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Metal Gear Survive Walkthrough;

Prologue:
This is the first chapter of Metal Gear Survive, you have to be online and you can begin with creating your own unique character. Later once you are in the game after cutscenes you will have to check out the base.

Secure the Memory Board:
AI Virgil will give you info about Memory Boards that you will have to locate in Dite. There will be 4 in Chapter 2 & Chapter 3.

Reactivate Wormhole Transporter:
In Chapter 4 you will learn using Wormhole Transporters which are like fast travel points between various locations on the map.

Locate And Rescue Castaway:
In Chapter 5 you will have to rescue a survivor, AI Virgil will give you the location, you have t rescue Nurse Miranda and bring her to the base.

System Requirements:

CPU: Intel Core i5-4460 (3.40 GHz) or better; Quad-core or better.
OS: Windows 7×64, Windows 8×64, Windows 10×64 (64-bit OS Required)
VIDEO CARD: NVIDIA GeForce GTX 650 (2GB) or better (DirectX 11 card Required)
SOUND CARD: DirectX 9.0c compatible sound card.

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Enter The Ruins:
In Chapter 6 you will learn about Crew Management, later AI Virgil will give you more memory board locations.

Secure Wormhole Digger:
In Chapter 7 after learning about a machine Wormhole Digger, you have to secure it so that you can return home.

Activate Wormhole Digger:
In Chapter 8 after bringing the Digger to the base, you will have to activate it. Once it is activated Wanderers will attack the Digger you have to defend it.

Activate Wormhole Digger At Singularity:
In Chapter 9 due to lack of enough energy the Wormhole Digger will not be able to generate a Wormhole, you have to find a new energy source to charge it.

Rescue Chris:
There are two chapters in this part Chapter 10 & Chapter 11, you will have to rescue a new survivor Chris and later find another memory board.

Rescue Nicholas:
Again there is one more survivor you have to bring to the base, and later AI Virgil will tell you to activate Wormhole Digger at the Singularity. Chapter 12 & 13 are covered in this part.

Climb Mother Base With Chris:
Once the Wormhole Digger stabilizes and generates a Wormhole that can lead to your home, you have to carry Chris towards the portal and in between, you will have to save yourself from the attack of Lord of the Dust. Chapter 15 & Chapter 15 is covered in this part.

Rescue Charon Survivor And Investigate Sahelanthropus:
Three Chapter 16, 17 & 18 are covered in this part. After the last chapter, unfortunately, you will land on a new base with more Wanderers now. First, you will have to save a Charon survivor and then investigate a powerful weapon that can tackle Lord of the Dust.

Secure Sahelanthropus And Seth Boss Fight:
In the next two chapters you will first have to secure the weapon and bring it to the base and next you will have to fight with Seth who turns into a monster. Chapter 19 & Chapter 20 is covered in this part.

Defend Wormhole Digger:
Once again you will have to defend Wormhole Digger. In this, you will see two chapters, in Chapter 21 you will have to secure a memory board in Chapter 22 you will have to deploy a wormhole digger at the singularity.

Lord Of Dust Boss Fight:
This is the final and ending walkthrough of Metal Gear Survive. You will have to first lay a trap and defend it from attacks, later use the Railgun to attack the Lord of Dust.

Metal Gear Survive Tips

Where To Find Pre-order Items:
Locations of Bonus Content for those who had pre-ordered the game and unable to find them in Metal Gear Survive.

All Containers Location:
Through containers in Metal Gear Survive you can get recipes and items, in this guide you can find the location of almost all containers in the game.

Weapons And Gears Location And Recipes:
Before crafting any weapon or gear you will have to locate its recipe and later you will have to gather items for crafting. In this guide you can find locations as well the crafting recipes required for weapons and gears.

review

Metal Gear Survive is an action-adventure survival game developed and published by Konami. It was released worldwide for Microsoft Windows, PlayStation 4, and Xbox One in February 2018. Wikipedia
Initial release date: 20 February 2018
Series: Metal Gear
Engine: Fox Engine
Developers: Konami, Konami Digital Entertainment
Genres: Action-adventure game, Survival game
Platforms: PlayStation 4, Xbox One, Microsoft Windows

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Posted by meriegveldesn on 2019-03-04 12:51:20

Tagged:

CROSS PICTURE MODULATION – GIRL

CROSS PICTURE MODULATION - GIRL

This image is a freeze frame taken from video that was shot by Linden Hudson (amateur photographer). This is a composite effect or as a sound engineer (Linden) might say: "cross modulation". 2 photos effecting each other. Just having fun.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)(The album was nominated for a grammy and sold 20 million copies.)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply sick.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.youtube.com/watch?v=-Mqdt2ikveM
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2019-03-03 22:04:10

Tagged: , liz ashley , fx , special fx , special effects , effects , cross modulation , composite , face , girl , woman , female , cg

HAZY & NOIZY FEMALE

HAZY & NOIZY FEMALE

Photo taken by Linden Hudson and techno-over-processed by Linden just for fun. The hair was raised by an old technique called centrifugal force.

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)(The album was nominated for a grammy and sold 20 million copies.)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply sick.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.youtube.com/watch?v=-Mqdt2ikveM
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2019-03-02 00:33:58

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Red Faction: Guerrilla is a third-person shooter video game developed by Volition and published by THQ. It was released for PlayStation 3 and Xbox 360 in June 2009 and for Microsoft Windows in September 2009. The game is the third installment in the Red Faction series. Several years after release, Destructoid listed the game as one of THQ’s ten best.[2] A remastered version with improved graphics was released worldwide on July 3, 2018, for Microsoft Windows, PlayStation 4 and Xbox One.

Gameplay
**************
Red Faction: Guerrilla is a third-person shooter game set in an open world environment. The player takes the role of Alec Mason as he assists the Red Faction to overthrow the oppressive Earth Defense Force (EDF) on Mars. Developer Volition changed the camera perspective to help the player see and appreciate the surroundings as they are destroyed.[3]

Unlike the previous Red Faction game, which used the Geomod engine, Guerrilla does not allow for the destruction of terrain.[4] However the game’s Geomod 2.0 engine allows for buildings, cover, and other structures to be destroyed. This allows a degree of creativity in approaching a given objective, such as breaking or crashing through structures, or leveling multi-story buildings and large bridges or catwalks to thwart the enemy. In many cases, destroying buildings will leave behind salvage, the game’s form of currency, which can be used along with salvage rewarded by completing missions to unlock and upgrade weaponry and technology at safehouses. During the campaign, the player is always equipped with a sledgehammer-like weapon, along with three slots for other weapons and explosives, selected out of a choice of almost twenty items. The player also has the opportunity to control armed vehicles ranging from retrofitted civilian vehicles up to tanks and large walkers for more destructive options against the EDF.

The game’s open world represents a terraformed area of Mars surface. The world is divided into six distinct areas and the player must successfully free each area from EDF control before moving onto the next. As the player travels through as-yet-unfreed areas, they will be attacked by EDF forces if they are spotted by patrols or commit aggressive actions. Each area also contains one or more safehouses staffed with Red Faction guerrillas, where the player can re-arm or change his weapon loadout, and spend salvage to purchase upgrades to his weaponry and equipment. The player can traverse the world on foot or by appropriating one of the numerous vehicles. Navigation is provided by a mini-map with GPS indicator which can be set to direct a player to a location of his choice using a zoomable full-screen map mode. In order to liberate any given area the player must complete a variety of missions to reduce the EDF’s presence, referred to as "EDF control". At the same time, the player can complete various side missions, such as rescuing hostages, destroying enemy-held facilities, defending locations from attack, and delivering vehicles. Rewards for tasks come in the form of salvage, reduction of EDF control, or increase in the morale of the populace to resist EDF domination. Other actions, such as letting civilians die, will lower morale, while actively killing civilians will lower morale faster. Should the player engage EDF forces in a sector with high morale, teams of Red Faction guerrillas will likely arrive to fight alongside the player. Once the player has worn down the EDF presence in a sector to zero, a plot mission will become available in which success will drive the EDF out and allow the player to secure the sector. Once this has been completed for a sector it will be freely traversable, with little danger of EDF conflict. Meanwhile, the story of the game progresses along with the liberation of successive sectors.

Here are the Red Faction Guerrilla Re-Mars-tered system requirements (minimum)
CPU: Intel or AMD Dual Core CPU 2.5 GHz.
OS: Windows 7, Windows 8, Windows 10.
VIDEO CARD: DirectX 10 Feature Level AMD or NVIDIA Card with 1 GB VRAM.
FREE DISK SPACE: 32 GB.

Multiplayer
**************
As the players engages in more matches, they gain experience points that will grant them bonuses; most of which take the form of superficial bonuses such as the option to add more features to character models or altering aspects of their player emblem, and have no impact on the game. Other bonuses grant players access to additional gameplay modes.

The multiplayer modes also use Geomod 2.0 and the same weapons available in the game. An added feature exclusive to the multiplayer mode however, are special backpacks that grant players a unique, temporary power. Such powers include the ability to run faster, fly, burst through walls, or send out a concussion wave. Another additional device in the multiplayer games is the Reconstructor, a weapon-like object that uses nano-technology to rebuild destroyed structures. It is a key device in game modes which require players to attack or defend specific structures. There are six game modes, including typical multiplayer modes such as individual and team Deathmatch and Capture the flag. Other modes focus on attempting to destroy or preventing the destruction of structures. "Siege" for example requires one team to try to destroy buildings controlled by the other as fast as possible. After a set period of time, or once all targets are destroyed, the roles are reversed, and a new round begins. The team that manages to destroy all targets the fastest wins the round.

Along with online multiplayer, there is an offline only "pass the controller" multiplayer game mode for one to four players called "Wrecking Crew". Wrecking Crew features several different modes, all of which are based around causing as much damage by oneself in each round with a set amount of resources

HOW TO PLAY RedFaction:GuerrillaRe-Mars-tered
*************************************************

Red Faction: Guerrilla is a game that had first released back in 2009, and its main appeal as a game lay its destruction mechanics which basically allowed players to destroy any structure in sight. As the remastered edition has released this year, it’s certainly worth questioning whether the game still holds up to our standards for games today.

In our review of the game, we noted that certain aspects of the game’s design feel quite outdated now. However, the the destruction aspect of the game is still a lot of fun, and it remains the main reason to try the game out and in this remastered edition, all of the destruction looks a lot better. If you’re a player who enjoys blowing up just about everything possible and then some, then this is the game for you. If you find yourself stuck at any point when playing the game, then the following video walkthrough will help you out.

TAG:::::::>>>>>
***************

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Tagged:

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Red Faction: Guerrilla is a third-person shooter video game developed by Volition and published by THQ. It was released for PlayStation 3 and Xbox 360 in June 2009 and for Microsoft Windows in September 2009. The game is the third installment in the Red Faction series. Several years after release, Destructoid listed the game as one of THQ’s ten best.[2] A remastered version with improved graphics was released worldwide on July 3, 2018, for Microsoft Windows, PlayStation 4 and Xbox One.

Gameplay
**************
Red Faction: Guerrilla is a third-person shooter game set in an open world environment. The player takes the role of Alec Mason as he assists the Red Faction to overthrow the oppressive Earth Defense Force (EDF) on Mars. Developer Volition changed the camera perspective to help the player see and appreciate the surroundings as they are destroyed.[3]

Unlike the previous Red Faction game, which used the Geomod engine, Guerrilla does not allow for the destruction of terrain.[4] However the game’s Geomod 2.0 engine allows for buildings, cover, and other structures to be destroyed. This allows a degree of creativity in approaching a given objective, such as breaking or crashing through structures, or leveling multi-story buildings and large bridges or catwalks to thwart the enemy. In many cases, destroying buildings will leave behind salvage, the game’s form of currency, which can be used along with salvage rewarded by completing missions to unlock and upgrade weaponry and technology at safehouses. During the campaign, the player is always equipped with a sledgehammer-like weapon, along with three slots for other weapons and explosives, selected out of a choice of almost twenty items. The player also has the opportunity to control armed vehicles ranging from retrofitted civilian vehicles up to tanks and large walkers for more destructive options against the EDF.

The game’s open world represents a terraformed area of Mars surface. The world is divided into six distinct areas and the player must successfully free each area from EDF control before moving onto the next. As the player travels through as-yet-unfreed areas, they will be attacked by EDF forces if they are spotted by patrols or commit aggressive actions. Each area also contains one or more safehouses staffed with Red Faction guerrillas, where the player can re-arm or change his weapon loadout, and spend salvage to purchase upgrades to his weaponry and equipment. The player can traverse the world on foot or by appropriating one of the numerous vehicles. Navigation is provided by a mini-map with GPS indicator which can be set to direct a player to a location of his choice using a zoomable full-screen map mode. In order to liberate any given area the player must complete a variety of missions to reduce the EDF’s presence, referred to as "EDF control". At the same time, the player can complete various side missions, such as rescuing hostages, destroying enemy-held facilities, defending locations from attack, and delivering vehicles. Rewards for tasks come in the form of salvage, reduction of EDF control, or increase in the morale of the populace to resist EDF domination. Other actions, such as letting civilians die, will lower morale, while actively killing civilians will lower morale faster. Should the player engage EDF forces in a sector with high morale, teams of Red Faction guerrillas will likely arrive to fight alongside the player. Once the player has worn down the EDF presence in a sector to zero, a plot mission will become available in which success will drive the EDF out and allow the player to secure the sector. Once this has been completed for a sector it will be freely traversable, with little danger of EDF conflict. Meanwhile, the story of the game progresses along with the liberation of successive sectors.

Here are the Red Faction Guerrilla Re-Mars-tered system requirements (minimum)
CPU: Intel or AMD Dual Core CPU 2.5 GHz.
OS: Windows 7, Windows 8, Windows 10.
VIDEO CARD: DirectX 10 Feature Level AMD or NVIDIA Card with 1 GB VRAM.
FREE DISK SPACE: 32 GB.

Multiplayer
**************
As the players engages in more matches, they gain experience points that will grant them bonuses; most of which take the form of superficial bonuses such as the option to add more features to character models or altering aspects of their player emblem, and have no impact on the game. Other bonuses grant players access to additional gameplay modes.

The multiplayer modes also use Geomod 2.0 and the same weapons available in the game. An added feature exclusive to the multiplayer mode however, are special backpacks that grant players a unique, temporary power. Such powers include the ability to run faster, fly, burst through walls, or send out a concussion wave. Another additional device in the multiplayer games is the Reconstructor, a weapon-like object that uses nano-technology to rebuild destroyed structures. It is a key device in game modes which require players to attack or defend specific structures. There are six game modes, including typical multiplayer modes such as individual and team Deathmatch and Capture the flag. Other modes focus on attempting to destroy or preventing the destruction of structures. "Siege" for example requires one team to try to destroy buildings controlled by the other as fast as possible. After a set period of time, or once all targets are destroyed, the roles are reversed, and a new round begins. The team that manages to destroy all targets the fastest wins the round.

Along with online multiplayer, there is an offline only "pass the controller" multiplayer game mode for one to four players called "Wrecking Crew". Wrecking Crew features several different modes, all of which are based around causing as much damage by oneself in each round with a set amount of resources

HOW TO PLAY RedFaction:GuerrillaRe-Mars-tered
*************************************************

Red Faction: Guerrilla is a game that had first released back in 2009, and its main appeal as a game lay its destruction mechanics which basically allowed players to destroy any structure in sight. As the remastered edition has released this year, it’s certainly worth questioning whether the game still holds up to our standards for games today.

In our review of the game, we noted that certain aspects of the game’s design feel quite outdated now. However, the the destruction aspect of the game is still a lot of fun, and it remains the main reason to try the game out and in this remastered edition, all of the destruction looks a lot better. If you’re a player who enjoys blowing up just about everything possible and then some, then this is the game for you. If you find yourself stuck at any point when playing the game, then the following video walkthrough will help you out.

TAG:::::::>>>>>
***************

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Tagged:

PRETTY WOMAN – FACE IN SOFT LIGHT

PRETTY WOMAN - FACE IN SOFT LIGHT

This image was shot by Linden Hudson (amateur photographer). It’s a freeze frame from video footage shot on a cheap camera. A large continuous light source was just in front and under her face (white card and light).

Who is Linden Hudson?

CLASSICBANDS DOT COM said: “According to former roadie David Blayney in his book SHARP DRESSED MEN: sound engineer Linden Hudson co-wrote much of the material on the ZZ Top ELIMINATOR album.” (end quote)(The album was nominated for a grammy and sold 20 million copies.)

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply sick.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.youtube.com/watch?v=-Mqdt2ikveM
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2019-02-25 23:48:34

Tagged: , brandy laine , sexy , warm light , beauty , blonde , model , intimate , professional model , female , woman , girl , babe , sexy lady , pretty , femme , mulher , mujer , donna , frau , pretty woman

Dust Cleaner for Electronic Gadgets

Dust Cleaner for Electronic Gadgets

No matter how intricate the parts be, Foooit Reaches Everywhere to blow away the dust in minutes!
Look at the CPU that once was covered with layers of dust, requiring thorough clean up, got dust-free in few spray shots!

Posted by airdusterfoooit on 2019-02-21 10:13:33

Tagged: , Air Duster for Laptop , Dust Cleaner for PC , keyboard , CPU

The Boutique…

The Boutique...

From Ionic we have "The Boutique" gacha now available at Equal 10. Its a really nicely done store and actually has many possibilities! From The Boutique gacha we have:
ionic : The Boutique – RARE
ionic : Crystal Necklaces
ionic : Counter Plant
ionic : Design Necklaces
ionic : Luna Earrings Collection
ionic : Cosmia SIlver Rings
ionic : Cosmia Golden Rings
ionic : Luna Wrapped Earrings
ionic : Glasses Display
Find them here at Equal 10: maps.secondlife.com/secondlife/equal10/231/127/89
Ionic Mainstore: maps.secondlife.com/secondlife/Outlander/41/163/875

Other ionic/spell various gacha items used:
SPELL : Bike -Plants & Books – RARE
ionic : Front door planter
ionic : Wooden Motel Table
ionic : My handmade ceramic pot (A)
ionic : Wooden Motel Chair
ionic : Milkshake et biscuits
ionic : Yogurt con frambuesas
ionic : Homemade croissants
ionic : My handmade ceramic pot (C)
ionic : Travelling with my friend!
ionic : Raquettes de tennis
ionic : Oui [Art wall] ionic : Sofa Blanquito

Other decor used:
Nutmeg. Chesterfield Sofa Nude
Nutmeg. Just a bunch of pillows 2
Nutmeg. Vintage Tabletop Wreath Off-White w/Lights
[ keke ] my funny valentine . 1 red and white
dust bunny . quirky planters . narwhal
dust bunny . quirky planters . pug
dust bunny . quirky planters . cactus
dust bunny . quirky planters . snail
dust bunny . quirky planters . llama
dust bunny . quirky planters . hedgehog
Ariskea[Greta]. Side Table bed
anc Looking-glass. oval mirror silver 2Li
Fancy Decor: Crystal Sconce (silver)
Loft & Aria – Eir Bench
[-BLUE SKY-] "Animated Sky Painting – Sea"
hive // cone boxwood topiary . lighted
[Tia] Pompeii – 3 Tier Lion Fountain
[Tia] Pompeii – Potted Wall Vines
Apple Fall Original: Swan Study
tarte. desktop computer RARE
[Figure 8] Les Chandelier Silver
Bygone Clerk’s Console Table
Apple Fall Original Artwork – Cliffside
+Half-Deer+ Country Rose Chandelier – Antique White
Concept} 05. Stars TRUNK
Heart – Wildflowers – lily of the Nile – White – p3

Thanks for your support!! ❤️​

Posted by kellytopaz on 2019-02-19 15:45:30

Tagged:

10.15空气压缩机

10.15空气压缩机

Linsheng – How To Preventive Maintenance: Industrial Air Compressor?
linsheng emphasized that for air compressors, standard form of maintenance is never enough. To ensure smooth operation and avoid interruptions and unplanned downtime, a compressor maintenance plan must be in place to prevent – and not react to problems with the air compressor and all connected tools and machines.

  The difference between preventive and standard maintenance

  In small businesses, maintenance is a standard process that is equivalent to toner replenishment and software and hardware upgrades. Essentially, standard maintenance is the work you do on your device, and it stays in effect until it expires or is outdated by new technology.

  In facilities that use high-tech machinery, you must perform more than just standard maintenance to ensure the operability and longevity of all expensive equipment. For example, for an air compressor, you need to implement a preventive maintenance program to periodically check the compressor and its system peripherals to make sure everything is working optimally.

  The purpose of preventive maintenance is to discover mechanical problems before they spread and require expensive repairs and system downtime. Therefore, preventive maintenance involves checking all subsequent system components – some according to daily plans, others on a weekly, monthly, quarterly or yearly basis – to ensure everything is working properly. If you find the problem early, take steps to correct the problem.

  In some cases, preventive maintenance involves low-cost measures that help avoid low-cost situations. For example, when maintenance personnel notice a slight crack in the compressor belt, replace the belt and then help your company prevent the more expensive condition of the belt buckle, the compressor stops working, and when the staff tries to identify, the production stops working and Take the necessary steps to get the system back up and running.

  Benefits and Values ​​of Preventive Maintenance of Industrial Air Compressor Systems

  Regardless of the size or scope of your compressor operation, it is important to have staff or work with qualified service providers to monitor preventive maintenance work in a timely and consistent timeframe. Only through preventive maintenance can you ensure that the machine is working every hour, every day, and continues to its life expectancy.

  Avoid downtime

  One of the most important benefits of air compressor maintenance is that it enables smooth, efficient operation and reduces system downtime. Anyone who operates an air compressor facility knows that downtime can be a very expensive problem because it stops production when the machine is not working.

  Companies that fail to develop maintenance agreements in a timely manner may experience performance issues more frequently. This situation is difficult to predict, but may occur at the worst of times, such as high-cost production before the set deadline. To be on the safe side, you need to perform maintenance on a schedule without having to skip the date, even on days when everything seems to be running perfectly and you don’t see any problems that might arise.

  Save money by avoiding expensive emergency repairs

  You can save money by reducing downtime and part failures in your air compressor system. So you can profit in two ways – by increasing productivity and reducing overhead. The savings from timely compressor maintenance allow you to invest more in better equipment as your market enters the market.

  If maintenance is not performed, the costs involved in servicing the air compressor and its surrounding components may account for a significant portion of the company’s annual revenue. When you do a timely maintenance, you get the savings you can pass to your company with higher wages and cheaper products.

  Reduce energy costs

  When you perform air compressor maintenance on a regular basis, it allows you to capture instances of over-application of features in the system or difficulties in maintaining expected productivity. When such problems occur, they usually need to be cleaned, replaced or lubricated. By discovering these problems before they go out of control, the machine runs more smoothly and efficiently, saving energy.

  Of course, saving energy can also save your overall production costs. With lower energy costs per month, you can invest your money in the company’s infrastructure.

  Improve the life and efficiency of air compressors

  Of course, the biggest benefit of air compressor maintenance is that it increases the life and efficiency of the machine itself and the entire system. When you add up the initial investment cost of an air compressor and all additional pneumatic tools, you want to ensure a return on investment with years of best performance. Ideally, the money you spend on the compressor system should reward you thousands of times through productivity.

  If maintenance is not performed, the air compressor and its peripheral components will not be regularly inspected, adjusted and cleaned. When you compare the profit of a company that implements responsible system maintenance with the profits of a company that does not implement system maintenance, you may find significant differences in productivity.

  Recommended compressor preventive maintenance check

  On industrial air compressors, preventive maintenance is critical to ensuring the functionality of the system and its various accessories. The key components to be inspected include filters, vents, belts and bearings, all of which can cause problems for the system if dirt and dirt build up. In addition, you must apply and reapply the lubricant on all applicable parts of the air compressor in a timely manner.

  It is most important to check and clean and/or lubricate the following components according to the schedule:

  air filter

  The purpose of the air compressor is to produce clean, pure, compressed air that ultimately powers many functions. To ensure the ultimate air quality, the ambient air entering the compressor must be filtered before leaving the machine. Without a clean air filter, this is impossible.

  If the air filter becomes dirty, impurities and particulate matter can damage the compressed air and reduce the quality of the end application. Therefore, please clean the air filter regularly. Change regularly, depending on the environment.

  Oil filter

  If compressed air passes through the system and is shipped to the end of the application, the oil will reduce the quality of the compressed air. Some of the most affected processes will include pneumatic sprayers, air purifiers, and any other oil that could damage the surface. Therefore, it is important to ensure that oil is removed from the compressed air when present in the system before it leaves the machine.

  Check the oil filter every week, whether the compressor is lubricated or not. Also, replace the oil filter at the recommended intervals, depending on your equipment, for a range of 4,000 to 8,000 hours. If the oil filter is seriously damaged by oil before this, please replace it as soon as possible.

  Lubricant

  Lubricants are one of the most important elements in air compressor function. Lubricant provides smooth, non-corrosive motion on all internal metal parts and fittings. In the absence of lubrication, tension occurs between the contacting metal surfaces, which causes corrosion of the components and joints. Once the corrosion is ripe, the rust will spread and feed through certain mechanical parts.

  However, even if a lubricant is present, if it becomes too old, it loses its viscosity and becomes corrosive. Check the lubricant level daily to ensure the health of the air compressor. Every three to six months, wipe off the old lubricant and reapply a new coat. Always replace the separator element each time you change the lubricant.

  Motor bearing

  For motor operation, the bearings must be properly lubricated. The tiny metal balls constantly roll toward each other and roll against the inner wall of the circular outer casing. Therefore, the bearings may rust if not properly lubricated. If it rusts, the bearing will gradually slow down and eventually get stuck in place. When this happens, the motor will malfunction.

  To protect the health and performance of the air compressor motor, the bearings are lubricated every 4000 hours. Always check the bearings quarterly between each lubrication to ensure they remain adequately lubricated.

  belt

  For the internal movement of the air compressor, it is important that the belt has the proper tension. The rubber of each belt must also be strong but flexible to ensure balanced movement between the pulleys of the connecting parts. However, over time, the rubber on the belt will inevitably wear and rupture in some places. Therefore, it is critical to replace the belt before the belt loses tension, or worse, to engage during operation.

  Check the belts once a week to make sure they are not worn. Adjust the tension if necessary and replace each belt after wear.

  Air inlet

  Air compressors have the magical ability to convert ambient air into a powerful machine that can effectively power a heavy machine. In other words, the compressor itself can only do a lot of things to turn ordinary air into something powerful. Although the function of the internal components is to purify the air for end use, if the air intake is full of dirt and dirt, the work is more difficult for the machine to perform.

  To ensure that the incoming air is as clean as possible and to prevent dust from being drawn into the system, check the air inlets weekly and clean if necessary.

  Other parts and things to check

  In addition to regular cleaning, lubrication and replacement of parts, periodic inspections of the air compressor and its accessories are also required. Check the following weekly:

  Air dryer performance

  ampere

  Oil level

  air temperature

  vibration

  Voltage

  Check the air compressor for signs of oil or air leakage. Also check the pneumatic hose for leaks, because the leakage seriously reduces the efficiency of the air compressor. Also, make sure the cooler is free of dirt.

  How to create and follow a preventive maintenance inspection program

  When making an air compressor preventive maintenance checklist, you first need to consider the type of compressor involved. Most compressors require preventive maintenance for each system component, ranging from daily to yearly.

  Air-cooled reciprocating compressor

  Daily: Perform the following steps daily or after eight hours of use.

  Check the lubricant level to make sure it is not below the middle of the bayonet gauge. If the lubricant is discolored, empty it and refill it.

  Empty water coming out of the receiving tank.

  Visually inspect the compressor and verify that the safety measures are in place.

  Check for leaks and vibrations.

  Weekly: Perform the following steps weekly or after 40 hours of use.

  Check the pressure relief valve.

  Clean the surface of the compressor and intercooler.

  Check the compressor and hose for leaks.

  Clean the air intake filter.

  When the weather is wet or the environment is dusty, please perform the above steps twice a week or every 20 hours.

  Monthly: Check the belt tension in the air compressor every month or after every 160 hours of use.

  Quarterly: After every three months or every 500 hours of use, perform the following steps.

  Replace the lubricant.

  Check the oil filter and, if applicable, replace the oil filter.

  Check the torque on the pulley nut and the screw.

  Every six months: After every six months or every 1,000 hours of use, perform the following steps:

  Replacing the Lubricant – If the lubricant is a synthetic lubricant, this step also applies for twice the duration of a conventional lubricant.

  Check the valve for leaks or carbon footprints.

  Clean the crankcase.

  Clean the filter of the crankcase.

  Check motor area contact points and pressure switch diaphragms.

  2. Lubricant injection rotary compressor

  Daily: Perform the following tasks daily or after eight hours of use.

  Monitor all meters and indicators to ensure proper operation.

  Check the liquid level.

  Observe the fluid leak.

  Observe abnormal noise or vibration.

  Drain water from the air/fluid reservoir.

  Monthly: Perform the following operations every four weeks.

  Repair the air filter as needed. If there is a very dirty situation, this should be a daily or weekly task.

  Clean the aftercooler and the closed cooler heatsink for air-cooled installations only.

  Wipe the entire unit to maintain its appearance.

  Every six months: Perform these tasks every six months or after every 1000 hours of use.

  Take a fluid sample.

  Replace the fluid filter.

  Check the pressure relief valve.

  Regular/annual: These tasks are completed annually.

  Cross the unit and check that all bolts are tight.

  Replace the air/fluid separator.

  Replace the air filter.

  Lubricate the motor.

  Test the pressure relief valve for proper operation.

  Check the safety (HAT) shutdown system.

  3. Unlubricated rotary screw compressor

  Daily: Perform the following tasks daily or after eight hours of use.

  Check the reading on the display.

  Check if the condensate is drained during operation.

  Manually drain condensate (if applicable).

  Check the dew point on a compressor with an integrated dryer

  Every three months: every three months, or after 500 hours of operation, do the following.

  Check (optional) the pressure drop across the filter.

  Check the air inlet filter: check for cleanliness and damage. Replace the dirty or damaged filter with a new one.

  Check the cooler. Clean with air jets if necessary.

  Every six months: Perform these tasks every six months or after every 1000 hours of use.

  Operate the safety valve.

  Clean the compressor.

  On a compressor with an integrated dryer, brush or blow the fin surface of the condenser. Check and clean the electronic drain.

  Regular/annual: Perform these tasks annually.

  Replace the air inlet filter.

  Test the safety valve.

  There are temperature protection and motor overload tests.

  Check the tension and condition of the V-belt.

  Every two years: Complete the following tasks every two years:

  Replace the V-belt.

  Replace the check valve.

  What maintenance checks should the technician perform?

  Company employees at specific facilities or plants can typically perform preventive maintenance of air compressors internally. However, it is best to have professional compressor repair personnel perform some maintenance tasks – if the equipment is large or complex, it is better. Unless your company is equipped with highly skilled personnel to handle air compressor maintenance tasks, it is best to contact a professional to get the following information:

  System security shutdown check

  Replace the motor

  Relocation of large heavy air compressors

  If you do not have a qualified staff to operate your compressed air system.

  When a mechanical failure occurs.

  When you hire professionals to perform these and other time-consuming and potentially dangerous tasks, it can help you save time and money and ensure that your work is done correctly. In addition, professional maintenance ensures maximum safety in the more difficult aspects of the work.

  Develop a preventive maintenance program for compressors

  To ensure the highest efficiency and absolute shortest downtime and maintenance costs for your air compressors, linsheng recommends that you complete the preventive maintenance checklist task in accordance with the established schedule. Maintenance is performed daily, weekly, monthly, quarterly or annually, depending on the needs of a given component.

  When you perform preventive maintenance according to the checklist, your air compressor and its accessories will last longer and be more efficient. Preventive maintenance can detect problems early before serious damage to the system and result in costly repairs and downtime. You can put the savings from budget maintenance into your company’s infrastructure and employees.

www.linsheng.com

Posted by yulanzhaoa@gmail.com on 2019-02-14 07:37:38

Tagged: