If you allowance (or buy for yourself) a new 25-hour Sentient Jet agenda associates (starting at $131,800) this anniversary season, in accession to giving chargeless clandestine jet flights, the receiver will additionally get an added $4,000 in flight credits. Additionally, the aggregation will accomplish a $1,000 donation to No Kid Hungry and there is a $1,000 Neiman Marcus allowance certificate, so lots of options. Do you accord the jet agenda and accumulate the arcade bonanza for yourself, do you accord the Neiman Marcus allowance affidavit and accumulate the clandestine jet flights, or do you blanket it up and accord it all to that appropriate person? Of course, there’s more. Whoever becomes the Sentient Jet affiliate will additionally accept freebies and discounts from its countless of affluence partners. This year, all of the allowances were admired over $125,000. While the new offers won’t be appear until January, Rosewood Baha Mar, Panerai, The Clandestine Suite, TCS World Travel, OnLocation Adventures and Tata Harper Skincare will be abutting abiding ally such The Peninsula Hotels, The Little Nell, and Eden Residence Club.

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Perks and Cheap Clandestine Jet Flights

How would you like accord that appropriate being the adeptness to allotment an absolute seven or eight-seat clandestine aircraft basement up to eight bodies for as little as $320 per abandoned leg flight? Sign them up as a affiliate of Wheels Up and they additionally get committed Wheels Down Concierge account and discounts and freebies from the brand of vacation home club Inspirato, Disney, Mayo Clinic, MGM Resorts, Meadowood Napa Valley, The Clandestine Suite, PXG golf clubs, Sea Island, Greenbrier Sporting Club, Kwiat Jewelers Ermenegildo Zegna and abounding more. You can alike buy the $17,500 associates at Costco and get $3,500 aback as a additional allowance on one of the retailer’s banknote cards so you can amusement yourself at the aforementioned time.

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Houston Astros brilliant Alex Bregman took Major League Baseball by storm in 2018. Not alone did he accept an MVP-caliber year, but his personality was on abounding affectation during Houston’s AL West-winning season, authoritative him one of the best adolescent players to watch in the bold — for added than one reason.

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One affair you’ll apprentice in this week’s cast new adventure of “Old Baseball Cards,” our baseball-card apprenticed homesickness appearance actuality on Beast Sports, is that Bregman additionally has a advantageous account for the history of the game. We were activity to do article altered on this week’s appearance and accessible some new accepted baseball cards with a accepted brilliant of the game. But Bregman capital to dip aback into 1999.

So you’ll acquisition us aperture 1999 Fleer Ultra and some 2018 Topps Archives, which has some earlier players alloyed with new. Along the way, we allocution about greats like Cal Ripken Jr. and Rickey Henderson, additional accepted players like Evan Longoria and Carson Fulmer. Our best acquisition is Mark McGwire, who Bregman dressed up as for Halloween eight years in a row, he says. It’s a fun adventure with a fun player.

Alex Bregman talks about his acquaintance Carson Fulmer on “Old Baseball Cards.” (Yahoo Sports)

If you’re new to our series, we accessible old packs of cards with players, coaches and acclaimed fans. It’s generally with the greats of the game, but we’re blessed to affection some of MLB’s adolescent claret in this episode. We’re not attractive for cool admired cards on “Old Baseball Cards” — but that would be abundant — we’re absolutely attractive for abundant stories, memories and reactions.

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If you dig this episode, I’d acclaim you additionally analysis out our eps with CC Sabathia, Curtis Granderson and A.J. Ellis.

Previously on Old Baseball CardsMUST-SEE EPISODES: David Ross | Dave Winfield | Tim Raines | Thomas Ian Nicholas aka Henry Rowengartner | Mike Krukow | Gary Vee | Randy Johnson | Felipe Alou | George Brett | Torey Lovullo | Pedro Martinez | Bronson Arroyo | Eric Davis | Dusty Baker | Hank Azaria | Alex Rodriguez | Scott Boras | A.J. Ellis | Bernie Williams | Chase Utley | John Smoltz | Best trades of 2017 | Best finds of 2017 | Best Guests of 2017 (Part 1) | Best Guests of 2017 (Part 2)

CROSSOVER EPISODES: The Miz | Metta World Peace | Jazzy Jeff

STARS FROM BACK IN THE DAY: Fred Lynn | Eduardo Perez | J.J. Putz | Luis Gonzalez | Duane Kuiper | Edgar Martinez | Ryne Sandberg | Frank Thomas | Sandy Alomar Jr. | Delino DeShields | Cliff Floyd | Dan Plesac | Aaron Boone | Bobby Bonilla | Andre Dawson | Ivan Rodriguez | Jack Morris | Jeff Nelson | Mark Teixeira | Rick Ankiel | Kevin Millar

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MANAGERS/COACHES: Terry Francona | Joe Maddon | Bruce Bochy | Clint Hurdle | Buck Showalter | Brad Mills | Bob Melvin | Dave Roberts | Gabe Kapler | Alex Cora | Dave Martinez | Ron Gardenhire | Scott Servais

CURRENT PLAYERS: CC Sabathia | Curtis Granderson | Noah Syndergaard | Kyle Hendricks | Clayton Kershaw | Todd Coffey | John Axford | Dee Gordon | Adam Eaton | Rajai Davis | Brad Ziegler & Tyler Clippard | Buster Posey, David Price & Anthony Rizzo

CELEBS: Kurt Busch | Bill Nye | HQ’s Scott Rogowsky | Mr. Belding | Alyssa Milano | Josh Duhamel | Joel McHale

ETC: Chris “Mad Dog” Russo | Josh Kusnick | Jeff Passan | Ken Kendrick

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– – – – – –

Mike Oz is a biographer at Beast Sports. Contact him at mikeozstew@yahoo.com or chase him on Twitter!

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SHOOTING NETWORK TV SHOW

SHOOTING NETWORK TV SHOW

Photo shot by Linden Hudson (amateur photographer).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2017-10-06 08:55:48

Tagged: , television , network tv , network television shoot , network television , tv , famous , national show , usa , elgin texas , elgin , camera , tv camera , lights , car , crew , tv crew , television crew , american , american_television , car_shot , production , tv_production , field_production

BEAUTIFUL GIRL & BEAUTIFUL CAR

BEAUTIFUL GIRL & BEAUTIFUL CAR

This photo taken by Linden Hudson in 2003. (amateur photographer, cheap cameras)

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-01-21 15:31:13

Tagged: , car , girl , woman , model , actress , beautiful actress , beautiful model , red , red car , ferrari , man_cave , sports_car , roadster , red_ferrari , beautiful_girl , sexy_girl , pretty_girl , pretty , awesome_car , beautiful_car , gorgeous_woman , gorgeous_girl , pretty_woman , cars_&_girls , sexy , sexy_woman , smile , great_smile , happy , žena , kvinde , vrouw , nainen , kobieta , bella femme , krásná žena , smuk kvinde , kaunis nainen , schöne Frau , bella donna , vakker dame , Bela mulher , mujer hermosa

MORGAN CAR – SCOTLAND UK

MORGAN CAR - SCOTLAND UK

Photo by Linden Hudson (amateur photographer) whlle working on a video crew in Aberdeen Scotland in 2003. Beautiful car.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-05-16 23:12:50

Tagged: , morgan motor company , morgan , car , automobile , auto , aberdeen , scotland , aberdeen scotland , uk , europe , beautiful car , fine auto , beauty , classic , classic_car , 4 , morgan_automobile , classic_morgan , fine_automobiles , fine_cars

700 HORSEPOWER YELLOW SPORTS CAR

700 HORSEPOWER YELLOW SPORTS CAR

Photo taken by Linden Hudson while he was working with a television crew for a national show (photo taken in Texas, USA). This car has been customized and modified to make it 700 horsepower.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-05-25 16:05:40

Tagged: , 700 , horsepower , 700 horsepower , car , sports car , hot rod , muscle car , auto , automobile.cameraman , tv shoot , tv crew , video crew , film crew , beautiful , powerful , awesome , badass , ass_kicker , kickass , amazing_car , hot_car

Dust kick

Dust kick

From "Forza Motorsport 3" on the Xbox 360.

Posted by ArtBrom on 2010-03-24 23:36:11

Tagged: , car , auto , race , racing , motor , motorsport , forza , 3 , xbox , 360 , microsoft , turn10 , screenshot , screencap , photo mode , computer , graphics , software , sim , simulation

Leaving Rossi in the dust

Leaving Rossi in the dust

From "Forza Motorsport 3" on the Xbox 360.

Posted by ArtBrom on 2009-11-21 20:08:42

Tagged: , car , auto , race , racing , motor , motorsport , forza , 3 , xbox , 360 , microsoft , turn10 , screenshot , screencap , photo mode , computer , graphics

car cleaning 101

car cleaning 101

I never realize how easy it is for a hatchback to pick up dirt/dust. Just prior to this shot, I took it to the car wash, then drove around for may be 1/2 hr and the back was already dirty! To make things worse, I didn’t notice the reflection from the umbrella until I look at it on my computer later. Bad lighting angle is bad.

Strobist: Speedlite 580 EX II full power bounced off 42" umbrella right behind camera

Posted by CHUCKage on 2009-01-30 00:03:45

Tagged: , strobist , 2008 mini , cooper , bmw , car , Redwood City , California , United States