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28 New Thoughts About Montreal Tattoo Artists That Will Turn Your World Upside Down | montreal tattoo artists

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MONTREAL—Mighty Mouse has appear to save the Met.

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Montrealer Yannick Nézet-Séguin conducts his aboriginal achievement as aloof the third music administrator in the Metropolitan Opera’s 135-year-old history aback he mounts the belvedere of the financially challenged aggregation Tuesday night in a new assembly of Verdi’s La Traviata by Tony Award-winning administrator Michael Mayer.

Some in the Met orchestra accept taken to calling the 5-foot-6-inch Montreal built-in by the affectionate animal appellation aboriginal bestowed by mezzo-soprano Joyce DiDonato.

“It has to do with the absurd bulk of activity and super-heroic disposition, captivated in a added bunched package,” she said in an email.

Rafael Kubelik lasted aloof six performances as the Met’s aboriginal music administrator in 1973, abandonment afterwards clashes over casting. James Levine started a 40-year administration in 1976 that lasted added than 2,300 performances; he was pushed out two years ago afterward a decade of crumbling bloom and accursed from his emeritus role aftermost March afterwards allegations of animal delinquency the Met begin to be credible.

The Met said in June 2016 that Nézet-Séguin would become music administrator for the 2020-21 season, again abashed up the calendar aftermost February.

“There’s a adolescent activity about him that’s actual sincere, and I anticipate that that brings article altered to the table,” said Sylvia Danburg Volpe, accessory arch additional violin.

Nézet-Séguin, 43, represents a generational change from the 75-year-old Levine, a agent in his prime but bedfast to administering from a automatic armchair aback 2013 due to aback injuries, his larboard arm broken by Parkinson’s disease.

Clarinetist Jessica Phillips, armchair of the Met’s orchestra committee, acquainted “in the aftermost 10 years we were larboard array of rudderless” and “it was aloof affectionate of a slow, abiding decline.” She encouraged Nézet-Séguin to move up the alpha of his tenure.

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A cartoon of him by Emmanuelle Ayrton was commissioned by the orchestra, which forth with Met accepted administrator Peter Gelb broiled Nézet-Séguin with albino afterwards a matinee of Wagner’s Parsifal aftermost winter.

“My consequence is that there is a accepted accompaniment of bliss about the house,” Gelb said.

Because of his about youth, Nézet-Séguin is added attainable and musicians are added relaxed.

“Jimmy was alarming and again like affectionate of terror-inspiring,” Phillips said. “Not that he was a dictator, but if you hadn’t formed with him for a continued aeon of time, you would be terrified. He would aloof assignment and assignment and work, and either you grew or you became actual afraid about aggregate that you were accomplishing because he would bother so much. I anticipate Jimmy would alone bother with the bodies he anticipation could abound from it.”

“I accomplished appealing continued ago that I accept activity levels a little aloft the boilerplate … but I accept no phenomenon secret,” Nézet-Séguin, 43, said recently, in a buzz account with The Canadian Press, aback asked how he juggles all his responsibilities. He has been music administrator of the Orchestre Metropolitain in Montreal aback 2000 and of the Philadelphia Orchestra aback the 2012-13 season. He was arch aqueduct of the Rotterdam Philharmonic from 2008-09 through aftermost season.

He becomes Met music administrator at a time aback admission sales accept counterbalanced at about 75 per cent of accommodation and 67 per cent of accessible box office. Levine focused on Verdi, Wagner, Mozart and Strauss but broadened the repertory. Nézet-Séguin wants to widen it alike more, accretion bizarre operas in the 4,000-capacity house.

“I feel that the orchestra is confused, not alone the orchestra, the abode is abashed at how to behave with the admeasurement of the auditorium,” he said. “I apprehend a bit too abundant about, oh it’s big here, accordingly this and that and that. I accept the box appointment and the seats issue. That is easy. But acoustically I consistently begin that actuality the admeasurement of voices, the aggregate of the voice, is not what reacts the best. What reacts best is absolutely the appropriate resonance of the voice.”

The Met hopes to present some stagings alfresco its home, accountable to abutment agreements, including Missy Mazzoli’s Breaking the Waves at the Brooklyn Academy of Music in 2020.

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While Levine’s interactions with acceptance were concentrated to those on an aristocratic track, Nézet-Séguin is aperture the abode to academy groups. A chic from Queens abounding a Traviata orchestra rehearsal, and he answered questions after. A post-opera meet-and-greet is planned for the house’s new south access amplitude afterwards the additional Traviata achievement on Dec. 7.

His agreeable appulse already has been significant.

“It’s the aboriginal time that we had a aqueduct be able to acquaint the administrator what to do,” Phillips said. “It’s been the added way about for a actual continued time.”

Nézet-Séguin is an aborigine afterwards a driver’s licence, able-bodied and with a boom of a turtle captivation a billy on his appropriate shoulder. He has one assistant, Ben Spalter, additional his agency, Askonas Holt in London. Claudine Nezet, his mom, takes affliction to get his clothes and array to the appropriate city. His husband, Orchestre Metropolitain violist Pierre Tourville, tends to bodies Rodolfo, Melisande and Rafa (named afterwards Nadal) at home in Montreal but intends to move to the new two-bedroom accommodation — a six-minute airing from the Met — bodies Pelleas and Parsifal accept anesthetized on.

He got the orchestra’s absorption this abatement aback he allowable new genitalia for La Traviata to alter ones that some players had apparent up dating to the performances conducted by Carlos Kleiber in 1989. While Nézet-Séguin fabricated his Met admission on New Year’s Eve nine years ago in Bizet’s Carmen, the accord afflicted with the about-face from bedfellow aqueduct to music director.

“Whenever somebody visits, they affectionate of amusement you added like they’ve got you out on the aboriginal date. Now we’re affective in together,” Danburg Volpe said. “I can acquaint from what he says that he spent a lot of time in the abode alert to us in added performances. And so he’s affectionate of crafted a actual specific adaptation of how he wants things to apprehend in the house. And so, yes, I anticipate he wants us actuality richer. He does ask for vibrato a lot. He does appetite things a little bit longer.”

Nézet-Séguin puts it this way: “That is what we are consistently doing, demography works that were accounting a continued time ago and aggravating to go aback to the score, aback to the aboriginal argument and try to dust off the accumulated traditions. That doesn’t beggarly throwing the traditions abdicate but demography the time to check them.”

Some musicians who accept been with the orchestra for decades accept performed La Traviata so generally that they apperceive it by heart, which agency revisiting the account is decidedly absorbing for them. “It’s a adventitious to breach with routine, to stop arena on autopilot,” Nézet-Séguin said.

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Nézet-Séguin ’s affairs accommodate the aboriginal Met performances in French of Verdi’s Don Carlos in three years and Les vepres siciliennes (The Sicilian Vespers) in the Stefan Herheim staging from Covent Garden. He will conduct the Met premiere of Jake Heggie’s Dead Man Walking with DiDonato in 2020-21, aback he acceptable will advance six productions.

“I anticipate he will accompany with him his absurd activity and exuberance, captivated in a huge admiration to lift every achievement to its absolute potential,” DiDonato said. “He has a admirable way of accepting the artists about him to accord and to participate in a way area all of us accept a pale in the affection of what we are giving the audience. I additionally faculty in him a absolute adherence to the ability — there is no ego to attack through, no egoistic agenda. This will win the hearts of the musicians, the assemblage and the public.”

The ability will be aback home in Montreal Dec. 21 for a concert with the Orchestre Metropolitain. On Dec. 15, a alive achievement of his “La Traviata” for the Metropolitan Opera will be apparent in Cineplex theatres in Canada.

He calls it an “absolute priority” to advance acquaintance with his Canadian audience.

“I am Canadian. It’s abundant to accept important positions in the United States, which leads me to accept assertive aspects of American culture, but I abide a Montrealer,” he says.

“That is area I live, that is area my bodies live, that is area I abide to work, and that is area my accomplice works. Aback I’m not working, I appear to Montreal on weekends. So it is actual important.”

With files from The Canadian Press

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A Christmas Eve blast asleep one of Lakeland’s best notable boom artists, Michael Oureque, accepted as Mike The Freak, forth with addition Lakeland citizen in a bang blast on U.S. 98.

LAKELAND | A Christmas Eve blast asleep one of Lakeland’s best notable boom artists, Michael Oureque, accepted as Mike The Freak, forth with addition Lakeland citizen in a bang blast on U.S. 98 arctic of Lakeland that complex three vehicles. His girlfriend, her babe and niece were ailing afterwards the crash.Oureque, who in March was featured on “Tattoo Titans,” a boom antagonism on the CMT network, was the disciplinarian of a 1999 Mercury Sable that was branch arctic on U.S. 98 and collided with a car activity south that entered the arctic lane.April Louise Black, 43, of Marimar Street, additionally was asleep in the crash. She was active a 2014 Kia Rio south on U.S. 98 about 6:25 p.m. aback she anesthetized addition agent and collided with the Mercury, said Donna Wood, a backer for the Polk County Sheriff’s Office.Black and Oureque, neither of whom were cutting bench belts, were arresting asleep at the arena of the blast in the 11000 block of U.S. 98 North, abreast Earnest Road, the Sheriff’s Office said.Oureque’s commuter and girlfriend, Michelle Kraemer, 43, of Lakeland, was taken to Lakeland Regional Medical Center with austere injuries. Her daughter, 12-year-old Summer Sky Kraemer, was aureate by helicopter in analytical action to Arnold Palmer Hospital in Orlando, and her niece, 14-year-old Angela M. Knapp, was taken to Tampa General Hospital by ambulance with austere injuries, the Sheriff’s Office said. It appeared neither of the girls were cutting bench belts aback the blast occurred, according to the Sheriff’s Office.Witnesses told cartage assassination detectives that Atramentous was “driving in an advancing and aberrant manner” afore the crash, according to the Sheriff’s Office. Atramentous had angry assimilate U.S. 98 from a alley one to two afar abroad from area the blast occurred.Witnesses said aloof afore the blast Atramentous was bound advancing up abaft a Toyota auto barter that was additionally branch south on U.S. 98.The acceleration absolute on that two-lane amplitude of U.S. 98 is 60 mph. Atramentous switched to the arctic lane, aggravating to canyon the Toyota, and aback she approved to get aback in the southbound lane, she aching the aback larboard ancillary of the Toyota and collided with the Mercury, the Sheriff’s Office said. The disciplinarian of the pickup. 43-year-old Brian P. Miller of Zephyrhills, wasn’t injured, the Sheriff’s Office said. No bent accuse are anticipated, but detectives are still investigating. Efforts to ability Black’s ancestors associates were bootless Thursday.

FRIEND MOURNS LOSSAvelino Manalo was texting Oureque, his adolescence friend, aloof afore the blast to agree the capacity for their appointment abutting month.”Now he’s gone,” Manalo said. “It’s sad that this had to happen, abnormally on Christmas Eve. I’m still in shock.”Manalo told The Ledger from Modesto, Calif., that he was texting Oureque because he was activity to be in Lakeland to see him for the aboriginal time back 1997. He said he was 12 years old aback he met Oureque while they were growing up San Jose, Calif., and arena batter metal shows together. Oureque played guitar and drew abounding of the fliers for metal bands that would be performing.Manalo said during the planned visit, Oureque was activity to accord him a appropriate boom assuming Manalo’s brother, a guitar coach to Oureque who died in October 2013.”Being adolescence accompany and seeing area he concluded up, I’m appreciative of him for authoritative a name for himself in tattoos,” he said.Dozens of bodies Oureque has active in the accomplished wrote on his Facebook bank to account his enduring memory.Jerry King of Lakeland said beneath than 24 hours afore the blast Oureque created the aboriginal allotment of a boom sleeve active bottomward his larboard arm that appearance two anecdotal skulls with acid wire aberrant throughout. The two had accepted anniversary added for about four years and had affairs to go fishing Sunday, King said. Oureque admired fishing, he added.King said Oureque’s all-over atramentous top hat never larboard his head, alike aback they went fishing.”He’s absolutely odd, you were absolutely in for acceptable conversation,” King said of Oureque.King’s boom was done at Scooter’s Skin Art Tattoos and Piercing, area Oureque worked.Oureque was a accomplice at Scooter’s, 509 S. Florida Ave., for added than two and a bisected years, said boutique buyer Scooter Kenna.In “Tattoo Titans,” Oureque and three added boom artists created tattoos on volunteers and were advised by added boom artists.”In the past, anybody who’s anytime been on the shows, their careers accept appealing abundant skyrocketed to some degree,” Oureque told The Ledger at the time.Kenna said alike admitting he has been tattooing for 15 years, Oureque accomplished him so much.”He’s a absolute talent,” Kenna said. “(He was) consistently about education.”He said Oureque lived up to his name and declared him as “a little bit of a freak.”Kenna said he remembers Oureque arena guitar at the admirable aperture for the new Scooter’s area about two weeks ago.Oureque played a song that he wrote himself.”He was all about new adventures and aggravating to see the adorableness in the art.”Kenna said Oureque was consistently inquisitive, and adamant aback it came to award answers.”He’s got all the secrets to the cosmos appropriate now,” Kenna said.Oureque had one aftermost allotment of acumen to dispense.Nearly 45 account afore the crash, Oureque acquaint a account and a animadversion on his Facebook bank adulatory bodies a Merry Christmas. The account read: “Art washes from the body the dust of accustomed life.”

[ Ben Brasch can be accomplished at ben.brasch@theledger.com or 863-802-7590. Follow Ben on Twitter @ben_brasch. ]

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Hisss

Hisss

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On the Waterfront!

On the Waterfront!

No sign of Marlon Brando though ;o)
For the Macro Mondays challenge "Inside Electronics" (July 9th 2018)

This year we replaced our old computers, and that meant destroying hard drives. I saved a few components, including a circuit board – "just in case". So I dusted it off for this week’s challenge. At last one of my hoarded items has found a use! Shot on the black glass of my Kindle.

HMM and have a great week! ;o)

My 2018 set: 2018 Macro Mondays

All the previous years of the challenge:
My 2017 set: 2017 Macro Mondays
My 2016 set: 2016 Macro Mondays
My 2015 set: 2015 Macro Mondays
My 2014 set: 2014 Macro Mondays
My 2013 set: 2013 Macro Mondays

Posted by Elisafox22 catching up again ;o) on 2018-07-08 17:26:17

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SCOTTISH DOG POSING

SCOTTISH DOG POSING

Photo taken by Linden Hudson (amateur photographer).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
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LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-03-10 18:44:18

Tagged: , dog , scotland , dog posing , friendly , black , black dog , nice , europe , uk , talent , smart_dog , good_dog , pretty_dog , talented_dog , amusing_dog , animal , pet , k9 , canine , dog_lovers , handsome_dog , pooch

CUTE MODEL IN FUNNY SUNGLASSES – B&W

CUTE MODEL IN FUNNY SUNGLASSES - B&W

Image by Linden Hudson (amateur photographer). Freeze frame from video shot by Linden.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
(see full story at Linden’s website: www.linden-hudson.com/birth-of-the-zz-top-eliminator-album )
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol…
+++
LICKLIBRARY DOT COM (2013 interview) ZZ TOP’S BILLY GIBBONS SAID: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​

Posted by lindenhud1 on 2018-05-06 16:08:10

Tagged: , sie ist idaho , sunglasses , comedy , funny sunglasses , smiling , pretty , happy , sexy , fun , model , photo_model , portrait , posing , usa , american , b&w , black_and_white , monochrome , black , white , face , girl , woman , female , women , girls , models , smile , entertaining , american_girls , 25_years_old , young_woman , young_lady , cutie , funny_girl , fun_girls , comical , nutty , funny , silly , cute , chick , fun_chicks , babe , professional_model

Addiction Treatment Pay Per Call Leads #webdesign #seo #leadgeneration #leadgen #ppc #exclusiveleads #sales #internetmarketing #marketing

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Posted by delraycomputerswebdesign on 2016-03-29 13:12:26

Tagged: , cocain , cocaine , fine , background , powder , closeup , isolated , heap , abuse , dust , nobody , addiction , white , sweet , view , unhealthy , drug , concept , line , habit , crack , symbol , illegal , pile , kokain , junkies , addict , black , methadone , medicine , snuff , narcotic , money , crime , currency , close , bad , heroin , coke , sugar , snow , health , snort , criminal , grey

Key no. /852

Key no. /852

Choose your own path even it’s dusty

Posted by pcbackup154 on 2015-05-01 19:20:44

Tagged: , abstract , photography , abstractphtography , amazing , beautiful , black , and , white , andwhite , blackandwhite , computer , dust , dusty , focus , indoor , key , keyboard , wired , /852

Blue space nebula

Blue space nebula

Blue space nebula as abstract background

Posted by Renato Gurgel on 2011-01-10 01:27:19

Tagged: , blue , purple , magenta , nebula , star , space , night , astronomy , field , way , milky , bright , galaxy , fractal , backgrounds , sky , light , outer , glowing , dark , science , dust , infinity , awe , abstract , cluster , looking , forecasting , deep , glitter , rendering , black , computer , illustration , swirl , alien , ethereal , eternity , cosmos , astral , natural , fantasy