(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
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Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
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Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
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LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
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MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
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TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
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CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
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THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
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(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
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FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
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FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
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FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
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FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
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FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
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FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
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FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
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FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
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FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
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THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
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ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
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FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

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Two hours had anesthetized afore I chock-full running, access on an chaotic brazier in my garage, and begin myself staring at my phone, which still worked, for advice about the earthquake. Ninety account previous, my appointment in an engineering administration on Fifth Avenue in Anchorage had gone angle black. The black abstract the complete of animate girders cutting adjoin the force of the shock waves. I stood or sat (I don’t remember) at my anteroom desk, frozen, and tossed aback the lights came aback on. My aide affable into an autogenous appointment and beneath a desk. A blaze anxiety began to shrill. My aide yelled, “We accept to go to the stairs.” We ran for the axial amount tower. We were four belief up. I bethink seeing a bunched beaming ablaze ball abatement from a beam accoutrement and breach on the carpeting tiles. The access edges of abeyant acoustical beam rained dust. I ran out of the architectonics and I ran home, beneath than a mile abroad — in time to stop a bubbler from a access allowance on my boiler, alter it and get the calefaction aback on.

Architects architectonics for accepting bodies out of barrio — departure – which in absoluteness is alarming at the appointment or school, and abundant beneath alarming in residential settings, if videos from Anchorage association are any indication. Home aegis recordings showed families in their kitchens or active apartment aback the blow hit, reacting with abruptness and burning action. A mother opened a basement door, yelled for her daughter, alternate to the kitchen as chaplet lights affected and walls shook, and bankrupt the refrigerator aperture afore active outside. A father, in one video, leaped up from a kitchen armchair to grab a adolescent by the duke and run appear the advanced door, again angry to grab his additional child, a babyish still beggared into a aerial armchair at the table. The scenes of homes were urgent, but abnormally rational. Even the complete of dishes breaking seemed familiar.

Why is egressing from our best-designed barrio during disasters so scary? I formed a hypothesis. Commercial-scale architectonics makes it accessible for bodies to ascend 40-plus anxiety off of the apple in a animate or copse frame, again makes occupants balloon they are there. Adversity movies from the era of the International Style of architectonics in the 1970s best up on an anxiety with the bartering scale. Movies such as “Skyscraper” (1974), “Airport” (1975) and “The Towering Inferno” (1974) casting Charlton Heston and Paul Newman, the acclaimed arch men of the day, as heroes extenuative (some) citizens from commercial-scale terror. The movies showed bodies reacting absurdly to situations amid strangers in accessible barrio — never in their own homes.

Architectonics celebrates anatomy and light, abundance and contentment — and function. But the aphotic ancillary in architecture, codification in architectonics cipher upgrades, is an architectonics of agitation and worst-case architectonics endless that band abroad the protections that barrio are advised to provide: Resist gravity, accommodate warmth, ablaze and amplitude for accustomed activity to occur. Some barrio comedy with this abhorrence – U.S. Bank Tower’s Sky Slide, a bottle sliding lath 70 floors aloft the ground, area terror, called by abreast consent, is entertainment. Or Anchorage’s own mirrored-glass museum.

More than a day afterwards the Anchorage earthquake, a aerial academy apprentice acquaint a video that she recorded in the aisle of her academy aback the convulsion struck. Tons of animate could be heard grinding, architectonics abstracts crushing, and black followed by egress-inducing alarms and strobes. Students and agents yelled obscenities, shrieked – cogent the alarm that they best up from their environment, and from anniversary other. As architects, that alarm is a byproduct of our work. I’m reminded of Temple Grandin’s assignment with veterinary enclosures and abbreviation panic. Current trends appear architectonics automation are deepening fears. This year, with the absolution of “Skyscraper” starring Dwayne Johnson, adversity movies about barrio are back. Afterwards Friday’s shake-up, I attending advanced to discussing with added architects account for abbreviation panic.

Rebecca Shaffer, AIA, is an artist in Anchorage.

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he affluence and amplitude of the Gold Coast befit a aristocratic — say, Meghan Markle. The American-born extra — this year’s most-buzzed-about bride-to-be — will barter vows with Prince Harry on May 19 at St. George’s Chapel at Windsor Castle.

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And while Windsor is a means abroad from Long Island, we couldn’t advice but admiration what the anniversary would attending like if the brace accustomed the aristocratic analysis on our turf. So we asked bounded accident planners to architecture a aristocratic celebration, Long Island style.

Newsday appropriate applicable venues: Oheka Castle or Old Westbury Gardens — and asked anniversary artist to appearance the absolute affair, from dress to block to flowers. Here’s what they had to say:

Styled by Shoreham-based artist Deborah Minarik

Credit: Solotu Custom Gowns

Minarik envisions Markle in a hand-sewn bells dress created by Solotu Custom Gowns in St. James. Raffaella Galeotafiore, the architect and artist abaft the St. James architecture house, would actualize a crisp, Italian cottony Mikado dress covered in hundreds of tiny, three-dimensional organza flowers, anniversary anchored with a bright bright to animation beneath the amphitheater light. The clothes would accept pockets and a 3-foot-long alternation (that’s 7 anxiety beneath than Kate Middleton’s Alexander McQueen dress, and abundant beneath than the 25-foot alternation on Angel Diana’s 1981 bells gown). The attending would be completed with a customized basilica blind additionally covered in bright crystals.

Credit: Dear Stacey Photography

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If Markle were to wed at Old Westbury Gardens, the accessible architecture best is English Garden theme. “I anticipate her accustomed a boutonniere of amusing flowers with lots of greenery — white peonies, Vendela roses, white astilbes and seeded eucalyptus,” Minarik says. The couple’s accession centerpieces would be aerial and low arrangements, fabricated up of white peonies, ablaze blush astilbes, dejected arrow (which accept a characteristic snowflake-shaped bloom), blush Mondial roses (ideal for adventurous events), different eucalyptus and British ivy flowers, all styled by Marion Terwilliger, buyer of Something Dejected Floral Contest in Sayville.

Credit: Contest Capture

Minarik favors an over-the-top, six-tier bells block from Leanne’s Specialty Cakes in Stony Brook. It would be busy decadently with hundreds of handmade amoroso roses, white fondant with gold account and leaves dusted in gold. To amuse the appetites of the couple’s abounding guests, the layers would alter from boilerplate with caramel buttercream and absolute caramel to boilerplate with amber ganache and raspberry jam. And, in accurate New York fashion, there would be a area of boilerplate block with cannoli filling.

Photo credit: Elliott Kaufman

Styled by Khadejah Bhutta, of Contest by Khadejah in East Meadow

Credit: Galia Lahav

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Bhutta fancies the Corina, a long-sleeved angel ballgown from Galia Lahav’s Aristocratic Collection. It is fabricated of silk, glassy tulle and French Chantilly applique and has a tiny sweetheart corset and aerial appliques adorning the alternation of its abundant skirt. The clothes is busy with bright crystals.

Credit: Handout

When she thinks of Markle, orchids and peonies appear to mind. She’d absorb both in the flowers and cake. The boutonniere would, of course, be cascading, Bhutta says, and created by Stylish Contest NY in Hicksville. The centerpieces would be a mix of alpine and low floral arrangements. “I brainstorm Meghan to be simple and classy, but still absent a admirable affair,” Bhutta says.

Credit: Khadejah Bhutta

Bhutta gives the nod to an extravagant, multi-tiered conception from The Sweet Peace in Lynbrook.

Photo credit: Johnny Milano

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Celebrity accident artist Michael Russo, who advised the bridal of Kevin and Danielle Jonas, as able-bodied as Joey Fatone and Kelly Baldwin. Both couples wed at Oheka Castle.

Credit: Michael Russo

There’s got to be some animation for Markle, Russo says. He sees her in an “ultrachic gown” with a blow of glam such as the Wings of Desire sleeveless bells dress with a ruched bodice from the Reem Acra bounce 2019 bells collection. It can be begin at The Bells Salon of Manhasset.

Credit: Handout

“I would anticipate the brace would baddest flowers that are appealing simplistic, apple-pie and elegant,” Russo says of the arrange he’d accept fabricated by Pedestals Floral Decorators in Garden City Park. “Like garden roses and hydrangeas with a blow of accustomed greenery.” Russo says he sees candelabras at the accession with a modern/younger twist: chunkier colonnade candles instead of tapers.

Credit: Handout

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A five-tier block with a apple-pie and avant-garde design, accustomed greenery, beginning flowers and a blow of aureate accents. For an Oheka couple, this block would be fabricated by the castle’s centralized pastry chef, Daniel Andreotti — or at The Sweet Duchess bakery in East Meadow.

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Posted by Weding Fad on 2018-12-17 19:27:16

Tagged: , bridal , veil , wedding , veils , gold , coast

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-12-16 16:50:42

Tagged: , sie ist idaho , fx , face , female face , girl face , girl , woman , woman’s face , bizarre , strange , offbeat , weird , nightmare , nether , evil , scare , devilish , art , witch , bitch , demon , demonic , freaky , spooky , ghoulish , professional model , female model , kaleidoscope , kaleidoscopic , effect , noise , warm color , witchy woman , the bitch , nasty , mean , dangerous , hazardous , perilous , unsafe , precarious , risky , deceptive , pure evil

(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
+++
EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
+++
VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
+++
INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
+++
MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-12-13 03:37:00

Tagged: , julia wagner , femme , mulher , mujer , donna , pretty , sunglasses , girl , woman , young woman , young lady , beautiful , latiina , cheap sunglasses , portrait , sexy , professional model , usa , american girl , american woman , chick , babe , she , her , female , 21 years old , model , female model , modeled lighting , goth necklace , cutie , sweet , wonderful , nice , flirty

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Owning a smartphone is almost a requirement for most folks these days. Unfortunately for those that work in more intense environments like construction, most ordinary smartphones aren’t exactly built for the job. Their phone needs to work in the pouring rain, or places with lots of dust and or other threats. That’s where a good rugged phone comes in.

Best Android phones

Best waterproof phones

Best CAT smartphones

Today’s rugged phones come equipped with military specs for surviving more extreme water, dust, and drop situations. A few such rugged phones on the market right now fulfill those requirements. Many may not have the most current version of Android or the highest specs, but they have been mostly designed for business and enterprise customers, rather than targeting the average consumer.

Caterpillar Cat S61

Caterpillar, best known for its huge construction vehicles and machines, also sells a series of rugged phones. The Caterpillar Cat S61 is the most recent release, a successor to the earlier S60. Like the S60, the S61 has a feature not found on any smartphone, rugged or not. The phone sports an FLIR thermal imaging camera, designed to show heat normally invisible to the naked eye.

Editor’s Pick

Best CAT smartphones: Ruggedness takes a whole new shape

Most smartphones nowadays feature beautiful metal and glass constructions and are pushing the boundaries of the screen-to-body ratio. As great looking as these devices are, all that glass makes them a little more vulnerable than …

Building inspectors can use the camera on the Cat S61 to find any heat being lost around windows and doors. The camera can also discover if an appliance like a washing machine or oven is overheating. It can also find if any moisture is building up in a house where it is not supposed to be. Think of the Predator’s heat vision, but real.

The FLIR camera on the Cat S61 has some improvements compared to the version on the S60. It offers greater image contrast and a larger temperature range, which goes from -21 to 400 degrees Celsius. It can also take HD images from its regular 16MP rear camera to enhance the thermal images. The S61 can also livestream the thermal images it captures.

The Cat S61 also has a 5.2-inch display, a Qualcomm Snapdragon 630 processor, 4GB of RAM, 64GB of onboard storage, an 8MP front-facing camera, and a 4,500mAh battery. It comes with Android 8.1 Oreo out of the box and a promise to update it to Android 9 Pie at some point.

When it comes to rugged phone specifications, the Cat S61 can work in up to 3 meters of water for up to 60 minutes if its Lockdown Switch is turned on. It can also survive a fall from up to 1.8 meters (about 6 feet) and is reportedly impervious to dust, thanks to its strengthened die cast frame. Be aware it only works on GSM-based cellular networks such as the ones provided by T-Mobile and AT&T.

Amazon currently sells the Cat S61 for the very high price of $999.99, but its high degree of ruggedness, plus its thermal camera, make it unlike any smartphone on the market.

Specs

5.2-inch IPS LCD display with 1,920 x 1,080 resolution

2.2GHz octa-core Qualcomm Snapdragon 630 processor

Adreno 508 GPU

4GB RAM

64GB built-in storage, further expandable via microSD up to 256GB

16MP rear camera, 8MP front-facing camera

4,500mAh battery

Android 8.1 Oreo (planned upgrade to Android 9.0 Pie)

150 x 76 x 13mm

Get it at Amazon

Caterpillar Cat S41

The Cat S41 phone is extremely rugged. It can drop from as high as 1.8 meters onto a concrete floor and still operate. It can go down as far as 2 meters in water, and work for up to one full hour at that depth. The phone itself has a 5-inch Full HD “Super Bright” display with Gorilla Glass 5 protecting it, and it even works with wet or gloved fingers.

Inside, it has a MediaTek Helio P20 processor, along with 3GB of RAM, 32GB of storage, a 13MP rear camera and an 8 MP front facing camera. Finally, it has a huge 5,000mAh battery that’s so big, it can even be used to power up other devices with its Battery Share feature. Amazon in the U.S. is currently selling the UK/EU model of the Cat S41 for $507.

Specs

5-inch Super Bright Full HD display

MediaTek Helio P20 processor

3GB RAM

32GB storage

13MP rear camera

8MP front camera

Android 7.0 Nougat

Battery: 5,000mAh

Size: 152 x 75 x 12.85mm, 216g

Read More

CAT S41 review: Truly a niche device

Get it at Amazon

Caterpillar Cat S31

The cheaper of the two most recent Caterpillar rugged phones is the S31, and it can take a beating. Like the S41, the S31 is supposedly usable even if it falls from 1.8 meters down to concrete. Its water resistance is a bit less impressive than that of its big brother, but it’s still impressive; the S31 can operate in up to 1.2 meters of water for up to 35 minutes. The 4.7-inch phone’s screen can also be handled by a person with wet or gloved hands.

Inside it is a Qualcomm Snapdragon 210 processor, 2GB of RAM and 16GB of storage. It also has an 8MP rear camera, a 2MP front camera and a large 4,000mAh battery. You can get it on Amazon for $289.98.

Specs

4.7-inch IPS 720p display

Qualcomm Snapdragon 210 processor

2GB RAM

16GB storage

8MP rear camera

2MP front camera

Android 7.0 Nougat

4,000mAh battery

Size: 146 x 74.42 x12.6mm, 200g

Get it on Amazon

Kyocera DualForce Pro 2

Well-known rugged phone brand Kyocera just recently launched its latest model, the DualForce Pro 2. It’s an exclusive in the U.S. via Verizon Wireless, with an average sized 5-inch display, a Qualcomm Snapdragon 630 processor, 4GB of RAM, and 64GB of onboard storage. It also has a dual rear camera setup with a 13MP main sensor and a 5MP ultra-wide sensor, along with an 8MP front-facing camera and a 3240mAh battery.

As with the other phones in this article, the Kyocera has an IP68 rating for water and dust resistance and is up to MIL-STD-810G specs for surviving drops. Finally, the phone’s screen is protected with a Sapphire Shield Display, which should prevent scratches. You can get it at Verizon for $444 without a contract, or for $18.50 a month for 24 months.

Specs

5-inch Full HD display with 1,080 x 1,920 resolution

Qualcomm Snapdragon 630 processor

4GB RAM

64GB storage

13MP and 5MP rear cameras

5MP front camera

Android 8.1 Oreo

3240mAh battery

150.2 x 73.4 x 13.5 mm, 243g

Get it at Verizon

Land Rover Explore

Land Rover is mostly known as a car company, but it also sells a rugged smartphone to go along with the lifestyle of its customers. The Land Rover Explore even resembles one of its cars, from its grill-like front design to its back, which looks a bit like a car mat.

The Land Rover Explore has an IP68 rating for dust and water resistance. With a screen protector, the phone can survive drops from up to six feet, and can even work submerged for up to 30 minutes underwater, including in salt water. The display can also work even if your fingers are wet or are inside gloves.

The hardware specs for the phone include a 5-inch Full HD display, a 2.6GHz deca-core Helio X27 processor, 4GB of RAM, and 64GB of expandable storage. There’s also a 16MP rear camera, an 8MP front-facing camera, and a large 4,000mAh battery the company says should last up to two days. The phone also has special apps, such as an Outdoor Dashboard that offers quick access to current weather information, and the phone even has an SOS flashlight in case you need it.

Each Land Rover Explore phone is sold with an “Adventure Pack” that connects to the back of the device with a series of magnets, similar to a Moto Mod. The pack adds an additional 3,600mAh battery, which should nearly double the phone’s battery life. It also comes with an 22mm ceramic patch GPS antenna, which offers a better GPS experience than most smartphones. Land Rover is also selling additional packs for the Explore, including a Battery Pack which throws in an even bigger 4,370mAh battery, and a Bike Pack that lets you mount the phone on a bike.

At the moment, the Land Rover Explore is sold mainly in Europe, for the price of 649 euros (~$739), or 599 pounds (~$765) in the U.K. You can purchase it in the US, via Amazon, but only from third-party sellers.

Specs

5-inch Full HD display

Deca-core Helio X27 processor

4GB RAM

64GB storage

16MP rear camera

8MP front camera

Android 7.0 Nougat (Android 8.0 Oreo update coming soon)

4,000mAh battery, with additional 3,600mAh Adventure Pack battery

Get it on Amazon

Nomu S50 Pro

The Nomu S50 Pro definitely qualifies as a rugged smartphone. It has an IP68 rating, which means it can survive being submerged in up to three meters of water for an hour. It also is MIL-STD-810G certified which means it will keep working after a drop from 1.8 meters high.

The phone is also much cheaper than most rugged phones, at just $229.99. For that price, you also get a 5.72-inch display with an 18:9 aspect ratio and a 720 x 1,440 resolution, a MediaTek MTK6763 CPU, 4GB of RAM, 64GB of onboard storage, a 16MP rear camera, an 8MP front-facing camera, and a huge 5,000mAh battery. You can buy it directly from the company below.

Specs

5.72-inch display, 720 x 1,440 resolution

Android 8.1 Oreo

MediaTek MTK6763 processor

4GB of RAM

64GB of storage,

16MP rear camera, 8MP front-facing camera

5,000mAh battery

Buy at Nomu

Unihertz Atom

Unihertz

If you want a rugged phone that’s also really, really small, take a look at the Unihertz Atom, currently available to purchase via Kickstarter. A follow up to the company’s earlier Jelly phone, the Atom is designed to be thicker and more rugged.

It only has a 2.45 inch display, but the Atom has an IP68 rating for water and dust resistance. That means not only will this phone fit nearly anywhere, it can handle a lot of abuse. You could even wear it comfortably on your arm as you run. In fact, Unihertz is selling optional running, biking, and body clips for the Atom so it can sit securely on your body or bike.

The phone uses an unnamed octa-core 2Ghz processor, and the Atom still crams in 4GB of RAM and 64GB of onboard storage. It also has a 16MP rear camera, an 8MP front-facing camera, and a 2,000mAh battery. It even has a USB Type-C port, a headphone jack, and a fingerprint scanner, along with a programmable key on the side that can be set to quickly launch an app, take a quick picture and more. You can now purchase the Atom at Unihertz’s website for $259.99

Specs

2.45-inch display, 432 x 240

Android 8.1 Oreo

Octa-core 2Ghz processor

4GB of RAM

64GB of storage,

16MP rear camera, 8MP front-facing camera

2,000mAh battery

96 x 45 x 18mm, 106g

Get it at Unihertz

Doogee S70

Doogee

In the recent trend of launching smartphones targeting hardcore gamers, the China-based Doogee has thrown its hat in the ring with the Doogee S70. This is indeed a rugged phone, with an IP68 water and dust resistance rating and a MIL-STD-810G certification. What makes it a gaming phone is that it has an optional add-on controller that connects to the back of the device. It has a trigger button, D-pad and analog stick, and generally should make it easier to play games, especially racing and first person shooter titles.

It also has a 6-inch full HD+ screen, a MediaTek Helio P23 chipset, 6GB of RAM, and 64GB of onboard storage. It has two rear cameras (12MP and 5MP), a 16MP front-facing camera and a truly massive 5,500mAh battery. You can get it now for $299.99.

Specs

5.99-inch display, 2,160 x 1,080 resolution

Android 8.1 Oreo

MediaTek Helio P23

6GB of RAM

64GB of storage,

12MP and 5MP rear cameras, 16 MP front-facing camera

5,500mAh battery

Get it at CooliCool

Samsung Galaxy S8 Active

The Samsung Galaxy S8 Active is the more rugged version of the company’s older flagship phone, the Galaxy S8. The phone, which has a metal frame and bumper, meets with MIL-STD-810G military specifications, which means that the S8 Active is supposed to be shatter-resistant, as well as dust and water resistant. In the latter case, the phone can still work even when it is submerged in up to 1.5 meters of water for up to 30 minutes.

Because of its rugged frame, the Galaxy S8 Active does not have the nearly bezel-free “Infinity Display” of the standard Galaxy S8, but it still has a 5.8 inch Super AMOLED screen with Gorilla Glass 5, with a resolution of 2,560 x 1,440. It comes in meteor gray or titanium gold.

Inside, the S8 Active has a speedy Qualcomm Snapdragon 835 processor, 4GB of RAM, 64GB of onboard storage, a 12MP rear camera ,and an 8MP front-facing camera. The biggest hardware difference is the battery. The S8 Active has a 4,000mAh battery, compared to the 3,000mAh battery of the standard Galaxy S8.

The Galaxy S8 Active works on GSM networks and is currently on sale unlocked at Amazon, which has priced it at $389.99. Samsung has not announced plans to release a rugged version of its most recent flagship phone, the Galaxy S9.

Specs

5.8-inch Super AMOLED screen, 2,560 x 1,440 resolution

Qualcomm Snapdragon 835 processor

4GB RAM

64GB storage

12MP rear storage

8MP front camera

4,000mAh battery

Android 7.0 Nougat

5.98 x 2.95 x 0.39 inches, 7.34 ounces

Get it at Amazon

While the audience for rugged phones is relatively small, we’re slowly seeing more offerings. It’s likely that more rugged phone features will creep into standard phones in the future as well.

Read Next:Cat S61 hands-on: See like the Predator

Here are the best rugged phones you can buy right now syndicated from barbarawalston.wordpress.com/

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(ZZ Top never opted to give Linden credit, which would have been THE decent thing to do. It would have helped Linden’s career as well. The band and management worked ruthlessly to take FULL credit for the hugely successful album which Linden had spent a good deal of time working on. Linden works daily to tell this story. Also, the band did not opt to pay Linden, they worked to keep all the money and they treated Linden like dirt. It was abuse. Linden launched a limited lawsuit, brought about using his limited resources which brought limited results and took years. No one should treat the co-writer of their most successful album like this. It’s just deeply fucked up.)
+++
Hear the original ZZ Top ELIMINATOR writing/rehearsal tapes made by Linden Hudson and Billy Gibbons at: www.flickr.com/photos/152350852@N02/35711891332/in/photol...
+++
Read Linden’s story of the making of the super-famous ZZ Top ELIMINATOR album at: www.flickr.com/people/152350852@N02/
+++
LICKLIBRARY DOT COM (2013 Billy Gibbons interview) ZZ TOP’S BILLY GIBBONS FINALLY ADMITTED: “the Eliminator sessions in 1983 were guided largely by another one of our associates, Linden Hudson, a gifted engineer, during the development of those compositions.” (end quote) (Gibbons admits this after 30 years, but offers Linden no apology or reparations for lack of credit/royalties)
+++
MUSICRADAR DOT COM (2013 interview with ZZ Top’s guitarist Billy Gibbons broke 30 years of silence about Linden Hudson introducing synthesizers into ZZ Top’s sound.) Gibbons said: “This was a really interesting turning point. We had befriended somebody who would become an influential associate, a guy named Linden Hudson. He was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing, starting in the studio and eventually to the live stage. Linden had no fear and was eager to experiment in ways that would frighten most bands. But we followed suit, and the synthesizers started to show up on record.” (once again, there was no apology from ZZ Top or Billy Gibbons after this revelation).
+++
TEXAS MONTHLY MAGAZINE (Dec 1996, By Joe Nick Patoski): "Linden Hudson floated the notion that the ideal dance music had 124 beats per minute; then he and Gibbons conceived, wrote, and recorded what amounted to a rough draft of an album before the band had set foot inside Ardent Studios."
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP (By David Blayney) : "Probably the most dramatic development in ZZ Top recording approaches came about as Eliminator was constructed. What had gone on before evolutionary; this change was revolutionary. ZZ Top got what amounted to a new bandsman (Linden) for the album, unknown to the world at large and at first even to Dusty and Frank."
+++
CNET DOT COM: (question posed to ZZ Top): Sound engineer Linden Hudson was described as a high-tech music teacher on your highly successful "Eliminator" album. How much did the band experiment with electronic instruments prior to that album?
+++
THE HOUSTON CHRONICLE, MARCH 2018: "Eliminator" had a tremendous impact on us and the people who listen to us," says ZZ Top’s bass player. Common band lore points to production engineer Linden Hudson suggesting that 120 beats per minute was the perfect rock tempo, or "the people’s tempo" as it came to be known.
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP by David Blayney: (page 227): "…the song LEGS Linden Hudson introduced the pumping synthesizer effect."
+++
(Search Linden Hudson in the various ZZ Top Wikipedia pages which are related to the ELIMINATOR album and you will find bits about Linden. Also the main ZZ Top Wikipedia page mentions Linden. He’s mentioned in at least 7 ZZ Top related Wikipedia pages.)
+++
FROM THE BOOK: SHARP DRESSED MEN – ZZ TOP By David Blayney: "Linden found himself in the position of being Billy’s (Billy Gibbons, ZZ Top guitarist) closest collaborator on Eliminator. In fact, he wound up spending more time on the album than anybody except Billy. While the two of them spent day after day in the studio, they were mostly alone with the equipment and the ideas."
+++
FROM THE BOOK: BEER DRINKERS & HELL RAISERS: A ZZ TOP GUIDE (By Neil Daniels, released 2014): "Hudson reportedly had a significant role to play during the planning stages of the release (ELIMINATOR)."
+++
FROM THE BOOK: ZZ TOP – BAD AND WORLDWIDE (ROLLING STONE PRESS, WRITTEN BY DEBORAH FROST): "Linden was always doing computer studies. It was something that fascinated him, like studio technology. He thought he might understand the components of popular songs better if he fed certain data into his computer. It might help him understand what hits (song releases) of any given period share. He first found out about speed; all the songs he studied deviated no more than one beat from 120 beats per minute. Billy immediately started to write some songs with 120 beats per minute. Linden helped out with a couple, like UNDER PRESSURE and SHARP DRESSED MAN. Someone had to help Billy out. Dusty and Frank didn’t even like to rehearse much. Their studio absence wasn’t really a problem though. The bass and drum parts were easily played with a synthesizer or Linn drum machine." (end quote)
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "After his quantitative revelations, Linden informally but instantly became ZZ Top’s rehearsal hall theoretician, producer, and engineer." (end quote)
+++
FROM THE BOOK: "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST): "With the release of their ninth album, ELIMINATOR, in 1983, these hairy, unlikely rock heroes had become a pop phenomenon. This had something to do with the discoveries of a young preproduction engineer (Linden Hudson) whose contributions, like those of many associated with the band over the years, were never acknowledged."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP (By DAVID BLAYNEY) : "The integral position Linden occupied in the process of building El​iminator was demonstrated eloquently in the case of song Under Pressure. Billy and Linden, the studio wizards, did the whole song all in one afternoon without either the bass player or drummer even knowing it had been written and recorded on a demo tape. Linden synthesized the bass and drums and helped write the lyrics; Billy did the guitars and vocals."
+++
FROM THE BOOK: "TRES HOMBRES – THE STORY OF ZZ TOP" BY DAVID SINCLAIR (Writer for the Times Of London): "Linden Hudson, the engineer/producer who lived at Beard’s house (ZZ’s drummer) had drawn their attention to the possibilities of the new recording technology and specifically to the charms of the straight drumming pattern, as used on a programmed drum machine. On ELIMINATOR ZZ Top unveiled a simple new musical combination that cracked open a vast worldwide market.
+++
FROM THE BOOK: "SHARP DRESS MEN – ZZ TOP" BY DAVID BLAYNEY: "ELIMINATOR went on to become a multi-platinum album, just as Linden had predicted when he and Billy were setting up the 124-beat tempos and arranging all the material. Rolling Stone eventually picked the album as number 39 out of the top 100 of the 80’s. Linden Hudson in a fair world shoud have had his name all over ELIMINATOR and gotten the just compensation he deserved. Instead he got ostracized."
+++
FROM THE BOOK: ​SHARP DRESSED MEN – ZZ TOP by DAVID BLAYNEY: "He (Linden) went back with the boys to 1970 when he was working as a radio disc jocky aliased Jack Smack. He was emcee for a show ZZ did around that time, and even sang an encore tune with the band, perhaps the only person ever to have that honor." (side note: this was ZZ Top’s very first show).
+++
FROM THE BOOK: "SHARP DRESSED MEN – ZZ TOP" BY DAVID BLAYNEY: "Linden remained at Frank’s (ZZ Top drummer) place as ZZ’s live-in engineer throughout the whole period of ELIMINATOR rehearsals, and was like one of the family… as he (Linden) worked at the controls day after day, watching the album (ELIMINATOR) take shape, his hopes for a big step forward in his production career undoubtably soared. ELIMINATOR marked the first time that ZZ Top was able to rehearse an entire album with the recording studio gadgetry that Billy so loved. With Linden Hudson around all the time, it also was the first time the band could write, rehearse, and record with someone who knew the men and the machines. ZZ Top was free to go musically crazy, but also musically crazy like a fox. Linden made that possible too."
+++
FROM THE BOOK "ZZ TOP – BAD AND WORLDWIDE" (ROLLING STONE PRESS, BY DEBORAH FROST, WRITER FOR ROLLING STONE MAGAZINE): "… SHARP DRESSED MAN which employed Hudson’s 120 beat-per-minute theory. The feel, the enthusiasm, the snappy beat and crisp clean sound propelled ELIMINATOR into the ears and hearts of 5 million people who previously could have cared less about the boogie band of RIO GRANDE MUD."
+++
THE GREATEST ROCK REBRAND OF ALL TIME (by Jason Miller): "Sound engineer Linden Hudson researched the tempos at which the most popular rock tracks in the charts had been recorded. His data showed that there was something very special about 120 beats to a minute. Gibbons decided to record pretty much the whole of ZZ Top’s new album at that tempo. The result? 1983’s Eliminator. It was named after Gibbons’ Ford Coupé; it had been created through a unique combination of creative collaboration and data mining. And it was about to take the world by storm."
+++
ULTIMATECLASSICROCK DOT COM: "This new melding of styles was encouraged by Hudson, who served as a kind of pre-producer for ​EL LOCO … … Hudson helped construct ZZ Top drummer Frank Beard’s home studio, and had lived with him for a time. That led to these initial sessions, and then a closer collaboration on 1983’s ​ELIMINATOR.
+++
FIREDOGLAKE DOT COM: "I like Billy Gibbons’ guitar tone quite a lot, but I lost all respect for them after reading how badly they fucked over Linden Hudson (the guy who was the brains behind their move to include synthesizers and co-wrote most of their career-defining Eliminator record)."
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EMAIL FROM A ZZ TOP FAN TO LINDEN (One Of Many): "I write you today about broken hearts, one is mine and one is for you. I have been a ZZ Top fan since I was 6 years old. I purchased ELIMINATOR vinyl from Caldors in Connecticut with the $20 my grandma gave me for my birthday. I will spare the #1 fan epic saga of tee shirts, harassing Noreen at the fan club via phone weekly for years, over 40 shows attended. Posters, non stop conversation about the time I have spent idolizing this band, but more Billy G, as he has seemed to break free of the Lone Wolf shackles and it became more clear this was his baby. In baseball I was Don Mattingly’s #1 fan, Hershel Walker in football, Billy Gibbons in music. What do these individuals have in common? They were role models. Not a DUI, not a spousal abuse, not a drug overdose, not a cheater. Until I read your web page. I read Blayney’s book around 1992 or so, I was in middle school and I was familiar with your name for a long time. I didn’t realize you suffered so greatly or that your involvement was so significant. It pains me to learn my idol not only cheated but did something so wrong to another being. I now know this is where tall tales and fun loving bullshit and poor morals and ethics are distinguished and where I would no longer consider myself to look up to Billy. I love to joke and I love credit but I have always prided myself on ethics and principles… I hold them dear. I wanted to say, the snippet of UNDER PRESSURE you played sounded very new wave and I may like it more than the finished product. Well that’s all. You have reached ZZ Top’s biggest fan and I can let others know. Bummer. Cheers and good luck. James."​
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VINYLSTYLUS DOT COM: Much of Eliminator was recorded at 124bpm, the tempo that considered perfect for dance music by the band’s associate Linden Hudson. An aspiring songwriter, former DJ and – at the time – drummer Frank Beard’s house-sitter, Hudson’s involvement in the recording of the album would come back to haunt them. Despite assisting Gibbons with the pre-production and developing of the material that would end up on both El Loco and Eliminator, his contribution wasn’t credited when either record was released.
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INFOMORY DOT COM: ‘Eliminator’ is a studio album of the American rock band ZZ Top. It was released on March 23, 1983 and topped the charts worldwide. Its lyrics were co-written by the band’s sound engineer Linden Hudson while the band denied it.
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MUSICMISCELLANEOUS DOT COM: (ELIMINATOR ALBUM):
However, despite the album credits bass-player Dusty Hill and drummer Frank Beard were replaced during the recording process by synthesizers and a drum machine programmed by engineer Linden Hudson, who allegedly co-wrote much of the music with Gibbons despite receiving no credit at the time. Gibbons would later say of Hudson that “he was a gifted songwriter and had production skills that were leading the pack at times. He brought some elements to the forefront that helped reshape what ZZ Top were doing”. Hudson did no less than show the band how to stay relevant in an age where three guys from Texas with long beards (except famously for Frank Beard) and blues licks were one of the last things the contemporary market was demanding.

Posted by lindenhud1 on 2018-12-10 18:07:43

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Makes 2 dozen.

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PER COOKIE: 227 calories, 12 g fat (8 g sat fat), 26 mg cholesterol, 31 g carbohydrates, 167 mg sodium, 1 g fiber, 3 g protein, 19 g sugar

SOURCE: Rebekah Thomas

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